Ideas Quotes - Page 305

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The core of racism is the notion that the individual is meaningless and that membership in the collective - the race - is the source of his identity and value. ... The notion of 'diversity' entails exactly the same premises as racism - that one's ideas are determined by one's race and that the source of an individual's identity is his ethnic heritage.

Science can't tell us what our life means ethically. It can't tell us what we are meant to do as moral creatures. But, insofar as science can understand what we're made of, and what we're related to, the Darwinian revolution completely revised our ideas about who we are and what we're related to and how long we've been here and why we're on this Earth.

If we are in Christ the whole basis of our goings is God, not conceptions of God, not ideas of God, but God Himself. We do not need any more ideas about God, the world is full of ideas about God, they are all worthless, because the ideas of God in anyone’s head are of no more use than our own ideas. What we need is a real God, not more ideas about Him.

I write because to write a new sentence, let alone a new poem, is to cross the threshold into both a larger existence and a profound mystery. A thought was not there, then it is. An image, a story, an idea about what it is to be human, did not exist, then it does. With every new poem, an emotion new to the heart, to the world, speaks itself into being.

It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.

A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.

Usually, you know, you're at a table and you're the only woman, you've got this idea, you finally speak up - I mean, I've been in some settings where every head turns toward me and then they all turn away as if I've never spoken. Which I think happens when whatever I said was so out of the blue, or so awkward, that they just didn't know how to respond.

The poor Constitution itself is hardly paid any attention to. It's necessary to ignore it because most of what government does these days is clearly unconstitutional. The original idea, as expressed by James Madison, was that states would do 95 percent of the governing. Today, they are little more than administrative subdivisions of the central empire.

I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.

The human condition is what it is. We can see beauty and wonder in the world, but we also face imminent death and uncertainty, and we often need to sidestep the idea of time and communicate with each other, not with words but with a sense of community and union. I don't want to make an overreaching statement, but I think that's the function of culture.

What does calling this medical care legislation "historic" mean? It means that previous administrations gave up the idea when it became clear that the voting public did not want government control of medical care. What is "historic" is that this will be the first administration to show that it doesn't care one bit what the public wants or doesn't want.

This world of ours is a new world, in which the unit of knowledge, the nature of human communities, the order of society, the order of ideas, the very notions of society and culture have changed, and will not return to what they have been in the past. What is new is new, not because it has never been there before, but because it has changed in quality.

I must admit that any favorable mention of the flying saucers by a scientist amounts to extreme heresy and places the one making the statement in danger of excommunication by the scientific theocracy. Nevertheless, in recent years I have investigated the story of the unidentified flying object (UFO), and I am no longer able to dismiss the idea lightly.

It's only through effort that we learn what an idea actually is, and if our passion for it will last or fade. There is no shame in failure - all makers fail. But it's hard to respect someone who never tries, even once, to do something good that's always on their mind. If you're worried about how good your idea is, you're worrying about the wrong thing.

Though if love was an animal, Garret knew, it would probably be the Loch Ness Monster. If it didn’t exist, that didn’t matter. People made models of it, put it in the water, and took photos. The hoax of it was good enough. The idea of it. Though some people feared it, wished it would just go away, had their lives insured against being eaten alive by it.

People thought it was asinine for me to change my swing after I won the Masters by 12 shots. ... Why would you want to change that? Well, I thought I could become better. If I play my best, I'm pretty tough to beat. I'd like to play my best more frequently, and that's the whole idea. That's why you make changes. I thought I could become more consistent.

All my life I have been passionately interested in monomaniacs of any kind, people carried away by a single idea. The more one limits oneself, the closer one is to the infinite; these people, as unworldly as they seem, burrow like termites into their own particular material to construct, in miniature, a strange and utterly individual image of the world.

The evolutionary vision is agnostic in regard to systems in the universe of greater complexity than those of which human beings have clear knowledge. It recognizes aesthetic, moral, and religious ideas and experiences as a species, in this case of mental structures or of images, which clearly interacts with other species in the world's great' ecosystem.

If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.

We have to learn that service to the greater good is the greatest satisfaction. That idea is at the basis of all the great traditions dating back into history. When you get inside yourself - and you really find that deep inner peace that's rooted in love - then you can't live a life that we see being manifested in the large parts of the world right now.

We have an international system. We all profit from it. Trade profits from it. Peace. We can travel around the world because of it. And part of that system is certain ideas, the certain ideas you can't invade other countries for no reason. You can't commit genocide. You can't - rogue regimes can't have nuclear weapons, and you can't gas your own people.

Back in the day, a lot of our instructors in nonfiction were actually fiction scholars. So they would bring in stories as models for the essay. And in some ways that's a good idea, because we can all learn from other genres. But I think it also made me realize that I literally didn't have an essay model, and that if I wanted one I would have to find it.

In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.

It is not surprising that liberals believed in progress. The idea of progress justified the entire transition from feudalism to capitalism. It legitimated the breaking of the remaining opposition to the commodification of everything, and it tended to wipe away all the negatives of capitalism on the grounds that the benefits outweighed, by far, the harm.

We act, we behave, and we feel the vibration that we're in at the present time according to what we consider our self image to be. And we do not deviate from that pattern. The image you hold of yourself is a premise, a foundation (idea) on which your entire personality is built. This image, not only controls your behavior but your circumstances as well.

When I teach a class I often give the assignment: Photograph someone you love. I ask people to do this so they have a subject about whom they have feelings, a subject that is more than a model, or an object, or a shape, or an idea. In this way, they can judge the result not only by its technical success, but also by how well it describes their feelings.

