Quotes of All Topics . Occasions . Authors
The world is so huge that people are always getting lost in it. There are too many ideas and things and people too many directions to go. I was starting to believe that the reason it matters to care passionately about something is that it whittles the world down to a more manageable size. It makes the world seem not huge and empty but full of possibility.
I very early caught on that the editor of Cincinnati Post had something specific in mind that he was looking for, and I tried to accommodate him in order to get published. I would turn out rough idea after rough idea, and he would veto eighty percent of them. I pretty much prostituted myself for six months but I couldn't please him, so he sent me packing.
Sri Ramakrishna is far greater than the disciples understand him to be. He is the embodiment of infinite spiritual ideas capable of development in infinite ways....One glance of his gracious eyes can create a hundred thousand Vivekanandas at this instant. If he chooses now, instead, to work through me, making me his instrument, I can only bow to his will.
We have got to fight it [Communism] with something better, not try to conceal the thinking of our own people. They are part of America. And even if they think ideas that are contrary to ours, their right to say them, their right to record them, and their right to have them at places where they are accessible to others is unquestioned, or it isn't America.
Few people...have had much training in listening. The training of most oververbalized professional intellectuals is in the opposite direction. Living in a competitive culture, most of us are most of the time chiefly concerned with getting our own views across, and we tend to find other people's speeches a tedious interruption of the flow of our own ideas.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
And so he [the Jew] advances on his fatal road until another force comes forth to oppose him, and in a mighty struggle hurls the heaven-stormer back to Lucifer. Germany is today the next great war aim of Bolshevism. It requires all the force of a young missionary idea to raise our people up again, to free them from the snares of this international serpent.
First of all, directing is an idea that you have of a total flow of images that are going on, which are incidentally actors, words, and objects in space. It's an idea you have of yourself, like the idea you have of your own personality which finds its best representation in the world in terms of specific flows of imaginary images. That's what directing is.
The international community...cannot simply call on Palestinians to abandon violence in the face of Israeli occupation and remain silent when the nonviolent activists are politically repressed. This only reinforces the idea that the use of force reigns supreme and that Palestinians have no choice but to accept hardships at the hands of their Israeli lords.
As Americans we place special emphasis on human dignity, justice and freedom. WE measure as good of bad that which meets these goals. Those high ideas have survived and flourished on this soil for two centuries since the Founding Fathers planted them because we have sustained a general public enlightenment through a free and universal public school system.
We exchanged a couple of ideas and stuff like that, but that's about it. I just think ... consulting on 'Tintin' was very interesting because you try to ... not educate, but inform the animators [about] what the lighting looks like, but [in the end] they do it themselves. I don't actually go and sit there with them. [We] just had a couple of conversations.
The weird thing about serious acting is I've always done impressions of people, all my life, and I did the thing called a balloon debate. The idea is there's a hot air balloon traveling across the Atlantic and it's going down and you have to give a speech as to why you should stay in the balloon. Six people are going to be chucked out and you want to stay.
I was drawn to all the wrong things: I liked to drink, I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. I didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone.
When we had ideas that earned there way in [Austin Powers], it began to get okay. The hook for me was 'Mini-Me.' We only auditioned one guy - Verne Troyer - and at the time I said, 'we have to get this guy, get him life insurance, whatever he needs' because there was no other way or actor to do it. It was amazing to me just to talk to him...he was Mini-Me.
What seems certain is that Pythagoras developed the idea of mathematical logic. He realized that numbers exist independently of the tangible world and therefore their study was untainted by inaccuracies of perception. This meant he could discover truths which were independent of opinion of prejudice and which were more absolute than any previous knowledge.
There are some ideas that will translate from Iraq to Afghanistan and there are many that will not. The first lesson of counterinsurgency, in fact, is that every situation is truly unique, has its own context, its own specific set of factors - and you have to understand that context in enormous detail to be able to craft a sound and comprehensive approach.
