Quotes of All Topics . Occasions . Authors
I started meditating and as soon as I turned that lens of attention inwards, it was like, okay, game over. This is what I'd been looking for to resolve some of these inner conflicts and pains.
I was inspecting eyeglass lenses for a while. And I worked as a concession girl in a movie theater. And I was ironing before that. I always had some kind of a job. And then I started modeling.
Contact lenses are for vain, weak-willed piglets who swan around showing off: 'Look everybody, I can see without spectacles. No one at first glance will ever assume I know how to surf the net.'
All our contemporary philosophers perhaps without knowing it are looking through eyeglasses that Baruch Spinoza polished. Spinoza was a philosopher who earned his livelihood by grinding lenses.
Persecuting bigots may be compared to those burning lenses which Lenhenboeck and others composed from ice; by their chilling apathy they freeze the suppliant; by their fiery zeal they burn the sufferer.
Too many people don't look at things objectively and try to see the facts; they instead look at them through their partisan lenses and try to figure out how to twist or spin them to fit their own 'side.'
Art is the lens through which I experience the world. Art is the medium to present the human condition... love, fear, bewilderment, pleasure, distaste, brotherhood and all the subtleties that we all know.
It took years of psychotherapy before I even considered dating. I lost weight, replaced my glasses with contact lenses and felt a lot more confident. But I find it really hard to hold down a relationship.
By high school, I had traded my oversized, thick glasses for contact lenses, but my eyesight was getting worse every year, smothering my childhood aspiration of becoming an astronaut or, at least, a pilot.
Famous people come up to me, but I don't know who they are because my sight is so bad. It's always at the pool of the Four Seasons in Beverly Hills when I don't have my lenses in and my glasses are in my room.
There is something electrifying about individuals with adventuresome spirits. They see life through a different lens. They almost emit electricity because nothing about them is dull or uninteresting or unplugged.
Working with BET always provides a reminder of why I began to do this work. It is essential that we have platforms where we can discuss our politics, our challenges, and our culture through our respective lenses.
Surely one of the most visible lessons taught by the twentieth century has been the existence, not so much of a number of different realities, but of a number of different lenses with which to see the same reality.
After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
The despondency that follows makes me feel somewhat like a shipwrecked man who spies a sail, sees himself saved, and suddenly remembers that the lens of his spyglass has a flaw, a blurred spot -- the sail he has seen.
The mind can be thought of as containing reels and reels of motion picture film about our past experiences. These images are superimposed not only on each other but also on the lens through which we experience the present.
If I am lucky, something new and inexplicable often appears in front of my lens. I am always surprised by the mystery of how my best images appear. That excitement and shock of discovery makes my life at these moments a gift.
One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer.
The one thing in the world that I can't do without is my glasses. I don't really care about my laptop, I never answer my phone, and I don't care about trainers and stuff. But I'm pretty blind without my glasses or contact lenses.
It's a great thriller or mystery, but on another level it's a film about the fact that, if you only look at a person through one lens, or only believe what you're told, you can often miss the truth that is staring you in the face.
You discovered yourself and what really mattered only after you passed through the lens of the fairy tale, imposed on every human female and male alike, that someone existed out in the forest of the world for you to love and marry.
What I do is create a lens through my work that corrects my readers' cognitive dissonance and says: you will see all of it - not what you want or what makes you comfortable, but all of it. And you will not erase what displeases you.
But rather that we should lose our sense that neither can become the other, that the traditional novel form continues to enlarge our experience in those very areas where the wide-angle lense and the Cinerama screen tend to narrow it.
When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.
It was an idea we had when Al was in the Senate - to organize and moderate an annual conference that would look at government policy through the lens of the family to help identify ways that the family can be supported and strengthened.
Everything at Apple can be best understood through the lens of designing. Whether it's designing the look and feel of the user experience, or the industrial design, or the system design, and even things like how the boards were laid out.
You see the world, you end up in jail three or four times, you accumulate experience. And it gives you something to say. If you don't have anything to say then you shouldn't be making films. It's nothing to do with what lens you're using.