If you have a large number of unrelated ideas, you have to get quite a distance away from them to get a view of all of them, and this is the role of abstraction. If you look at each too closely you see too many details. If you get far away things may appear simpler because you can only see the large, broad outlines; you do not get lost in petty details.

I don't really have any advice, other than to say it's the most appallingly difficult thing I've ever tried to do and I wish I had a better idea of how to do it. In my experience what you end up with is the by-product of your failure to achieve what you set out to do. It may turn out OK, but it wasn't what you meant and you've no idea how you got there.

It's just a weird idea to me because each book is a complete universe unto itself, so why would I want this other universe from this other galaxy that has nothing to do with mine? That's how I really feel about it. Let's be honest - I'm still the writer, so certain things will be common denominators. But that I just want to keep natural and not studied.

For me, a rocket is only a means--only a method of reaching the depths of space--and not an end in itself... There's no doubt that it's very important to have rocket ships since they will help mankind to settle elsewhere in the universe. But what I'm working for is this resettling... The whole idea is to move away from the Earth to settlements in space.

Yeah, we don't consider many stupid things. I mean, we get rid of 'em fast...Just getting rid of the nonsense -- just figuring out that if people call you and say, 'I've got this great, wonderful idea', you don't spend 10 minutes once you know in the first sentence that it isn't a great, wonderful idea...Don't be polite and go through the whole process.

I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant.

I'm fascinated by the First World War because it was supposed to be the war to end all wars, and it was the biggest conflagration that this particular planet had seen. There was a lot of talk about utopia and how it was possible, and then, because of these events that for one reason or another couldn't be stopped, the idea of utopia went out the window.

Where did you find that one?" "I have no idea. I'm a magnet for crazies, I guess." "They must be able to sense a kindred spirit." "Your one to talk. Don't you have more hordes of the undead to lead in a glorious revolution?" "Zombies not undead. There's a fine distinction. And no. Right now I'm scouting new talent. The glorious revolution comes tomorrow.

Take one more step and I'll put an arrow through you." Will tried to model his voice on the quiet, threatening tone Halt had used. He had retrieved several of his arrows from the nearest target and now he had one of them ready, laid on the bowstring. Halt glanced around approvingly. "Good idea," he said. "Aim for the left calf. It's a very painful wound.

No one can genuinely love the world, which is too large to love entire. To love all the world at once is pretense or dangerous self-delusion. Loving the world is like loving the idea of love, which is perilous because, feeling virtuous about this grand affection, you are freed from the struggles and the duties that come with loving people as individuals.

Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.

Before I start carving the idea must be almost complete. I say 'almost' because the really important thing seems to be the sculptor's ability to let his intuition guide him over the gap between conception and realization without compromising the integrity of the original idea; the point being that the material has vitality - it resists and makes demands.

While it is almost certainly true that leaders ought to eat last, the evidence on the ever-widening difference between CEO and average employee pay and the enormous severance packages leaders obtain even as front-line workers see their economic well-being eviscerated makes a mockery of the idea that leaders do anything other than take care of themselves.

Our efforts for inclusive growth are holistic and not piecemeal; well planned and not knee jerk reactions; not for small changes but for quantum leap; making people the partners in growth not just beneficiaries; addressing the local needs by using global ideas and technology. And this is why our efforts in e-governance have been applauded the world over.

I'm not very good at sounding like other people. When you're going through your 20's and trying to get a break and that kind of thing, and you're trying to do something that sounds like film music, your idea of what it would be, it never really worked out for me and it's only really when I learned to trust the fact that I could only really sound like me.

Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.

Committees are, by nature, timid. They are based on the premise of safety in numbers; content to survive inconspicuously, rather than take risks and move independently ahead. Without independence, without the freedom for new ideas to be tried, to fail, and to ultimately succeed, the world will not move ahead, but rather live in fear of it's own potential

I'm not a crazy horror fan. At that time i wasn't really looking to do something like that. But I thought to put a twist on it to put a werewolf versus vampire... 'What's the best opponent for a werewolf?' Became the idea of vampires and what about putting those two together? And ultimately it got turned down. But we loved the idea and shopped it around.

The idea here is for communities to decide how they meet these criteria for becoming sustainable economically, ecologically and socially.Through a community decision-making process. And exactly how that would be configured, you know, remains to be established. The process of community budgeting, participatory budgeting, is one model that's been suggested.

Those of us who make films try to make something that we're feeling and that we would like. Then we just hope an audience responds the same way. It's very important to have the electrical circuit made, but I don't have control over how people feel when they flip the switch. So the whole idea of marketing research and test screenings is just foreign to me.

Volatility is a symptom that people have no idea of the underlying value-that they have stopped playing the asset game. They're not buying because it's a company with certain attributes. They're buying because the price is rising. People are playing games not related to any concept at all of what the long-term value of the enterprise is. And they know it.

One day God felt he ought to give his workshop a spring clean... It was amazing what ragged bits and pieces came from under his workbench as he swept. Beginnings of creatures, bits that looked useful but had seemed wrong, ideas he'd mislaid and forgotten... There was even a tiny lump of sun. He scratched his head. What could be done with all this rubbish?

There is no such thing as a new idea. It is impossible. We simply take a lot of old ideas and put them into a sort of mental kaleidoscope. We give them a turn and they make new and curious combinations. We keep on turning and making new combinations indefinitely; but they are the same old pieces of colored glass that have been in use through all the ages.

I didn't actually know what the protesters in the West really wanted. It was fantastic here, so much freedom, and that was what they were calling musty, middle-class, and fascistic, a bleak period. Bleak was what the GDR was, and it alone had adopted, almost unchanged, Nazi Germany's methods of intimidation and ideas about propaganda and the use of force.

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