I've never had a stylist or anything. I don't let people style me.

People ask me where I got my singing style. I didn't copy my style from anybody.

Some people criticize me for always wearing different variations of bobs, but bobs never go out of style.

When I met the people at Warner, they were very excited about my style and making me into this big theatrical artist.

As far as people whose style interests me, I'd say Grace Kelly, Gwen, Spice Girls, Victoria Beckham, and that nanny called Fran.

Streetwear for me is what I was raised wearing in London, and my style influences growing up were always people who wore streetwear.

People actually perceived me with being this cat from the Bronx because I'm one of a handful of folks that was actually acting in 'Wild Style'.

You won't see many flashy, fancy moves off me but you will see a gritty, hard hitting style, that you won't have seen before from many other people.

My working style is democratic and I want people to be honest with me. Reputation makes everyone agree with your point, which is dangerous for any filmmaker.

'The Sopranos' wardrobe people would sometimes go over there and just grab stuff off the racks, because B&G has that style that never ages. It's like a '50s or '60s style. It fits me well.

I'm covered in tattoos head to toe, I have this striking style, I'm smaller than most competitors, and people are like, 'Yeah. That's my guy.' Why? Because they can see part of themselves in me.

I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.

My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.

I don't think anyone would describe me as an understated advocate. Several people have told me my argument style is very direct and very blunt, which I find mystifying. How could you ever be anything but direct and blunt?

I think Americans are very verbal and Aussies are more circumspect, and that can come across as being clearer. It can also come across as abrupt and cold. Some people find me to be abrupt and cold. That's just my personal style.

People always say to me, 'You have such a clearly defined sense of style,' and when I hear it, I get crazed, because what I hear - and I know they mean it as a compliment - is that I have such a narrow vision that I can't get out of it.

I had an advantage over a lot of people who had gone to school and earned degrees in writing and had learned the rules for writing, so to speak. My style was just to tell a story but to tell it well, and that has worked out for me so far.

I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.

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