Quotes of All Topics . Occasions . Authors
I'm quite an untidy person in a lot of ways. But order makes me happy. I have to have a clear desk and a tidy desktop, with as few visual distractions as possible. I don't mind sound distractions, but visual ones freak me out.
I was chastised for writing several obituaries for Malcolm X, exploring different aspects of his writing. One teacher in particular told me, didn't I think I was beating a dead horse? and dismissively threw my paper on my desk.
Harrison Ford comes on set, and he's very polite and says, 'Hello' to everyone. He cares about everything that's going on, on set. He cares about what's going on with your character and what's in the scene and what's on the desk.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
In one sense, I wanted to study philosophy and theology, getting into the history of the Bible. I went through that for, like, two years while I took a desk job at Warners. It was very depressing but exhilarating at the same time.
There's nothing romantic about my work... I don't believe in inspiration. I believe that you get to your desk, you stay there, you work, you think of nothing else. You write and you write, and in the end, you write something good.
In fact, I spent 25 years as a reporter, swearing I would never become an editor. Sitting at a desk, watching other people go out and find the story, and then fussing with other people's words - I just didn't get the appeal of that.
Writing can be a very solitary profession, and when deadlines are looming, it's tempting to glue myself to my desk, but I try to make sure I get out a few times a month with friends just so I don't forget what it means to be social.
Constant rejection. No security. Career paths being dictated by freelance reviewers. And of course, the terror of the writing desk, of the blank page. Why is it so hard for our non-writer friends to understand this - that it's a job?
Indeed, in a world of the BlackBerry, remote access and Wi-Fi hotspots on every street corner, it feels particularly outdated that much of our working culture is still dominated by the need to be at our desk for long hours of the day.
Most people go to the office and sit at a desk. When firefighters go to the office, we might birth a baby in the morning, save a drowning surfer in the afternoon, and run into a fire at night. What could be more interesting than that?
I am really chained to my computer these days so I work in my bedroom, which is a room I have worked in for years and years. It is just as much an office as a bedroom, and during the day, my bed is rather like an extension of my desk.
We predicted the concept of a telephone that isn't tied to a wall or a desk. We anticipated that everyone would have a cell phone. We joked that when you're born you would be assigned a cell phone and if you didn't answer you had died.
I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.
I interned for the Knicks for one year doing community relations, but I absolutely hated it. It was a desk job, and the team was not good at all, and I didn't realize how much that correlated to the office. It was just gray, gloomy days.
Whether it was a shoe store or working the front desk of a hotel, I was always interacting with people. I'd get that look because I'm half-white and half-Filipino. They could tell I was something, but they really couldn't tell what I was.
I hate tenure. Tenure allows teachers to put their feet up on the desk and possibly have a job forever. That's why I got turned on to charter schools. It's a business model. Every employee and every teacher will be monitored by performance.
I am so organized that it's dysfunctional. Everything has a place. I am a very visual person, so my environment is important to me. If my environment is messy, I can't think clearly. I don't like clutter. A clean desk is a clean mind for me.
I have a study at the back of the house, overlooking our garden. It's tiny, just wide enough to fit my desk in. The walls are covered with pin boards and art postcards from galleries all over the world, including Tate, MoMA, and Lenbachhaus.
I haven't pursued it as a senator because I know it's like spitting in the wind. But I still believe it's the right thing. And if I were governor and a bill came to my desk that provided for background checks at gun shows, I would sign that.
When I complete a novel I set it aside, and begin work on short stories, and eventually another long work. When I complete that novel I return to the earlier novel and rewrite much of it. In the meantime the second novel lies in a desk drawer.
My morning begins with trying not to get up before the sun rises. But when I do, it's because my head is too full of words, and I just need to get to my desk and start dumping them into a file. I always wake with sentences pouring into my head.
I was a kid, and I would watch standup comics do the 'Tonight Show,' and if Johnny Carson liked you, he'd wave you over to the desk; that pretty much meant you were about to be the most successful comedian in the country for the next few years.
When I had a full-time job, I would write dialogue and sketch characters on my commute and during meetings. Now, I forsake showers and regular meals and stay at my desk for hours, taking breaks to drink tea and eat something sweet, usually cake.
I find it easier to write in the winter in Melbourne. When the weather is good you want to go out for a walk, ride a bike, go to a cafe or something. When it's raining, when it's a miserable day, I just sit down at my desk and get some work done.
