Quotes of All Topics . Occasions . Authors
In some ways I consider myself more Chinese, because I live in San Francisco, which is becoming a predominantly Asian city. I avoid falling into the black-and-white dialectic in which most of America still seems trapped. I have always recognized that, as an American, I am in relationship with other parts of the world; that I have to measure myself against the Pacific, against Asia. Having to think of myself in relationship to that horizon has liberated me from the black-and-white checkerboard.
I want our people to beware that no matter how good the promise is - it is not to be carried out. The only thing I say again that will make America safe is to: Let the Black man and woman go into a state or territory of our own, and help us in that territory for the next 20 to 25 years until we are able to go for self. This will solve the problem between Black and White. And Allah (God) promises that America will get an extension of time and the Wrath of God will be turned aside from this nation.
The Lighthouse was then a silvery, misty-looking tower with a yellow eye, that opened suddenly, and softly in the evening. Now— James looked at the Lighthouse. He could see the white-washed rocks; the tower, stark and straight; he could see that it was barred with black and white; he could see windows in it; he could even see washing spread on the rocks to dry. So that was the Lighthouse, was it? No, the other was also the Lighthouse. For nothing was simply one thing. The other Lighthouse was true too.
The other day I found her passport in her drawer when I was putting away my dad's laundered handkerchiefs. I wish I hadn't. For the purpose of my story, she should have it with her. I sat on my dad's bed and flipped through page after empty page. No stamps. No exotic locales. No travel-worn smudges or creases. Just the ID information and my mother's black-and-white photo which if it were used in a psychology textbook on the meaning of facial expressions would be labelled: Obscenely, heartbreakingly hopeful.
At the southern tip of the continent, a rich reward is in the making, an invaluable gift is in the preparation, for those who suffered in the name of all humanity when they sacrificed everything - for liberty, peace, human dignity and human fulfillment. The value of our shared reward will and must be measured by the joyful peace which will triumph, because of the common humanity that bonds both black and white into one human race, will have said to each one of us that we shall all live like the children of paradise.
A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions.
I think it was the beginning of Mrs. Bond's unquestioning faith in me when she saw me quickly enveloping the cat till all you could see of him was a small black and white head protruding from an immovable cocoon of cloth. He and i were now facing each other, more or less eyeball to eyeball, and George couldn't do a thing about it. As i say, I rather pride myself on this little expertise, and even today my veterinary colleagues have been known to remark, "Old Herriot may be limited in many respects, but by God he can wrap a cat.
I decided to start anew-to strip away what I had been taught, to accept as true my own thinking. This was one of the best times of my life. There was no one around to look at what I was doing, no one interested, no one to say anything about it one way or another. I was alone and singularly free, working into my own, unknown-no one to satisfy but myself. I began with charcoal and paper and decided not to use any color until it was impossible to do what I wanted to do in black and white. I believe it was June before I needed blue.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.
The world does not have a voice of its own. It can't tell you what it wants, what it needs. But it's yearning for something to point it in the right direction. A savior, perhaps. Save us, Chris! You must forgive me. Where have my manners gone. I don't think I've had a chance to formerly introduce myself. You may call me Bray Wyatt. But I have a thousand faces and a million names. Seducer, accuser, destroyer. I am the color red in a world full of black and white, and if you value your ability to breathe, don't get too close. Save us, Chris. Save yourself.
Whether we're talking about what the role of the government is, what you think of the United Nations, political leaders or how to respond to [Hurricane] Katrina and whether it had anything to do with race, across a wide variety of issues we see differences between mainstream black and white American opinion that dwarfs anything in American public opinion, period. Democrat versus Republican, men versus women, conservative versus liberal, the black/white divide is the biggest, one of the biggest in the world, and certainly the largest gap in the United States.
Salafi is a very broad concept in Islam. What we have now is, like, for example, the Nour Party in Egypt or the Salafi in Tunisia are people who, in fact, we call very often Wahhabi, following the Saudi school of thought and law. And they are literalists in the way where it's black and white, there's a very narrow interpretation of the scriptural sources. For decades, we knew that they were there, but they were not involved in politics. What is completely new for all of us over the last years is that they are now within the political arena and playing the democratic game.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
Taking the continent as a whole, this religious tension may be responsible for the revival of the commonest racial feeling. Africa is divided into Black and White, and the names that are substituted- Africa south of the Sahara, Africa north of the Sahara- do not manage to hide this latent racism. Here, it is affirmed that White Africa has a thousand-year-old tradition of culture; that she is Mediterranean, that she is a continuation of Europe and that she shares in Graeco-Latin civilization. Black Africa is looked on as a region that is inert, brutal, uncivilized - in a word, savage.