Ideas Quotes - Page 308

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Not everyone is going to end up being a founder of a company, but the skill of being entrepreneurial, having ideas and going through with them - that skill is so important. Everyone should be imbued with it. Because once you have that, once your brain has been wired for that, all these problems, obstacles, all these things start looking like things you can hack.

What is missing in a lot of urban music is perspective. You hear a lot of regurgitated perspective. It's a lot of: out at the club. Had drinks. Patrón. Big booties. It's this regurgitated idea of living in this, I don't know, one-night-stand moment that always starts at the club and Patrón. And so perspective, perspective, perspective is what I'm an advocate of.

I use a computer, but before I begin each new book I keep a notebook. I write down everything that comes to mind during that period before I actually begin. It might take months or weeks. That notebook is my security blanket so that I never have to face a blank screen (or blank page). But I print out often and my best ideas usually come with a pencil in my hand.

I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.

Our third partner [with Neal Dodson] was this other guy called Corey [Moosa], and he came in with good ideas and also some access to money, and so we joined forces and drew up a business plan and got financing for the beginnings of the company. We had no idea what we were doing really. We just started looking through material and started producing our own stuff.

The gospel is never about everybody else; it is always about you, about me. The gospel is never truth in general; it's always a truth in specific. The gospel is never a commentary on ideas or cultures or conditions; it's always about actual persons, actual pains, actual troubles, actual sin; you, me; who you are and what you've done; who I am and what I've done.

Producing a photographic document involves preparation in excess. There is first the examination of the idea of the project. Then the visits to the scene, the casual conversations, and more formal interviews - talking, and listening, and looking, looking. ... And finally, the pictures themselves, each one planned, talked, taken and examined in terms of the whole.

We do not have to wait for future discoveries in connection with the powers of the human mind for evidence that the mind is the greatest force known to mankind. We know, now, that any idea, aim or purpose that is fixed in the mind and held there with a will to achieve or attain its physical or material equivalent, puts into motion powers that cannot be conquered.

We realized we weren't really using Odeo, we weren't investing our own time creating podcasts. We were building a tool that was a great idea for some other people. That's a dangerous way to go because if you don't actually use it yourself and love it, then you aren't going to be as fully invested in it from the start. That's what leads you to doing side projects.

Ever since I began working with toys, I have been intrigued with the idea that these seemingly benign objects could take on such incredible power and personality simply by the way they were photographed. I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there

Heat flushed Chauncey's neck; it took all his energy to curl his hands into two weak fists. He laughed at himself, but there was no humor. He had no idea how, but the boy was inflicting the nausea and weakness inside him. It would not lift until he took the oath. He would say what he had to, but he swore in his heart he would destroy the boy for this humiliation.

It's just about pushing yourself to realms that are uncharted. I love to get to that place where I don't know what kind of music I'm doing, I don't know if it's any good, I don't know if it's anything. It's a big question mark. The idea is to have interesting results. That's my bottom line. Not just a creative fantasy world or something like that, but a mood too.

The creative person wants to be a know-it-all. He wants to know about all kinds of things-ancient history, nineteenth century mathematics, current manufacturing techniques, hog futures. Because he never knows when these ideas might come together to form a new idea. It may happen six minutes later, or six months, or six years. But he has faith that it will happen.

People who reject transcendent authority can no longer persuade one another through rational arguments; everything is reduced to personal opinion. Debates about ideas thus degenerate into power struggles; we're left with no moral standard by which to measure the common good. For that matter, how can there be a 'common good' without an objective standard of truth?

Virtue is as little to be acquired by learning as genius; nay, the idea is barren, and is only to be employed as an instrument, in the same way as genius in respect to art. It would be as foolish to expect that our moral and ethical systems would turn out virtuous, noble, and holy beings, as that our aesthetic systems would produce poets, painters, and musicians.

My friends ... they usually rib me about how I just sleep in and watch Oprah and that I don't really have a proper job. I've given up arguing now, so I just agree with them, even though half the time I realise I've started work before they have. Still, it's best to keep the romantic idea alive. If they call around midday and ask if they woke me, I always say yes.

