Book Quotes - Page 344

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I ceased in the year 1764 to believe that one can convince one’s opponents with arguments printed in books. It is not to do that, therefore, that I have taken up my pen, but merely so as to annoy them, and to bestow strength and courage on those on our own side, and to make it known to the others that they have not convinced us.

Teddy grinned again. 'Truths are dangerous,' he said. -'Then why are you writing them in a book?' -'To catch them between the pages,' said Teddy, 'and trap them before they disappear.' -'If they're dangerous, why not let them disappear?' -'Because when truths disappear, they leave behind blank spaces, and that is also dangerous.

A second person that's come to my life very recently, and I'm thankful for it, is Marshall Rosenberg, the founder of the Nonviolent Communication Organization. He has all these books about how we can use our language nonviolently to help create peace. He's using a lot of Buddhism too, but he's helping me to think about language.

I like to be surrounded by books. My wife Evelyn has a PhD in comparative literature so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called FMR, so we have a common interest in design.

Gina Hyams has put together a fabulous fun book/gift: Pie Contest in a Box: Everything You Need to Host a Pie Contest. There’s a great book inside, with recipes, pie history, and plenty of inspiration for gathering your friends together to see who can make the best pie. Plus, ribbons! And scorecards! This would be a great party.

Productivity is a relative matter. And it's really insignificant: What is ultimately important is a writer's strongest books. It may be the case that we all must write many books in order to achieve a few lasting ones - just as a young writer or poet might have to write hundreds of poems before writing his first significant one.

Really, the moment you have any idea, the second thought that enters your mind after the original idea is, "What is this? Is it a book, is it a movie, is it a this, is it a that, is it a short story, is it a breakfast cereal?" Really, from that moment, your decision about what kind of thing it is then determines how it develops.

But that's not how most of the people mentioned in this book became wealthy. Most of them became wealthy by being well connected and crooked. And they are creating a society in which they can commit hugely damaging economic crimes with impunity, and in which only children of the wealthy have the opportunity to become successful.

What was the question? ...Oh. Where do I get my crazy ideas? Answer: sleep-fairy, walk-fairy, shower-fairy. Book-fairy. And in these last few years, from my wife. Now when I have questions I ask her and she tells me the answer. If you haven't already, I'd suggest you want to find your soulmate, as soon as you can. Next question?

He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust — dust of which he breathed the sweet and tender perfume with delight.

To vest a few fallible men — prosecutors, judges, jurors — with vast powers of literary or artistic censorship, to convert them into what J. S. Mill called a "moral police," is to make them despotic arbiters of literary products. If one day they ban mediocre books as obscene, another day they may do likewise to a work of genius.

A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.

In his book The Quest of the Historical Jesus, the most definitive study that's ever been done on the subject, Albert Schweitzer admitted that there isn't a shred of conclusive proof that Christ ever lived, let alone was the son of God. He concludes that one must therefore accept both on faith. I reject both for the same reason.

It's enough for you to do it once for a few men to remember you. But if you do it year after year, then many people remember you and they tell it to their children, and their children and grandchildren remember and, if it concerns books, they can read them. And if it's good enough, it will last as long as there are human beings.

My parents are pretty liberal. But they were just you know trying to look out for my innocence or whatever. But my babysitter had "Forever" [by Judy Blume]. And I said "Well I've read Judy Blume books, can I borrow that?" And she said no, this one's not appropriate for you. Which obviously, got me really worked up. So I took it.

I never think of an entire book at once. I always just start with a very small idea. In 'Holes,' I just began with the setting; a juvenile correctional facility located in the Texas desert. Then I slowly make up the story, and rewrite it several times, and each time I rewrite it, I get new ideas, and change the old ideas around.

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr.

Wayne Wang, the director of Because of Winn-Dixie the movie, understood the book and transferred as much of the feeling of the book onto film as humanly possible. I think he did a fabulous job. And also I'm thrilled because the movie brings people to the book - people that wouldn't know about the book - and that's a great thing.

I see now that dismissing YA books because you're not a young adult is a little bit like refusing to watch thrillers on the grounds that you're not a policeman or a dangerous criminal, and as a consequence, I've discovered a previously ignored room at the back of the bookstore that's filled with masterpieces I've never heard of.

I went to SXSW in 2011. God, that was awful. I mean, I only went because my publisher wanted me to promote the book and the organizers invited me and it seemed silly not to go, especially for a relatively unknown first-time author. This is just not my cup of tea; the fewer such events I do on an annual basis, the happier I feel.

No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will have to make some changes, just because film and TV are different media than books.

I see how complicated it is to make a film and how many people are involved and I love the fact that I get to sit in a room on my own and the set costs nothing and the actors cost nothing and I'm the director and it's so simple. You just need a pen and paper to make a book. You don't need a huge budget or a gaffer or a best boy.

My mouth is no prayer book, but my view is, I'd view addiction to these substances as a medical problem and I would treat it accordingly. What little I know about the history of drug control policy in the United States leaves me thinking that a hugely important moment came when the lawyers win out over the doctors on this matter.

In a way, 'Sin City''s designed to be paced somewhere between an American comic book and Japanese manga. Working in black and white, I realized that the eye is less patient, and you have to make your point, and sometimes repeat it. Slowing things down is harder in black and white, because there isn't as much for the eye to enjoy.

What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.