The idea of feeling displaced, and never feeling safe anywhere in the world, where you always feel like you're safer if you're over there, is not just my experience. If you went to Iran today or an Iranian came to America today, or the fact that there are bombs exploding everywhere, there's just a tremendous sense of fear and feeling a desire for security.
The idea of being given things that you don't necessarily deserve was always a difficult one for me to negotiate, and so I really always felt that I had to prove myself. Being the daughter of a famous man I guess is more easy than being the daughter of a famous woman, but at the same time there was a sense of really, with me, of wanting to earn my own way.
Meditation is nothing but an effort to drop all the foreign elements so that you can see yourself as you were before you were born, mirrored in its purity. It is a great silence and a great joy to be there, and once you start abiding there, there is no death and no time. All fear, all greed, all anger, disappears: one is just there with no idea, no desire.
Although it is tempting to imagine an ancient era innocent of biochemical weaponry, in fact this Pandora's box of horrors was opened thousands of years ago. The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.
I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.
I do not rush into actual work. When I get a new idea, I start at once building it up in my imagination, and make improvements and operate the device in my mind. When I have gone so far as to embody everything in my invention, every possible improvement I can think of, and when I see no fault anywhere, I put into concrete form the final product of my brain.
A species has to become pretty intellectually advanced in order to grasp the concept of death in the abstract, and to dream up the idea of immortality. Long before that (in evolutionary terms) all species with brains have the survival instinct in some form. So, I am just saying that there are many existent proofs of species that have one, but not the other.
Our business in life is not to get ahead of others but to get ahead of ourselves; to break our own records; to outstrip our yesterdays by our todays; to bear our trials more beautifully than we ever dreamed we could; to give as we never have given; to do our work with more force and a finer finish than ever. This is the true idea: to get ahead of ourselves.
If we define 'thought collective' as a community of persons mutually exchanging ideas or maintaining intellectual interaction, we will find by implication that it also provides the special 'carrier' for the historical development of any field of thought, as well as for the given stock of knowledge and level of culture. This we have designated thought style.
On these matters of specific fact, like is the mushroom an extraterrestrial and that sort of thing, I haven't the faintest idea. The mushroom itself is such a mercurial, elusive, Zen sort of personality that I never believe a word it says. I simply entertain its notions and try and sort through them, and I found that to be the most enriching approach to it.
[Osip] Mandelstam, who wasn't a political thinker, loved the idea of the city-state. One of the emblems in his poetry of the politics he imagined, over and against the universalizing politics of [Carl] Marx, was the medieval city of Novgorod, which had in its center a public well where the water was free to everyone. That became for him a figure of justice.
The realizations of anarchist ideas and practices are like sociopolitical ecosystems. Local versions resemble each other, but they are endlessly adaptive and everywhere different to meet their needs in their environments. Anarchism can be adapted to meet the culture, economics, ecology, and politics of various people or communities. That's the beauty of it.
The core belief that drives terrorism is the notion of a "holy place," along with the idea that some people belong there and other people don't. That's why the only solution to terrorism is for religious scholars to hold a global summit to agree on the definition of "holy place." Once they agree on a definition, it will be easier to mock it into submission.
Where we go wrong is that we bring along some ready-made idea of God, wherever we may have learned it, and then try to make Jesus Christ fit in with that idea of God. But if we take the idea of a revelation of God in Christ seriously, then we must be willing to have our understanding of God corrected and even revolutionized by what we learn in Jesus Christ.
When I was a kid, the world was such a big place, and I had no idea that I would be afforded these great moments in between doing what I love to do. I'm able to actually choose places to go which have intrigued me for the last god knows how many years, and Tasmania's always been one of those places. I see it all and yet I see so little because it's so fast.
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
Every revolution begins as consciousness because some group of people has to imagine change. You have to have the idea of change or at least have a hope before you can proceed. And that stage goes very quickly because a contagion of consciousness is within your control. But when you get to the stage of institutional change, it becomes a much slower process.