I keep two sentimental mementos on my desk to remind me of two favorite men. There is an inkwell that my Uncle Seymour made, a brass grotesque he mounted on a marble base. And my grandfather's shaving cup is there, used to store pencils and pens.
When I'm writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.
I'm not big on to-do lists. Instead, I use e-mail and desktop folders and my online calendar. So when I walk up to my desk, I can focus on the e-mails I've flagged and check the folders that are monitoring particular projects and particular blogs.
To have come here as an intern for the 'Today' show, to shoot that reel - I looked so serious. To be terrified like that and then to come and sit at this desk, to sit next to my friend Peter Alexander every Saturday, it is the honor of a lifetime.
For the cable news guest, nothing happens for a while until suddenly everything happens very quickly. After you receive your television face, you stand around for a while, ignored, until you're sat down at a desk and asked to argue with strangers.
When I was younger, I avoided exercise or anything strenuous. I didn't even enjoy walking. As I got older, I spent so much time marking books or sitting at a desk writing that there was no room for exercise - not that I would have bothered anyway.
I remember when I was like 19 years old and I started a desk calendar company to pay for my first short film, just so I could say one day that my daddy didn't pay for my first short film. And I really established myself in the film festival world.
This may sound funny, but as much as the 'Today' show matured me, it also was something of a cocoon. I'd been happy there. I never went into the boss's office and pounded my fist on the desk, saying, 'Give me more money! Give me a prime-time show!'
As writers, our craft makes us sit alone at a desk and hammer away at our novel. Doing that day in and day out makes it really easy to forget that there's a whole community of writers out there, and they love contributing to other writers' success!
In high school, I interned at my mother's restaurant and learned the small-business ropes. It was really instructive and taught me to switch contexts quickly, as I contributed to everything from managing the reception desk to building their website.
Prior to Saving Private Ryan I never worked with men. I was always working with some babe, and it was always about falling in love, and it just got turned around. I'm not looking for any particular kind of story. I wait until it comes across my desk.
Most of my books begin with a nap on my couch here, when I dream up characters and story lines, and then I write on my laptop in the recliner and handle the business side of email at my desk, which is sagging in the middle - maybe from so many words?
During the summers, when I'm in Maine, I work at a desk that's located beyond all tendrilly wi-fi reaches. It takes me a few days to break the constant e-mail-checking habit, then I find I don't want to check my e-mail ever, and often don't for days.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic.
I came into the advertising business in 1952, at the age of sixteen, as a delivery boy for a stuffy, old-line advertising agency named Ruthruff and Ryan, which could have served as the setting for the 'Mad Men' television series without moving a desk.
My desk is more of a place where I set my stuff, and then I move around. If I'm at the office, I'm usually wandering around to different meeting rooms all day or taking people out or making tea. I'm rarely at my desk; it's just a place to hang my hat.
It used to be presumed that if you weren't at your desk working, you weren't working, But we said, 'Why can't we make a workplace where casual meetings are as important as working at your desk?' Sometimes that's where your better creative work happens.
I have a lot of great racing memories growing up in Europe as a young boy - playing with car parts on my dad's desk, watching the races on Sunday afternoons to try and spot him on TV, even having the chance to go to Formula 1 races where he was working.
I didn't want to be behind a desk. I didn't want to do a normal job. I had made my mind up. I became despondent prematurely. I had my mid-life crisis when I was 16. I suppose I'd agree with that. But acting has helped me develop a lot in my private life.
Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.
Do me a favor - right now, today, start a list of all your crazy obsessions, the things that get your heart pumping, that wake you up in the middle of the night. Put it above your desk and use it to guide you, to jumpstart your writing each and every day.
I would have written 'Brown Girl Dreaming' if no one had ever wanted to buy it, if it went nowhere but inside a desk drawer that my own children pulled out one day to find a tool for survival, a symbol of how strong we are and how much we've come through.
When I go to a library and I see the librarian at her desk reading, I'm afraid to interrupt her, even though she sits there specifically so that she may be interrupted, even though being interrupted for reasons like this by people like me is her very job.
As long as I sit at Henry Clay's desk, I will remember his lifelong desire to forge agreement, but I will also keep close to my heart the principled stand of his cousin, Cassius Clay, who refused to forsake the life of any human, simply to find agreement.
One of the biggest mistakes I see in the bedroom is that they plan to be doing things other than sleeping in the bedroom. They will have a desk in there for working, or they'll have a big shelf in there for storing things. It should be all about relaxing.