Quotes of All Topics . Occasions . Authors
This is what books only aimed to do and never could. Give you the glint of someone else's sunrise, what living is really like, you get old and it hurts to bend your elbow; your friends start to die, you can’t get fresh fruit in the shops.
The amount of response I get, in both a negative and a positive context, is completely related to the amount of books I sell, I think. It seems to have nothing to do with what I'm writing, but what degree of success I'm perceived to have.
My doctors were of one mind: unless something was immediately done, I had maybe six months to live. A quintuple bypass was suggested. Quintuple! I was impressed, though somewhat disturbed because I was in the middle of work on a new book.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
The worst advice I ever received from my dad was to play by the book. My old man used to flip out whenever I would try to branch out and do something different. Although he didn't do it on purpose, he really held me back in the beginning.
I've turned down a lot of stuff. I've read several scripts and said "That's not me, I'm not interested in doing that." It's got to be something that inspires me and captures my imagination. I want to be able to say "There's a challenge.".
I think you should read everything you can. In my case, by the age of 10, I'd read every book in the Omaha public library about investing, some twice. You need to fill your mind with various competing thoughts and decide which make sense.
Amoeba has her picture in the book, Proud Protozoon!-Yet beware of pride, All she can do is fatten and divide; She cannot even read, or sew, or cook... The Worm can crawl But has no eyes to look. The Jelly-fish can swim But lacks a bride.
If there is a book that the script came from you have to read it, you have to see what you can get out of it: mood, back story and things that may not even be in the film. They kick off your imagination and broaden the character, I think.
I have SO many books I didn't sell. Some my agent rejected outright, others made it all the way to my editor to be turned away. Not everything is a winner, which is tough when you've devoted eight or nine months of your life to something.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. That book had a number of sort of rites of passage for me.
I could always write in a wide variety. My moods change same as reader's moods change. I really do love writing the historicals, however, but if that's all I did I would go crazy, same with any of the other kinds of books. I need variety.
Life is just like a book. Only after you've read it do you know how it ends. It is when we are at the end of life that we know how our life ran. Mine, until now, has been black. As black as my skin. Black as the garbage dump where I live.
I sometimes longed for someone who, like me, had not adjusted perfectly with his age, and such a person was hard to find; but I soon discovered cats, in which I could imagine a condition like mine, and books, where I found it quite often.
Melancholy is a sensual pleasure that is deliberately provoked. How many people shut themselves away to make themselves sadder, or to weep beside a stream, or choose a sentimental book! We are constantly building and unbuilding ourselves.
So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.
It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books.
I think my biggest problem, though, at least in drafts, is not repeating myself. After eight books I get worried that a character or piece of dialog might be too much like something I've already done. So it's a challenge to keep it fresh.
For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
I was inspired by the marvelous example of Giacometti, the great sculptor. He always said that his dream was to do a bust so small that it could enter a matchbook, but so heavy that no one could lift it. That's what a good book should be.
If I could come out in this book and advocate complete revolution and the violent overthrow of the United States of America, without being thrown in jail, I would not have written The Anarchist Cookbook, and there would be no need for it.
What amazes me is that most days feel useless. I don't seem to accomplish anything-just a few pages, most of which don't seem very good. Yet, when I put all those wasted days together, I somehow end up with a book of which I'm very proud.
The main advantage of being a reviewer is that you read a lot. A lot of books get sent to you, and you have an amazing vantage point from which to observe what's going on in contemporary fiction - not only genre stuff, the whole spectrum.
So Matilda’s strong young mind continued to grow, nurtured by the voices of all those authors who had sent their books out into the world like ships on the sea. These books gave Matilda a hopeful and comforting message: You are not alone.
Mankind in Amnesia has to do not only with the past, like my other books -- primarily it has to do with the future, a future not removed by thousands or tens of thousands of years, but the imminent future, on whose threshold we now stand.
Whenever I go to work I wear a jacket and a tie, because I'm inherently quite lazy, and my books take so long to do, and my publishers don't bug me, so it's so easy to fool yourself into thinking you're working harder than you really are.
One of the few things I know about writing is this: Spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book, give it, give it all, give it now.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
Not only has my latest book, The Wandering Who?, rocked the boat, but it also has managed to unite Alan Dershowitz and Abe Foxman with Ali Abunimah and Max Blumenthal. That is pretty encouraging: it means that peace may prevail after all.
I write four books a year. I'm very fortunate that I write quickly; around 3,500 words a day. Being strict about delineating my writing time and personal life, as well as keeping distractions at bay, is the only way I can accomplish this.
What keeps me awake at the wheel is the thrill of trying something completely new with each book. I’m not a risk-taker in life, generally speaking, but as a writer I definitely choose the fast car, the impossible rock face, the free fall.
Don’t you, when strangers and friends come to call, straighten the cushions, kick the books under the bed and put away the letter you were writing? How many of us want any of us to see us as we really are? Isn’t the mirror hostile enough?
I've developed a great reputation for wisdom by ordering more books than I ever had time to read, and reading more books, by far, than I learned anything useful from, except, of course, that some very tedious gentlemen have written books.
Reading texts is no substitute for meditation and practicing Zen. If you read a book about a place, and you want to go there, you don't keep reading the book. You have to travel. That's what practice is about. Traveling. Walking the path.
Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.
The reality of truth is not to be bought, to be sold, to be repeated; it cannot be caught in books. It has to be found from moment to moment, in the smile, in the tear, under the dead leaf, in the vagrant thought, in the fullness of love.
One of the wonderful things about the computer is that it allows us to sit at home and either write a book or a computer program. Then we can send that program or book to companies that specialize in reproducing them and distributing them.
The library, I believe, is the last of our public institutions to which you can go without credentials. You don't even need the sticker on your windshield that you need to get into the public beach. All you need is the willingness to read.
When I finish a book, I'll go to that file and look through them. And I'll say, these are three that really excite me and I want to do them next. You have the business part; of those three, is the publisher excited about one? Is the agent?
The Social License is fundamentally about accountability to people and not just powerful interests. John Morrison’s book reminds all organizations – governments, business and civil society – to focus on the legitimacy of their own actions.
I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader."
The plot is so tired that even this reviewer, who in infancy was let drop by a nurse with the result that she has ever since been mystified by amateur coin tricks, was able to guess the identity of the murderer from the middle of the book.
I suspect there are two kinds of novelists. Those who have a point of view and have something to say and then write a novel in order to say that thing, and those of us who write the book in order to find out what we think about that thing.
Wherever the Bible has been consistently applied, it has dramatically changed the civilization and culture of those who have accepted its teaching. No other book has ever so dramatically changed the individual lives and society in general.
I spent much of my prison time reading. I must have read over 200 large books, mostly fictional stories about the American pioneers, the Vikings, Mafia, etc. As long as I was engrossed in a book, I was not in prison. Reading was my escape.
How can you not understand?" He pointed at her books. "You read novels. Obviously, I'm here to rescue you. Don't I look like Sir Galahad?" He raised his arms dramatically. "My strength is as the strength of ten, Because my heart is pure---
With a novel, no matter where I am in it, I'm fretting about it. Every time I write a book, it starts with great forward momentum. Then there seems to be a period where it slows down a bit, and other things intervene. Then I gain momentum.
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.
If I were founding a university I would begin with a smoking room; next a dormitory; and then a decent reading room and a library. After that, if I still had more money that I couldn't use, I would hire a professor and get some text books.