But knowing that the world had come full circle to our Depression story didn't change the way we worked on it, or encourage us to change our thrust. I want people to be able to pick up this book in the future no matter what's going on in the world, and appreciate it on its own merits, not for any perceived winks at the headlines.

It's a tract against capital punishment in the genre of Swift's Modest Proposal. I was simply following a formula to its logical conclusion. Some people appear to have understood it. The publication of Naked Lunch in England practically coincided with their abolition of capital punishment. The book obviously had a certain effect.

We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.

If you look at the steps being taken towards Scottish independence, they're being dealt with politically in very dull and boring ways. So if you just feverishly speculate numbered but random Scotlands - because in the book, it's a random sequence of possibilities - you can imagine many ways in which different things might happen.

The new book by Nafeez Ahmed, based on very extensive and deep research, is by far the best on the 9/11 syndrome. Articulating and documenting what many feel, and empowering them into action, the book will have an impact on entrenched US empire elites unwilling and unable to take it on. Votes of thanks to Ahmed, and to Interlink!

What better way to learn about life in the ocean--and how we are changing it--than through stories of blind zombie worms, immortal jellyfish, and unicorns of the sea? The Extreme Life of the Sea is an insightful book that inspires awe and wonder about our ocean, and brilliantly shows us the immense possibilities of life on Earth.

Never let it be said that Harry Dresden is afraid of a dried, dead bug. Creepy or not, I wasn't going to let it ruin my concentration. So I scooped it up with the corner of the phone book and popped it into the middle drawer of my desk. Out of sight, out of mind. So I have a problem with creepy, dead, poisonous things. So sue me.

My parents would frisk me before family events. Before weddings, funerals, bar mitzvahs, and what have you. Because if they didn't, then the book would be hidden inside some pocket or other and as soon as whatever it was got under way I'd be found in a corner. That was who I was...that was what I did. I was the kid with the book.

I get hundreds of emails daily and a lot of feedback from people that are reading or have read my books. When I'm writing, or in my daily life, I just think of the work. I love to tell a story, but I might work with a story to make it the best I can without thinking of how many people will read it or if it will influence anybody.

Orma moved a pile of books off a stool for me but seated himself directly on another stack. This habit of his never ceased to amuse me. Dragons no longer hoarded gold; Comonot's reforms had outlawed it. For Orma and his generation, knowledge was treasure. As dragons through the ages had done, he gathered it and then he sat on it.

Oh my God, I'm so excited. I love Comic-Con, it feels like a weird nerd camp. All my nerd friends are there and all the comic book writers I know and then a lot of actors, too, and you hang out with these people for just a few days, but you hang out with them all day, every day. It's like camp - it's like a weird camp. I love it.

It is inconceivable that anyone will divulge a truly effective get-rich scheme for the price of a book. There is ample opportunity to use wealth in this world, and neither I nor my friends, nor anyone else I have ever met, has so much of it that they are interested in putting themselves at a disadvantage by sharing their secrets.

I am interested in people, and I am interested enough in people that I want to be friends with a lot of people and know about their lives. So I'm not a hermit. I'm also interested in writing about other things. It goes on and on. I sometimes wish that I had a different personality. But then I would write different types of books.

Give me books, fruit, French wine and fine weather and a little music out of doors, played by someone I do not know. I admire lolling on a lawn by a water-lilied pond to eat white currants and see goldfish: and go to the fair in the evening if I'm good. There is not hope for that -one is sure to get into some mess before evening.

I came up in comics doing lots of DIY self-published stuff, producing my own books, handling all the details of creation and production. And theatre is something that's really attractive to me, as it's a similarly accessible form - it has a lot of the same sort of down-and dirty DIY spirit, where you can make a lot with a little.

I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart.

I know that to personalize the Earth System as Gaia, as I have often done and continue to do in this book, irritates the scientifically correct, but I am unrepentant because metaphors are more than ever needed for a widespread comprehension of the true nature of the Earth and an understanding of the lethal dangers that lie ahead.

There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.

I learned a history not then written in books but one passed from generation to generation on the steps of moonlit porches and beside dying fires in one-room houses, a history of great-grandparents and of slavery and of the days following slavery; of those who lived still not free, yet who would not let their spirits be enslaved.

I've been waiting a long time to be a children's book author. I've spent decades getting good enough to write for children. When a kid likes my book, or just likes that I'm visiting and talking to him or her, and I get a hug, I feel reborn. That hug that says you made a connection - there's nothing better in the whole wide world.

I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.

The worst of it is that I am perpetually being punished for nothing; this governor loves to punish, and he punishes by taking my books away from me. It's perfectly awful to let the mind grind itself away between the upper and nether millstones of regret and remorse without respite; with books my life would be livable -- any life.

The sources of our knowledge of the kabalistic doctrines are the books of Yetzirah and Zohar, the former drawn up in the second century, and the latter a little later; but they contain materials much older than themselves...In them, as in the teachings of Zoroaster, everything that exists emanates from a source of infinite Light.

Once upon a time a Georgian printed a couple of books that attracted notice, but immediately it turned out that he was little more than an amanuensis for the local blacks--that his works were really the products, not of white Georgia, but of black Georgia. Writing afterward as a white man, he swiftly subsided into the fifth rank.

I have been tested. I have beaten breast cancer. I have buried a child. I started as a secretary. I fought my way to the top of corporate America while being called every B word in the book. I fought my way into this election and on to this debate stage while all the political insiders and the pundits told, "it couldn't be done."

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