I loved 'Cagney and Lacey;' they were absolutely awesome.

When I was growing up, I was obsessed with 'Cagney and Lacey.'

A James Cagney love scene is one where he lets the other guy live.

But I've always believed that Christine Cagney shouldn't be played past a certain age.

The actors I admired were Bogart, Cagney, Cooper, Tracy. Great personalities. Real stars.

Movies were invented for Jimmy Cagney, and he was invented for the movies. A perfect match.

My favorite actor who played villains - who could play anything, really - was Jimmy Cagney.

I don't think I was ever as fascinated or have had so much respect for anybody like James Cagney.

Well what do you do with a character like Christine Cagney and you tell her she can't have things?

I grew up in an Irish Catholic family, and I think they force you to watch every James Cagney movie.

James Cagney, Steve McQueen, I loved all those guys. I grew up loving the movies but had no desire to be in them.

Voices are like fingerprints, from Cagney to Bogart. They never lost it. My voice is instrumental in categorizing me.

Follow the wisdom of the great actor, James Cagney, you hit your mark, you look the other guy in the eye, and you tell the truth.

In the movies, Bette Davis lights two cigarettes and hands the second one to James Cagney. It was just so glamorous and romantic.

The old movie stars like Bogart, James Cagney, Jimmy Stewart, they weren't this gorgeous, striking six-foot man who's rippled with muscles.

I have an acting crush on Gene Hackman; I have an acting crush on Tommy Lee Jones. Gary Cooper. Jimmy Cagney. Michael Gambon. Simon Russell Beale.

When I was a kid going to the movies, we'd go because Bogart was in the movie, or Cagney, or John Wayne. We didn't know what the story was about or anything.

There's a trend toward anti-heroes now, and I think it goes back to guys like Bogart and Cagney. They seemed to have no compassion, and they were always alone.

I used to watch 'Cagney & Lacey' with my mum back in the day. I can't remember any of their storylines, but I remember really knowing these two friends like I would know real people.

I was raised by my aunt and we bonded over the eight-o-clock movie on TV. We'd watch everything from James Cagney in 'White Heat' to Lon Chaney in 'The Wolf Man' and every Bogart movie.

They were like little palaces: all rococo or art deco. You'd walk in off those hot streets into a nice, air-cooled theater, and you'd spend all day watching Cagney or Jimmy Stewart. It cost all of 17 cents.

Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.

John loved celebrity. We attended an American Film Institute dinner honoring James Cagney, and the room was filled with famous actors like Mae West, Kirk Douglas, John Wayne and Steve McQueen. John was like a kid in a candy store.

Before 'Cagney and Lacey,' we didn't follow officers home to find out what they did when they took their badges off and emptied their guns. So the idea that these women also had lives outside of work was really interesting to play.

I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.

Yeah, I've always been accused of having a sense of mischief and I'm very flattered that you say you can see it in the roles I play, because I think that's important, even if I do play intense characters, like especially Christine Cagney.

The great privilege it has been to work with some of the most talented people on the face of the earth. My first scene in a movie was with James Cagney, for goodness sakes. There I was, just out of the U.S. Navy without an acting lesson to my name.

Roles constantly have to be redefined in any form of entertainment. Look back at the gangster pics of the 1930s and 1940s and the way James Cagney or Humphrey Bogart would play the part. These roles were redefined in the 1970s by Al Pacino and Rober DeNiro. And again in the 1990s by Gary Oldman and Anthony Hopkins.

If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.

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