The 'idea' for the poem, which may come as an image thrown against memory, as a sound of words that sets off a traveling of sound and meaning, as a curve of emotion (a form) plotted by certain crises of events or image or sound, or as a title which evokes a sense of inner relations; this is the first 'surfacing' of the poem. Then a period of stillness may follow.

Everything does come from nature. That's where you get new ideas. Just draw the landscape. I felt doing it with a bit of burnt wood was also good because I was drawing burnt wood with a piece of wood. I wanted to do black and white. After using color, I thought black and white would be good. You can have color in black and white. There is color in them, actually.

So why do I write, torturing myself to put it down? Because in spite of myself I've learned some things. Without the possibility of action, all knowledge comes to one labeled "file and forget," and I can neither file nor forget. Nor will certain ideas forget me; they keep filing away at my lethargy, my complacency. Why should I be the one to dream this nightmare?

The problem with clichés is not that they contain false ideas, but rather that they are superficial articulations of very good ones...If...we are obliged to create our own language, it is because there are dimensions to ourselves absent from clichés, which require us to flout etiquette in order to convey with greater accuracy the distinctive timbre of our thought.

Our idea of what constitutes social good has advanced with the procession of the ages, from those desperate times when just to keep body and soul together was an achievement, to the great present when "good" includes an agreeable, stable civilization accessible to all, the opportunity of each to develop his particular genius and the privilege of mutual usefulness.

The press still thinks [global warming] is controversial. So they find the 1% of the scientists and put them up as if they're 50% of the research results. You in the public would have no idea that this is basically a done deal and that we're on to other problems, because the journalists are trying to give it a 50/50 story. It's not a 50/50 story. It's not. Period.

An immense and ever-increasing wealth of knowledge is scattered about the world today; knowledge that would probably suffice to solve all the mighty difficulties of our age, but it is dispersed and unorganized. We need a sort of mental clearing house for the mind: a depot where knowledge and ideas are received, sorted, summarized, digested, clarified and compared.

No, not really. I mean, at the end of the day, it's just a part. You just go into it, and like your life, you're walking along the street, as a really bad analogy, you step on a little stone, and it just kind of flies away and you have no idea where it's going. And then you are just trying not to drown afterwards. And that's my life. See, that was really terrible.

I thought, you know, I would probably not have seen that. On the other hand, he's obviously completely telling the truth. So, then what is that? That's - I wanted to explore that. And then I wanted to talk about how ideas are born. And the big question that the book asks in a number of ways about a number of things is that. How does a new idea come into the world?

I've toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it's gone through several incarnations, and... It wasn't 'til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.

Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.

My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.

I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.

Every time Mulder smiles, people say, 'God, it was great to see you smile. Mulder never smiles.' I say, 'Mulder smiles a whole lot. He smiles at least once a show.' People get these ideas in their heads and they're impossible to shake. But, to be honest with you, Mulder is every bit as vulnerable and quirky as Ally McBeal. I think Mulder has pretty good legs, too.

Leadership (according to John Sculley) revolves around vision, ideas, direction, and has more to do with inspiring people as to direction and goals than with day-to-day implementation. A leader must be able to leverage more than his own capabilities. He must be capable of inspiring other people to do things without actually sitting on top of them with a checklist.

Nature is a tenacious recycler, every dung heap and fallen redwood tree a bustling community of saprophytes wresting life from the dead and discarded, as though intuitively aware that there is nothing new under the sun. Throughout the physical world, from the cosmic to the subatomic, the same refrain resounds. Conservation: it's not just a good idea, it's the law.

As a matter of constitutional tradition, in the absence of evidence to the contrary, we presume that governmental regulation of the content of speech is more likely to interfere with the free exchange of ideas than to encourage it. The interest in encouraging freedom of expression in a democratic society outweighs any theoretical but unproven benefit of censorship.

