Warren Buffet told me once and he said always follow your gut. When you have that gut feeling, you have to go with don't go back on it.

You can sometimes get your own feelings across more strongly if you pretend that you're singing it from someone else's angle. But it's always from me. It's just a new way of framing it.

The only pressure I feel is how I can contribute to help my team win the match. Of course, there is always the pressure to score, but then doesn't it eventually help your team win? Frankly, I don't let these things affect me.

Always be available to your kids. Because if you say, 'Give me five minutes, give me ten minutes,' it'll be 15, it'll be 20. And then when you get there, the shine will have worn off whatever it is they wanted to share with you.

I don't know where the idea originated that memoir writing is cathartic. For me, it's always felt like playing my own neurosurgeon, sans anesthesia. As a memoirist, you have to crack your head open and examine every uncomfortable thing in there.

For film and television, it's interesting how fans feel that their particular ways of manifesting their affections are the correct ones. It's not just about being a fan, it's about how you perform your fandom. That's always been interesting to me.

I'm a big advocate of starting soccer young and always having the ball at your foot, but that's because I didn't do that. If I'd focused more on that when I was a kid, it would've been so helpful. It took me, like, halfway through college to feel comfortable with the ball.

If I could write directly on a typewriter or a computer, I would do it. But keyboards have always intimidated me. I've never been able to think clearly with my fingers in that position. A pen is a much more primitive instrument. You feel that the words are coming out of your body and then you dig the words into the page.

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