When once experience taught me that I could work when I chose, and within a quarter of an hour of my determining to do so, I was relieved, in a great measure, from those embarrassments and depressions which I see afflicting many an author who waits for a mood instead of summoning it, and is the sport, instead of the master, of his own impressions and ideas.
The reason for you complaint lies, it seems to me, in the constraint which your intellect imposes upon your imagination. Here I will make an observation, and illustrate it by an allegory. Apparently, it is not good-and indeed it hinders the creative work of the mind-if the if the intellect examines too closely the ideas pouring in, as it were, at the gates.
I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.
Because when you work with a different team, the expectations are different and then you deliver in a very different way. You look back at it and you're proud of yourself. And when the same people come in and you do the same thing, it's boring. You could re-envision it again and again but when the new chemistry of ideas comes in, something happens as a team.
The meaning of your life depends on which ideas you permit to use you. Who you think you are determines where you put your attention. Where you direct your attention creates your life experiences, and brings a new course of events into being. Where you habitually put your attention is what you worship. What do you worship in this mindstream called your life?
At the Rose bowl, when America was playing Mexico, and those that live in this country who have come here from Mexico booed the United States - there's a huge problem with that. This is not the first time that this has happened and I think that, that is because in the United States the cultural Marxist ideas of separating people into different racial groups.
This common and unfortunate fact of the lack of adequate presentation of basic ideas and motivations of almost any mathematical theory is probably due to the binary nature of mathematical perception. Either you have no inkling of an idea, or, once you have understood it, the very idea appears so embarrassingly obvious that you feel reluctant to say it aloud.
The idea of men's receiving an intimation of their connection with the world around them through an immediate feeling which is from the outset directed to that purpose sounds so strange and fits in so badly with the fabric of our psychology that one is justified in attempting to discover a psycho-analytic - that is, a genetic - explanation of such a feeling.
I once heard that Quentin Tarantino, who I obviously love and think is a genius, says that there's no such thing as guilty pleasure, there's only pleasures. And I do love that idea, because I do think that there's a pretentiousness when people make a list of their favorite things. I like to live a life where I don't think of my pleasures as guilty pleasures.
It was a sunny day, I was carrying a child in a white dress to be christened. The path to the church led up a steep slope, but I held the child in my arms firmly and without faltering. Then suddenly my footing gave way ... I had enough time to put the child down before plunging into the abyss. The child is our idea. In spite of all obstacles it will prevail.
Ideas come at any moment -- except when you demand them. Most ideas come while I'm physically active, at the gym, with friends, gardening, so I always carry pen and paper. My first draft is always written in longhand. But once the first dozen chapters, more like short stories, are written, then momentum builds until I can't leave the project until it's done.
Fear of the unknown... They are afraid of new ideas... They are loaded with prejudices, not based upon anything in reality, but based on... "If something is new, I reject it immediately because it's frightening to me." What they do instead is just stay with the familiar. You know, to me, the most beautiful things in all the universe, are the most mysterious.
My whole life I've been a fraud. I'm not exaggerating. Pretty much all I've ever done all the time is try to create a certain impression of me in other people. Mostly to be liked or admired. It's a little more complicated than that, maybe. But when you come right down to it it's to be liked, loved. Admired, approved of, applauded, whatever. You get the idea.
I seriously consider television to be the people's medium. Like the idea of seeing your parents naked or having somebody go down on you and worrying about whether you smell, or worrying about whether your body is weird or what goes across the face of a person who's supposed to be experiencing pleasure but isn't - those are things I'd love to normalize on TV.
It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
Most fans probably wouldn't understand that because they're not in bands, but when there's too many cooks in the kitchen it can really ruin things, it can destroy a band. So for me and Burt to approach it as just two guys it makes things a lot easier. This may sound selfish but it was less people we had to share our ideas with so there was less interference.