Quotes of All Topics . Occasions . Authors
With my reading, I like something with quite a happy ending.
I don't need the Prince Charming to have my own happy ending.
I think it is fair to say that I was denied my on-camera happy ending.
Life prepares you so that you are able to create your own happy ending.
The queer community deserves a happy ending just as much as anybody else.
What the American public wants in the theater is a tragedy with a happy ending.
If you want a happy ending, that depends, of course, on where you stop your story.
Pop culture does not frequently depict women of color realizing their happy ending.
I'm still number one, so don't forget about that. So I still can have a happy ending.
I like a happy ending. That's what I do all the time. I like to make people feel happy.
We all have different thresholds for sentimentality. For me, it's a hard won happy ending.
People liked my performances in 'Kill Dill' and 'Happy Ending,' but I was hardly there in them.
The American Dream, the idea of the happy ending, is an avoidance of responsibility and commitment.
There have been many boxing comebacks over the years, and sadly many of them do not have a happy ending.
You want a happy ending, but not such a ridiculous happy ending that it doesn't mean anything to anybody.
Top Boy' isn't the type of programme that is trying to be righteous and have a happy ending, it is just real.
A woman who is not ready to have a baby making it work is not a happy ending to me. It's a personal nightmare.
I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.
Not everything has a happy ending, and not everything has an ending. Some things just kind of dribble away or cut off abruptly.
'Not Another Happy Ending' is a romantic comedy starring Karen Gillan and Stanley Weber. It is about these two characters and their relationships.
Any time you're trying to do a movie with a happy ending, it's very difficult because it's been done before and you don't want to be manipulative.
The happy ending is hardly important, though we may be glad it's there. The real joy is knowing that if you felt the trouble in the story, your kingdom isn't dead.
The 'Bachelor' franchise does believe in happy endings - some people get an on-camera happy ending, some people get on off-camera happy ending, and some people get both.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
When 'Mean Girls' came out, I was 15. So I saw that movie and was like, 'That is so funny.' But it still has that fluffy, happy ending, and that doesn't happen in high school.
I think in many ways the problem that my writing would have with an American reviewer is that Americans find difficulty very hard to take. They are inevitably looking for a happy ending.
At the center of the religious life is a peculiar kind of joy, the prospect of a happy ending that blossoms from necessarily painful ordeals, the promise of human difficulties embraced and overcome.
Horror isn't only about ghosts or monsters. For example, paranormal romance seems the antithesis of horror. Once you have a sexy, fun vampire who is sweet, and you have a happy ending, it's not horror.
'Pride' is my first film with a happy ending. Before, I naively thought they were a cop-out, but now I've come to believe that happy endings and wish fulfilment are an incredibly important part of our cultural life.
'Mud' was a depository for a little more nostalgia and just a different kind of feeling, a different kind of mood. Something that's not so dark. Something that does actually have a happy ending and is a little more hopeful.
I felt that as long as we were being honest, and that we didn't bend the truth to accomplish another goal, to be entertaining or to be a happy ending, I was confident that we'd be able to tell the story the way it happened.
To tell you the truth, in my work, love is always in opposition to the elements. It creates dilemmas. It brings in suffering. We can't live with it, and we can't live without it. You'll rarely find a happy ending in my work.
Because women have been marginalised, they're more likely to behave like immigrants and continue to push themselves forward in order to avoid falling through the cracks, but I don't think a happy ending comes from matriarchy.
I've always thought that, as a romance writer, I had the best job in the world. I sit around all day making up emotion-drenched, conflict-laden stories that push my heroes and heroines to the edge of sanity. Then I give them a happy ending.
My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.
For me, a happy ending is not everything works out just right and there is a big bow, it's more coming to a place where a person has a clear vision of his or her own life in a way that enables them to kind of throw down their crutches and walk.
Skyjackers had a pretty abysmal success rate - once you commandeered a plane in American airspace, your odds of a happy ending were slim. After the epidemic ended in 1973, what folks tended to remember most about the skyjackers was their futility.
I think we worry way too much about where books should fit inside genres. In a romance, the hero and heroine are on a journey together, and no matter how awful it gets, by the end of the book they'll be in love, with the probability of a happy ending.
Cynicism doesn't have its way in series finales. My emotional desire when I watch a series come to an end is to be crying and laughing and cheering as the final credits roll, feeling like I just got delivered the happy ending, whether the plot ends happily or not.
I like happy endings in movies. I think life has a happy ending. When it's all said and done, it's all something worthwhile, and I want my movies to reflect that. There are enough things to be sad about. When you pop in a movie, let the message be one that's one of hope.
What I like writing about are people's relationships, not necessarily great big dramatic things but the smaller things in life and how they affect characters and challenge and change the people that they are. I do like a happy ending, so my books have to have a happy ending.
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
The mall tour was right off of my second record, before it came out. It was very different. I did an acoustic performance every day in a different mall! One interesting thing I remember is playing 'My Happy Ending' a lot, and that song was so new that I remember getting emotional.
To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.
The stories that I want to tell, especially as a director, don't necessarily have a perfect ending because, the older you get, the more you appreciate a good day versus a happy ending. You understand that life continues on the next day; the reality of things is what happens tomorrow.
While not my personal favorite of the Disney princess films, 'The Little Mermaid' wins hands-down in my book for best Disney adaptation. Little girls waited for more than 150 years for Hans Christian Andersen's 'The Little Mermaid' to have a happy ending. Walt Disney finally gave it to her.
I always liked movies like 'American Graffiti' and 'Gregory's Girl.' 'Gregory's Girl' is particularly perfect because it really captures that summer holiday bubble of teenage utopia. Even though it's got a happy ending, there's a feeling that these characters may never see each other again.
Here in Israel, we want the boys back home, we demand it from our government, who often pay a steep price to get hostages back. But we need a happy ending. We don't want to deal with those days after release, their post-trauma or reintroduction to society. Yet coming home is only the start of their journey.
'Fargo' is a tragedy with a happy ending. So you need to have that tragic underpinning, that all of this could be avoidable, and that's what makes it tragic. It's about the use of violence, and the fact that the tension in anticipation of violence and the tension in anticipation of a laugh are sort of the same.
In those early days, the important thing was the happy ending. I did not tolerate unhappy endings - for my heroines, anyway. And later on, I began to read things like 'Wuthering Heights,' and very, very unhappy endings would take place, so I changed my ideas completely and went in for the tragic, which I enjoyed.