Quotes of All Topics . Occasions . Authors
Yeah, Jacob transforms a lot in 'New Moon.' Not only physically, but mentally and emotionally as well. So it was a matter of getting to the gym and eating the right foods and a lot of it. But also, reading and studying the book and my character over and over and over again so I could have his character down as well.
Rock 'n' roll says, 'Hey, man, this is where you can be normal,' and then after a while you grow up and you go, 'Wait a minute. Oh, by the way, I learned how to do these cool things, but I never learned how to speak my mind. I never learned how to express myself emotionally. I should have been paying attention more.'
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
For me, what works well about 'Life in a Day' is that it's emotionally affecting without being manipulative. It really does make you think about the connectivity of the world, the similarities and differences. It shows the experiences we all go through: birth, childhood, falling in love, having kids, getting ill, dying.
At the end of the day, I am not a heart surgeon - I am not saving lives - although emotionally, we have to take it there. Yes, there is tough subject matter in 'The Innocents,' but in-between takes, we were laughing and living in the moment. So when I come off set, I just get on with everyday life, like being a brother.
When I read the script of 'Karu,' there was a spark within, and I instantly connected with the story. I was emotionally attached to the story. After we finished shooting, I was so attached to the kid who played my daughter, I wanted to adopt her. That's how strong my emotional attachment was with the role and the story.
In Israel, I think I have the image of an 'Ashkenazi woman' as a stereotype. Someone once told me that I look like a deodorant commercial. But my appearance is misleading; I can be emotionally aggressive, too, and in 'Law and Order,' I once played a murderer. I see no limitations. I see both my toughness and the softness.
I have an American son and an American partner, so marriage might logistically make sense at one point. My partner is a stay-at-home father, so if he wants to be on my health plan, or tax wise, or maybe on paper we want to have our I's dotted and our T's crossed, but emotionally, neither of us really feels the need for it.
I was so lucky to have parents who supported me, 100%, with whatever I was doing, both financially and emotionally. Having that they made my life so much easier. Instead of becoming a bartender and trying to survive while trying to pursue your dreams, I didn't have to worry about that aspect. I could just pursue my dreams.
Cyborg was the first superhero that I've ever seen whose parent was around but just was not there for him emotionally, mentally. I related to that in a big way because, growing up, it was my mother and grandmother that raised me and my brother and sisters. I'm the second youngest of five; my father was never in the picture.
I was a teenager in the '80s, and I was always a bit dismissive of Houston, as I think a lot of people who considered themselves 'cool music fans' were. She was poppy, bubble gum, making music not considered very cool. But you can't help but dance to some of those songs or feel emotionally affected by 'I Will Always Love You.'
I've been a huge fan of Hal Ashby forever. And I think that the distinctive thing about 'Coming Home' is the love story, and how - kind of emotionally real it is, and how these two characters allow each other to see their - kind of vulnerabilities. And it's great because it's a love story that's not really that cheesy, either.
I am constantly interested in people who society calls 'bad' because I don't like to just buy into something that everybody's going to say. I want to investigate that for myself. With a character, you get to fully investigate that emotionally and understand the parts of them that are in pain and scared and are good. That's human.
I feel like it's just so important for child and teenage development to have music in your life, honestly. And I just think it's really, really, really rewarding to me, personally, just emotionally, to know that I might have brought that into someone's life. And that just means a lot to me, because I know how important it can be.
There certainly is no secret in that there are plenty of people who don't like plenty of my movies. Each one of my films is personal; each one of my films is emotionally autobiographical. And I like directors who do that. With each one of my films, I'm exploring one of my own issues and I try to expose myself a little in the film.
I may adopt. I love children and I do feel the need to take the legacy forward. I am open to it, but emotionally you have to be ready for it. Raising a child is really a huge responsibility. And I should have that time and emotional energy to give to child. How and when is a decision my mother and I will take a few years from now.
When I feel really insecure, or I'm in a social situation where I'm nervous about how I come off, or I'm trying to control the situation too much, I literally just try and use the same muscles that I had to use on stage - just paying attention to the other person and trusting yourself to respond as emotionally honestly as possible.
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
A comedian is sort of like a wild animal. It really just depends on where you catch them. Sometimes they want to cuddle up, and sometimes they'll snap at you. But for me, more often than not, if I'm talking to somebody who makes their living in comedy, it'll be a very thoughtful conversation driven from an emotionally honest place.
I think a lot of the people who feel out of step with contemporary society or feel that they've been left back economically or feel disaffected and are drawn to the Republican Party, they are looking for a news source that will tell them something they would like to hear and then is reassuring, emotionally rewarding, and confirming.
To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
Looking after a disabled child pushes you to the limits of what you can cope with... physically, emotionally. It's because there's this baby, this child that you love more than you can possibly imagine, in some way more than a normal child because you worry about them 24 hours a day. But at the same time you are so, so proud of them.
Comedians could do mindless things - and by mindless, I mean the easy jokes and things that you already agree with - but I find it more interesting, more of a reward, for people to feel something. I like to make a human connection, and that involves speaking emotionally, a bit more intellectually, or with a bit more moral complexity.
Movies make teenagers have quippy answers for every question. Nothing seems to faze them, and they're like, 'Oh, whatever.' You're not like that when you're a teenager. You're really earnest. Things really feel like life or death. And you kind of oscillate between emotions at one time. It's very emotionally draining being a teenager.