Do you really have any idea how important you are to me? Any concept at all of how much I love you?" He pulled me tighter against his hard chest, tucking my head under his chin. I pressed my lips against his snow-cold neck. "I know how much I love you," I answered. You compare one small tree to the entire forest." I rolled my eyes, but he couldn't see. "Impossible.

I love Thanksgiving. I truly do. Every last thing about it is wonderful. I love getting together with family and friends. I love the meal. I love the football. I love the four-day weekend without having anything that particularly has to get done. And of course, I love the fundamental idea behind it-giving thanks for all the good people and good things in your life.

I’ll never die", he said. Before I could protest, Lucas put two fingers on my lips, his smile seemed to fill the room with lights and I realized he was telling a deeper kind of truth then I’d ever known before “You’ll live forever and being remembered by you is the only immortality I’ll ever need if I only live on as a part of you – Bianca, that’s my idea of heaven

When we understand that we are a human race, what affects you affects me, what affects her affects you and so on and so on, then we'll look at this thing [HIV/AIDS] for what it really is. It's a disease that's out to kill all of us. What will make it continue is our prejudices, our ideas about it, and the fact that we don't look at ourselves as one giant community.

In my judgment, the Deists were all successfully answered. The god of nature is certainly as bad as the God of the Old Testament. It is only when we discard the idea of a deity, the idea of cruelty or goodness in nature, that we are able ever to bear with patience the ills of life. I feel that I am neither a favorite nor a victim. Nature neither loves nor hates me.

You begin by engaging the left hemisphere of the brain with the overall shape, the basic structure of the painting, and then eventually you engage with the colour, with the mood of the painting and then you are entering the activities of the right hemisphere - and it is in the right hemisphere that ideas of space are born, the realization that you are seeing space.

I no longer believed in the idea of soul mates, or love at first sight. But I was beginning to believe that a very few times in your life, if you were lucky, you might meet someone who was exactly right for you. Not because he was perfect, or because you were, but because your combined flaws were arranged in a way that allowed two separate beings to hinge together.

A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality, and he trusts he can plunge those people into those incidents with interesting results.

I will prove that the world is wrong, by showing what God is...God himself was once as we are now and is an exalted man, and sits enthroned in yonder heavens! That is the great secret...I am going to tell you how God came to be God. We have imagined and supposed that God was God from all eternity. I will refute that idea, and take away the veil, so that you may see

Atheists are often charged with blasphemy, but it is a crime they cannot commit... When the Atheist examines, denounces, or satirises the gods, he is not dealing with persons but with ideas. He is incapable of insulting God, for he does not admit the existence of any such being... We attack not a person but a belief, not a binge but an idea, not a fact but a fancy.

What we really need to be open to is diversity itself, especially in a business environment. What you want is a plethora of ideas; you want people with different life experience, people with different work experience, people from different cultures to bring something to the table that you otherwise based on your own coming up, you yourself wouldn't have thought of.

Making music videos, I try to bring musicians into the logistics of filmmaking, and I try to preserve whatever's of value and achievable in their idea. If it's something I can't achieve, I tell them straight. You want to make sure that the artist really loves the idea and is committed to it, otherwise they're not going to feel great when they're up there miming it.

Of course you can do it. It doesn't require brilliance. It's just giving yourself permission and then being persistent. Persistent in seeing the problem or opportunity and persistent in thinking about it until you have come up with some interesting ideas that might change the pattern. It's really a mindset, not anything in the objective world - that is the problem.

Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.

Alas, everything that men say to one another is alike; the ideas they exchange are almost always the same, in their conversation. But inside all those isolated machines, what hidden recesses, what secret compartments! It is an entire world that each one carries within him, an unknown world that is born and dies in silence! What solitudes all these human bodies are!

The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet's life. It is what hehas become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince's gallery.

[It's] troubling because it reminds us how difficult it is to prove anything. We like to pretend that our experiments define the truth for us. But that's often not the case. Just because an idea is true doesn't mean it can be proved. And just because an idea can be proved doesn't mean it's true. When the experiments are done, we still have to choose what to believe.

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