A hairstyle's not a lifestyle.

I am obsessed with my hairstyles.

I was assigned to the heavy cruiser Chicago.

I don't like the same old thing all the time.

I've tried many other hairstyles, but it just doesn't work.

The hairstyles of most Heavy Metal bands are pretty horrendous.

I think women have to change their hairstyle from time to time.

I would like to thank Julius Caesar for originating my hairstyle.

I don't know if my hairstyles reflect that, but I am someone who enjoys change.

I love Tokio Hotel and their music, their makeup, their hairstyles and their subtlety.

I went through phases of odd hairstyles and tank top-over-tee outfits and stuff like that.

My hairdresser and I found ourselves shopping at Bloomingdale's with nothing to do for days.

My husband didn't want me to wear any black hairstyles. Nicole Kidman was his standard of beauty.

I was stuck with looking like a girl. As soon as I got out of music it was straight off to the hairdressers.

I love braids and just generally playing around with different hairstyles, especially for festivals and photoshoots.

Practically everything from hairstyles to lifestyles is endorsed as some sort of drug to be taken Now for Instant Relief.

I definitely do like change. I don't know if my hairstyles reflect that, but I don't like the same old thing all the time.

I have always been very into pagan hairstyles. If I were alive a long time ago, I would probably have been burned at the stake.

Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles.

Earlier, there were only two hairstyles. If the hero had a fringe, he was village bumpkin. If he slicked his hair back, he was an urban sophisticate.

Transatlantic flights are unflattering. Hairstyles flop. Makeup melts away. Faces shrivel or swell from dehydration, and contact lenses give way to spectacles.

I love a lot of things, and I'm pretty much obsessive about most things I do, whether it be gardening, or architecture, or music. I'd be an obsessive hairdresser.

With this LP we were all very clear on the approach we wanted to take, which was to do something heavy, but also experiment with a lot of other things we really like.

My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.

It's true the punk fashion itself was iconographic: rips and dirt, safety pins, zips, slogans, and hairstyles. These motifs were so iconic in themselves - motifs of rebellion.

There is no longer any pressure to play the heroine. So I can have fun and be the actor I want to be. I can look beyond the hairstyles and the clothes and concentrate on the acting.

When I was younger, I would see shea butter being sold on the street, and I was interested how people were still coating themselves in the theater of Africanism. You see that in dashikis and hairstyles and music.

If I feel really ugly or unhappy, sometimes I'll choose bright colors so they'll make me feel good. Yellows, pinks, light blues and orange. I just want to feel good all the time if I can. And colors and hairstyles and all that kind of helps out.

Having Black hair is unique in that Black women change up styles a lot. You can walk down one street block in New York City and see 10 different hairstyles that Black women are wearing: straight curls, short cuts, braids - we really run the gamut.

I look back at the looks I've had over the years. I'm proud of myself that I had the courage to experiment with crazy hairstyles and some fashion things. Would I do it again? No. But that's part of the learning process and getting from point A to point B.

I met Matt when he was in Busted. I was working at MTV and I'd see him wearing baggy jeans, waddling around like a duck so they didn't fall down. He used to wear makeup and have weird hairstyles. But I remember thinking underneath all that was a really cute guy.

I especially enjoyed some of the old hairstyles, with my hair down to my shoulders and a beard. And Henley's nickname used to be 'Furry Basketball' because he had that fro. It was fun to just look at what was going on in that era and how we presented ourselves on stage.

I always want to try to make films feel timeless, because one of my biggest pet peeves is that there's a movie you love, and then you revisit it twenty years later, you show your kid or something, and it's like, 'Oh my God!' with hairstyles and clothing and all that kind of stuff.

As an artist, you can always learn different ways to refine your look. I mean, you look at any one time in my career and you see all the hairstyles I went through. You make changes until something feels comfortable with you. And people vibe with it because they can see the difference.

I felt really lucky that 'Hairstyles Of The Damned' and 'The Boy Detective Fails' were both bestsellers, and I thought that donating the money from 'Demons' was a good way to respond to that. My favorite artists are the ones that are willing to experiment, even if it means a smaller audience.

I was brought up with a scientific outlook on life. It's the way my father deciphers the world - whether it's football, politics or hairstyles. So I don't get anxious about the future, because I was raised to believe and accept that nothing stays the same, and the best way to survive is to adapt.

I don't think people realize why weaves and the cultural appropriation of black hairstyles are so sensitive. It's deep-rooted. For me, it goes back to high school: I wanted to have the long, flowing hair. So I got a weave. But then I didn't want guys to put their fingers in it - you don't want them to feel your weave.

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