My mum taught me to treat people the way I want to be treated.

I hire people brighter than me and then I get out of their way.

I treat people the way I want to be treated, which makes me odd.

As comics if you aren't rubbing people the wrong way, to me, you suck.

I need to behave in a way that will cause people to take me seriously.

I like the way that different people recognise me for the roles I done.

Being a game changer to me means changing the way other people see things.

There are plenty of people who have legs who are way more disabled than me.

The way people connected with wine intrigued me and I wanted to be a part of it.

If people do things without thinking them through, that rubs me up the wrong way.

Most people ask me were you always sexy and if I said I was born this way I'd be lying.

The way I go to watch The Rock in 'Fast and Furious', I want people to come and watch me.

Twain is my keystone. He reminds me of my people because that's the way they told stories.

The way I like to play, it really helps when I have more people around me to combine with.

People used me, in a way, to achieve something, and I was glad of it. I was just doing my job.

Don't misquote me as wanting to hurt homosexual people in any way. That would be a dastardly lie.

People hold me accountable. Before I would push people away, but that's not a way to be successful.

I'm thankful I grew up the way I did. It made me a hard worker and insightful to other people's lives.

I realize people feel a complex way about me and how I handle things compared to what I do in the ring.

I know little stories that happen to people around me, and I can repeat that in a way that has some color.

My strategy has always been to give people just enough of me, then pull back. That way, they'll want more.

To me, the trick is not how can I make people laugh. It is, how can I make people laugh in a different way.

Humor is a huge part of the way I operate; if people can't understand a joke then they should not follow me.

People feel like they know me, in a strange way, like they grew up with me or they went to high school with me!

People always say to me, 'You're really attractive - in an unusual way.' No one ever just says, 'You're attractive.'

I'm very thankful I'm finding my way, and people are excited to bring me into roles that demand a certain complexity.

It seems to me that the way to remove people's cynicism is, when asked a straight question, to give a straight answer.

People often think I'm a faker, but I'm usually honest, in a certain way - in such a way that often nobody believes me!

As a child, people were always trying to photograph and film me because it's a way for a shy person to find themselves.

When people ask me if Dean Martin drank, let me put it this way. If Dracula bit Dean in the neck, he'd get a Bloody Mary.

I don't want to get hung up on what 'people,' that nebulous mass, think about me. That's the way to unhappiness, I think.

A lot of people have helped me along the way. But you know the biggest thing for me was when computer animation came along.

There weren't many options that came my way after Tum Bin.' Yet, people started expecting too much from me after that film.

The people that were invested in me staying the same way after a decade will most likely by default have to be disappointed.

Those who know me well know that I don't wear my emotions on my sleeve like other people do. That's just the way I was raised.

I wasn't a big guy. People thought the big guys would eat me up. But it was the other way around. I loved to fight bigger guys.

It's not normal for a white guy to get corn rows; a lot of people judged me. I like the way it looks, so you have to be confident.

Many young people come to me and tell me that 'You inspire us with the way you perform, even if you are a girl with a short height.'

People often ask me how I developed my vocal sound, and the answer usually disappoints them: 'It's just the way I sound when I sing.'

When I was off TV, people would ask me to please come back, which I think was their way of saying, 'There's nothing out there for us.'

I'm not a traditional sonero, at least not in the way they want me to be, I'm an interpreter, and I reach people in a different level.

It seems to me that's the only way you can have a truly creative aggregate of people is if they're all contributing in different ways.

Lots of people ask me for advice as if I somehow have found some easy way to create a solution to a problem, and there's no such thing.

I had this sort of idolatry for certain actors who preceded me, people who inspired me, so I'm honored to be that way for young actors.

'American Idol' is the fast track to fame. I'm just lucky it worked out. I don't feel different. The way people react to me is different.

I felt the way people talked to me was like, 'It's OK to be No. 2 in the NFL, a backup,' and things like that. That's never been my approach.

When people say the word 'bromance,' it drives me nuts, because guys can't be friends so they call it a 'bromance' as this macho way out of it.

I feel like I'm kind of a bit of a sponge in a way. Like, if people around me are going through things, I find it very hard not to be empathetic.

I live in the Village, and the way it's been, people sort of drop in on me and my husband. My husband is Robert Nemiroff, and he, too, is a writer.

People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.

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