I think a lot of the time these days people are so concerned about having the right camera and the right film and the right lenses and all the special effects that go along with it, even the computer, that they're missing the key element.
If you go to my shows, 90 percent of my fans are females between the ages of eleven and eighteen. People look at me like a living mannequin; all of these girls want pink hair. They want the cool makeup and contact lenses and cool clothes.
If you're asking whether I intentionally mess up my hair, no, I don't. And certain things, like my freckles, they're just there. I don't do anything consciously. I suppose I could get contact lenses. I suppose I could comb my hair more often.
But whether you stay or go, the critical decision you can make is to stop letting your partner distort the lens of your life, always forcing his way into the center of the picture. You deserve to have your life be about you; you are worth it.
I'm a natural behind the camera... My attentions are more toward behind the scenes, more toward creating, producing, and directing what's going on here... When I finally do pop in front of the lens, I'm genuinely glad and relieved to be there.
I grew up as a cameraman, so it's much easier for me to shoot it myself. I work with an operator and a crew, but it's way easier for me to function as a cinematographer, than to have a cinematographer between me and the lens. I don't need that.
The # zodiac sign on the # Ascendant normally tells us much concerning the dharma of the individual - that is, the central potentiality which the person should seek consciously to actualize as a vessel or lens through which the Divine may act.
To me, wearing glasses is no pleasure, but once I conceded that I simply couldn't properly judge distance without them, I began to experiment. I tried glasses and found them uncomfortable. I switched to contact lenses, and they also bothered me.
I think that a lot of players and a lot of teams don't think of contact lenses as being a part of that essential gear but it truly is. You want every competitive advantage you can find and obviously having great vision is one of those advantages.
The horrors have made the legend of Mandelstam and are inevitably the lens through which we read his work and life. But if there had been no Stalin and no purge, Mandelstam still would have been a poet of severe emotional and existential extremity.
If you look at yourself and life through the lens of your ego, you'll feel isolated, ganged up on, alone, dfferent, and not part of the crowd. If you look through the lens of Spirit, knowing we're all one, you'll always feel safe, secure, ad loved.
My lip curls in a snide reflex whenever I hear that a new novel is written from the point of view of a child or a monster, a lunatic or an animal. I immediately expect a nasty coyness of tone, cheesy artifice, the world through cardboard 3-D lenses.
I have to have a working knowledge of light, and optics, film emulsions and their properties, and lenses, otherwise I can't create the shoots that are the vocabulary of the films. But it is not necessary for me to be a cameraman, I can hire a cameraman.
Because I am a horrible flincher, contact lenses are not an option. I'm always envious of contact-wearers. There are endless reasons to take off one's glasses during the day and, as I have grown older, what I don't see has become increasingly pronounced.
I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance.
National diplomacy strategies are usually focused on promoting one's interests against others' interests. By emphasizing the global 'we' rather than the national 'I' in the climate change debate, COP 21 proved to be a case in point for a change of lenses.
A visual understanding of great composition and how to use a camera and expensive lenses can be learned, but drive and a real hunger for making photos and telling stories... I don't think that part can be learned. You either have that inside, or you don't.
Usually you talk about directors in terms of the way they choose camera lenses or a kind of light to create a certain effect. But to me the most valuable commodity for a movie to create is a feeling of life, and that's what A Hard Day's Night has in spades.
I remember thinking when I set out to direct my movie that it was all about lenses and the shots you were going to get. Really, directing is about tapping into what makes us the most human, telling stories, emotions, and managing a group of empathetic people.
The photographer proceeds, via the intermediary of the lens, to a point where he literally takes a luminous imprint, a cast... [But] the cinema realizes the paradox of moulding itself on the time of the object and of taking the imprint of its duration as well.
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
The world can only appear monochromatic to those who persist in interpreting what they experience through the lens of a single cultural paradigm, their own. For those with the eyes to see and the heart to feel, it remains a rich and complex topography of the spirit.
This is not a matter of virtue-it's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default-setting, which is to be deeply and literally self-centered, and to see and interpret everything through this lens of self.