I love doing a film with a new bunch of people.

I love 'Battles,' and I love what it's doing for people.

I love meeting interesting people and doing things with them.

People have to really suffer before they can risk doing what they love.

Deep down, I want to be a big rapper. I want people to love what I'm doing.

Doing what you love and doing it with the people you love is the ultimate dream.

I love the fact that 'Flowers for Algernon' is doing its part to get people reading.

I love to see people laugh and put a smile on peoples' faces. Anytime I'm doing that I'm happy.

I love doing what I do. I'm a born mentor. I've launched so many people's careers. I worked hard.

I love studying how people are. Not just what they're saying, but how they are, what they're doing.

It's awesome being married to Julie, being able to support the people we love doing what they love to do.

I can say I'm not doing 'X-Men.' I love the franchise, and I love the people who make them on and off screen.

I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.

I love doing comedy. Absolutely love it. After 'Wedding Crashers,' people suddenly realized that it was something I could do.

I love to eat internationally and do eating contests everywhere. Traveling around, meeting people, and doing different things.

People confuse fame with validation or love. But fame is not the reward. The reward is getting fulfillment out of doing the thing you love.

I love what many of my contemporaries are doing, especially people like Terry Gilliam, David Cronenberg, P. T. Anderson, and Alfonso Cuaron.

The amount of love I get from India, from Pakistan, from Asia, from Persia, Malaysia - people are just like, 'Brown boy doing it, brown boy doing it!'

You think of your first album, when we had no clue what we were doing, we had no clue if people were going to like it or not, we did it because we love it.

I love doing theaters, cracking people up, hearing them physically roll in the aisles. But we need to get serious. These are serious times. No joke. No joke.

I love to go into the studio on days when I'm not even doing anything. It's like my senior club. Some people go to senior centers, well I go to my senior center.

Plenty of Disney kids are perfectly normal and love what they do. But you always hear about the people who aren't doing well. It's kind of like the squeaky wheel.

I would love to experiment with roles. But when people say that we are not doing anything different, it is because directors do not approach us with diverse roles.

I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.

Yet there are some people - Steve Allen would dissect comedy forever; he's a really funny guy, but he would love talking about comedy. I'm doing it right now and you all seem bored.

I love doing improv, and I swear by it, and I encourage people to take classes, and blah blah blah. But it's always been interesting how it doesn't necessarily translate to television.

I think love is blind. You don't see it; you don't hear what people are saying or what you're saying. You don't see what you're doing. All you see is the person in front of you. That's it.

You always hear actresses talk about how unromantic it is to act a love scene or a sex scene - which it is. You're doing it with all these lights on and cameras flying around and people on the set.

I'm not anti-Hollywood; not at all. In fact, I'm rather fascinated by everything that goes on here. When I get hold of a copy of 'Variety,' I read it cover to cover; I love to know what people are doing.

On various shows, I've been the producing-director, the executive producer-director; and if you were working with the material you love with the right group of people, it's an incredible job to be doing.

We always have relationships in our lives with people we've fallen in love with, who come back into our lives, and we fall in love with them again and go, 'I shouldn't be doing this,' but you can't stop it.

Obviously, if people love a movie, and it has the possibility of continuation, then there is going to be a question of whether it's worth doing another one. There's also cynicism and skepticism about sequels.

I'm really an outdoorsy girl. People think I can't go anywhere without getting all primped up, but I love to go camping, and I'm totally fine with not doing my hair or makeup, not taking a shower and just hiking.

I love casting against type and doing things you wouldn't expect, because I think you get more interesting performances that way. Hollywood loves to pigeonhole people, and there's nothing an actor loves more than to do something different.

So if you ask those people who say they're standing up to boo Roman Reigns because, 'We don't like him,' 'Okay, would you pay to see Roman Reigns get beat?' 'Oh, absolutely! I'd love to see him get beat.' He's doing his job because people pay to see him.

I used to love watching Angela Lansbury and other people when they were doing voice-overs for Disney shows. You'd see them doing these wild gestures in front of the microphone. I used to think, 'Is that really necessary?' What you realize when you're doing it is that that's the only way.

I'm quite shy and I absolutely love my job - if you'd call it a job - and I like everything that goes along with it, but I think away from that I'm probably no more interesting or special than anyone else, and so I really like just doing normal stuff, as I'm sure most people in our team do.

When you think about it, we actors are kind of prostitutes. We get paid to feign attraction and love. Other people are paying to watch us kissing someone, touching someone, doing things people in a normal monogamous relationship would never do with anyone who's not their partner. It's really kind of gross.

I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.

Share This Page