Every morning when I woke up, I would pray, 'I have to throw today, please let there be no pain.' Those were very gloomy days. Meanwhile, the atmosphere around me had become, 'Is he faking an injury?' 'Is it a mental problem?' Those words made it extremely difficult for me to stop and rest, and it really took a toll on me emotionally.
Anything you can do to help someone, I just think it's so important because there's a lot of kids that look up athletes of all size and shapes in a lot of different fields, not necessarily in the basketball field. They get involved emotionally with those people because there's something about certain athletes that people rally around.
I think any of us who have been involved in the mission of Iraq have developed a great deal of affection for the Iraqi people and are emotionally invested in what we think is a vital mission... So I think any of my contemporaries would welcome the opportunity to go back and make a contribution to this extraordinarily important mission.
I have a great respect for incremental improvement, and I've done that sort of thing in my life, but I've always been attracted to the more revolutionary changes. I don't know why. Because they're harder. They're much more stressful emotionally. And you usually go through a period where everybody tells you that you've completely failed.
I think what we find fascinating and interesting is when people take our music and turn it into emotionally something else. And weirdly, Lorde's version of 'Everybody Wants to Rule the World,' the production really goes with the lyric more than our version does, because our version, albeit the lyric is dark, the music is quite uplifting.
What is real is that adultery destroys tens of thousands of families every year across America. What is real is that adultery scars tens of thousands of children emotionally and psychologically every year. What is real is that adultery is an open wound in a relationship which more often than not overflows into domestic violence or worse.
I've always said the thing that has helped me be the best actor I could be are my real life experiences, which have come in the form of my school experiences: meeting different people, learning different things, immersing myself in different topics and social situations, and sort of challenging myself to grow emotionally, intellectually.
The intersection of psychology and business is typically seen as being as congested, stressful, and emotionally barren as a peak commute traffic day on the L.A. freeways. But, thankfully, we live in an era in which neuroscientists are teaching us about the malleability of our brain and the emotionally contagious nature of our workplaces.
No one anticipates divorce when they're exchanging vows, and it can be devastating emotionally and financially. To ease the financial side of the blow, you need to maintain your financial identity in your relationship. That means having your own credit history - you need your own credit card - and your own savings and retirement accounts.
My experience, with both my parents, is that grief has a lot of down, sad things, but I was also really emotionally raw, in the first year after each of them passed. Flowers smelled more intensely, my relationships were hotter, and I was more willing to risk. I was going for it a lot more. I was 'unsober' and I wasn't playing by my rules.
For anyone who has found it easy to conceive, it is perhaps hard to imagine how IVF can become all-encompassing in someone's life. The endless check-ups, scans, tests, periods of waiting and finally the day when you learn the result. It's a physically punishing process for the women and an emotionally exhausting process for both partners.
I would like to think that monogamy works: that once you make that vow, that decision in your life to stay committed, you actually get to keep that promise; you get to keep that commitment. I think that once you start to lose that, once you start to wonder, even emotionally - especially emotionally - your relationship is bound to get lost.
I do think that people get really emotionally involved in the TV shows that they love and I think that is fantastic. Of course they are going to have opinions. The other thing is that people project onto their television shows. They see a character and layer on many traits that are actually their own or their idea of what that character is.
I've covered a lot of ground geographically and emotionally and for years I lost my connection with my family. But the best comfort you can have, whether you are on the phone or sitting there in the living room with them, is with your parents, and to me family has always meant protection. When you smile you get a smile back, unconditionally.
A stable and nurturing childhood is essential for the healthy psycho-emotional and spiritual development of a human being. While we may understand what is supposed to happen to us physically, we must begin to better understand what happens to children mentally, emotionally and spiritually as a result of the families into which they are born.
Sometimes I want to withhold judgement on whether something is good or bad, but I do feel like identifying with TV characters - connecting to them emotionally more than you connect to literal, physical people in your life - causes problems. They just don't have the same existence or boundaries as you do. They resemble us, but they are not us.
'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
Eventually, when I got the 'Meadowland' script, I saw something in it that made me think I could make something special out of it, something that could work with my style. Emotionally, I connected to it. I thought, 'If I feel this way just imagining it, maybe we can make that happen on screen and make people feel something when they watch it.'
If I can just accept it and tic when I want to and have my passion project - what I'm mentally, physically, emotionally invested in something - where you're fully focused, and your body parts and mind are all moving toward this one goal, you're focused, and you can shut it off, but only for a certain period of time. Then, you have to let loose.
When I first read 'Outlander' a few years ago, I was shocked to find that Jamie was the complete package: incredibly smart, incredibly witty, strong but emotionally vulnerable, passionate to a fault - and, well, the Scottish accent doesn't hurt! I actually stopped reading at several points to swoon over something he said... he's really that good.
One of the things that can be helpful in terms of an explanation is to look at the ways in which cults are similar to abusive relationships. Nobody seeks out an abusive partner, but so many people stay in these relationships longer than they should - they make excuses, they ignore red flags, and they allow themselves to be emotionally manipulated.
Few years ago when I visited a palliative care centre in Chennai for the first time, it completely moved me. It's an emotionally draining experience. I saw and met patients who were abandoned by their families, and there is complete sense of hopelessness. Ever since, I have been a supporter for the need for funding and awareness of palliative care.