I myself don't know what makes my books work. I enter a bookstore and I'm frankly overwhelmed by the number of books in most of them, and I know people are buying mine.

The more a book is like an opium pipe, the more the Chinaman reader is satisfied with it and tends to discuss the quality of the drug rather than its lethargic effects.

I've always liked getting away with just a little bit of what you're not supposed to. Like my first book, Billy's Booger, got me in trouble with the principal's office.

Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance.

Sometimes words are not enough. There are some circumstances so utterly wretched that I cannot describe them in sentences or paragraphs or even a whole series of books.

In anything fit to be called by the name of reading, the process itself should be absorbing and voluptuous; we should gloat over a book, be rapt clean out of ourselves.

The Grand Canyon is carven deep by the master hand; it is the gulf of silence, widened in the desert; it is all time inscribing the naked rock; it is the book of earth.

First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money.

I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.

I like people who love books and movies and art and want to talk about it all the time, because that's basically what I want to talk about. Intellectuals that are funny.

The Book of Revelation, difficult as it may be for "literalists," becomes much simpler when we read it typologically, as a mosiac of allusions to Old Testament prophecy.

If by reaction you mean critical reaction, I was confident that we were putting out a quality book [ Treachery]. So I was reasonably sure that we'd get positive notices.

I think that the book in some ways is the most interesting from our own present standpoint, particularly when we want to think about the way the internet is changing us.

I definitely want to write some fiction, for sure. I already have half of the next book. I already have it all mapped out. I'm ready. I'm ready to bring it to the world.

Back before the internet we had a name for people who bought a single copy of our books and lent them to all their friends without charging: we called them "librarians".

I work hard and I party hard. When I go to work, I know what I am doing and I do it to the best of my abilities. When I party, I take exactly the same rule book with me.

A young person wanting to become an artist might simply go purposefully and dedicatedly to his or her room with a few books and a thousand blank canvases for four years.

Purely the idea of writing a lot of books doesn't make you a great writer, but it might be that the process of doing a lot of writing will make you a much better writer.

I go into Daunt Books in Marylebone every couple of weeks. My wife Sara demolishes books, but I only buy stuff occasionally. I like boys' things, spies and the Cold War.

We have to tell the American public that they're missing the boat, that they have to get into writing and reading. Not only that, but books won't crash in the year 2000.

Obsession led me to write. It's been that way with every book I've ever written. I become completely consumed by a theme, by characters, by a desire to meet a challenge.

The great and good do no die even in this world. Embalmed in books, their spirits walk abroad. The book is a living voice. It is an intellect to which one still listens.

This book is not a polemic treatise but a powerful, well-researched account that sensitizes any reader to the ways in which in-difference permits brutality and genocide.

I was, after all, the daughter of a man who believed that to be involved with books was to live at the heart of light, and the former wife of a man who shared his faith.

I don't think the physical object of a book has any sacred quality, so in principle I think ebooks are great - just another way for stories and story-tellers to connect.

Sometimes I look back and think, "How did I write that? The book is smarter than I am!" I have never written strategically, but rather, followed the dictates of my muse.

Study is like the heaven's glorious sun, That will not be deep-searched with saucy looks: Small have continual plodders ever won, Save base authority from others' books.

You be sure to throw the book at him, you hear me? I feel violated, Detective. Violated." "I'll throw this table at you if you don't give us the names we're looking for.

In short, if you have any question about whether a particular movie, book, or other form of entertainment is appropriate, don’t see it, don’t read it, don’t participate.

The young student sits with his head bent over his books, and his mind straying in youth's dreamland; where prose is prowling on the desk and poetry hiding in the heart.

I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books.

So my first book I had no experience having written a book, but each book is a little snapshot of who you are at that moment, accrued all through time, so I accept that.

I sometimes think I prefer suitors in books rather than right in front of me. How awful, backward, cowardly, and mentally warped that will be if it turns out to be true.

I love telling people what to read. It's my favorite thing in the world, to buy books and force books on people, take bad books away from people, give them better books.

Writing your name can lead to writing sentences. And the next thing you'll be doing is writing paragraphs, and then books. And then you'll be in as much trouble as I am!

Be sure then to read no mean books. Shun the spawn of the press on the gossip of the hour. Do not read what you shall learn, without asking, in the street and the train.

There's a book called 'The Baron in the Trees.' A friend got that for me because I was kind of a tree-dwelling nomad for a bit. I kind of associate myself with the book.

The title 'Now He Sings, Now He Sobs' comes from 'I Ching,' an ancient Chinese book that I was into in the '60s when I was studying different philosophies and religions.

Some books accrete things to themselves like a magnet. The writer risks sterility by subjecting the mysterious power of imagination to the devices of mere comprehension.

Many Americans have never owned a book, and I'm not talking about because of the recent digital revolution. I'm talking about before there even was a digital revolution.

I went back to the notion of story, which is always a good thing to have if you're trying to get people to pay attention to a book and pick up information along the way.

I've read every one of Donald Goines' books. So as soon as I heard there was an opportunity for one of his novels to be turned into a movie, I jumped at the opportunity.

Hold fast to the Bible. To the influence of this Book we are indebted for all the progress made in true civilization and to this we must look as our guide in the future.

I think that every so-called history book and film biography should be prefaced by the statement that what follows is the author's rendition of events and circumstances.

High Concept means a book or a film whose core idea can be stated in a single sentence, such as Arnold Schwarzenegger and Danny DeVito are twins. Or, Arnold is pregnant.

The Winnipeg Art Gallery has a good collection of Inuit art, and most of what I've seen I've seen there or in the few books I have. I should spend more time researching.

I had written childrens books for 14 years before I published Wicked. And none of them were poorly reviewed, and none of them sold enough for me to be able to buy a bed.

I painted myself into a corner by writing a whole book on this one period. The summer of 1927 came to an end, but nothing else did - all of these peoples' lives went on.

At first, I spend about four hours a day writing. Toward the end of a book, I spend up to 16 hours a day on it, because all I want to do is make it good and get it done.

I know I never work in whatever gets called an office, e.g., a school office I use only for meeting students and storing books I know I'm not going to read anytime soon.

Share This Page