Quotes of All Topics . Occasions . Authors
I am a chameleon when it comes the way I dress. I am constantly changing it up, and I really can't commit to one thing because dressing for the day or for an event is really a mood thing. I like variety, and I don't mean just designers, I mean mixing the high-end garments and the cheaper clothing.
The beautiful thing about 'The Strain Trilogy' is the ability to move from gore to high fable to creeping dread to domestic drama to unbearable suspense to the uncanny and on and on. The epic journey is designed to support these swings in mood, and that complements my tastes, which are wide-ranging.
'The Chill,' by Jason Starr and Mick Bertilorenzi, was both a wise and nervy choice to start the year: Starr's standalone novels, such as 'Hard Feelings' and 'The Follower,' sustain a mood not unlike the perpetual unscratchable itch on one's back, and go Highsmith-level deep into the sociopathic mind.
We need a system where some politicians - who quite rightly respond to the public mood - are prepared to stand up in favour of housebuilding, so I came up with a system that gives local people something they really want in return for building more homes. In our case in Hatfield, it's a new town centre.
I think the best mood for writing is a heavy feeling that's a little bit removed from you. Sometimes I feel very self-indulgent and bratty and ungrateful, and no good music comes out of that. But sometimes I can be really sad or have an excess of feeling yet somehow be able to see the big picture more.
Under the leaden sway of Alexander III's government, the silence of the graveyard prevailed. Russian society, equally discouraged by the collapse of all hopes for peaceful reforms and by the apparent ineffectiveness of the revolutionary movement, was in the grip of a mood of depression and resignation.
There are, I think, four distinct types of weird story: one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax.
I want each poem to be ambiguous enough that its meaning can shift, depending on the reader's own frame of reference, and depending on the reader's mood. That's why negative capability matters; if the poet stops short of fully controlling each poem's meaning, the reader can make the poem his or her own.
A reputation takes years and years and years to build, and it takes one press of a button to ruin it. Don't let that happen to you. You've done so much work; you've put in so much effort. Don't let one moment ruin your entire life because you wanted to be funny or you were mad or because you had a mood.
I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time.
I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.
I actually think that self-expression comes, sometimes, from what you wear, and having the freedom to be able to wear whatever you want for whatever mood you want to wear it, but to not feel frivolous that all of those things that help you self-express have to be things that you're committing to forever.
At home, he's a 100-percent softie; that's who he is. I just blew his cover. When Howard has a really stressful day at work or he feels overwhelmed, it's funny, I point to the foster room. After 30 seconds of being there with these baby kittens or these special needs cats, it just changes your whole mood.
I'm not saying you have to be totally despondent or anything, but... in New York, it's cold sometimes; it rains sometimes; even if everything in your life is great, bad weather can set the mood. You can write songs in New York because it's not always perfect. To write a good song, things can't be perfect.
Horror used to be one thing, and I think that's starting to broaden - there can have subgenres, and other things can be going on in a horror story. In comics, you'll never get the 'Boo' effect in a comic; you can go for mood, atmosphere and personal tragedy to build the horror elements and sense of dread.
Children are extremely perceptive and absorb what goes on around them long before they can talk or even comprehend language. They are like finely tuned receivers that pick up much more than is merely said. They are receptive and attuned to every mood, feeling, and change that goes on in people around them.
Style to me is a mix between rock star chic-quirky-sexy and expressive. I always dress for my body type, as it's important to highlight your pluses! I like edgy clothes that have character. I usually dress by the mood I'm in - so if I'm in my ripped jeans and leather jacket, you know I'm feeling rebellious!
Even writing verses from my first album, there were songs that I didn't use because I just felt that they weren't really for me. But I think that happens naturally when you write songs. You're in a different mood in every session. There's so many songs out there that could potentially be used by other artists.
When a director narrates a character, I find it normal to ask questions about the character's background, mood swings, eccentricities, behaviour... I do this to make my performance relatable. Directors who don't know their characters well find it difficult to answer these questions and, hence, find me annoying.
I was sitting alone in a grim mood - furious that the press attacked Senator Edwards on the price of a haircut. But it inspired me - from now on, all haircuts, etc., that are necessary and important for his campaign - please send the bills to me... It is a way to help our friend without government restrictions.
If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. Either you hook into that or you're not going to be part of it.
Architecture produces a musical mood in our inner being, and we notice that even though the elements of architecture and music appear to be so alien in the outer world, through this musical mood engendered in us, our experience of architecture brings about a reconciliation, a balance between these two elements.
My wife says that I become different once I start to work with animals. My movements become different, my mood is different. It involves letting everything fall behind you, becoming intuitive in your dealings with wild creatures in a way that bypasses reason. Sometimes it's more like a dance than anything else.
It's always different for whatever the scene asks for but usually, I listen to music before the scene just to get into the mood, mellow myself out and really put myself into the character's shoes. I zone out from everything going on around me and just focus on what I have to do. From there, I just let it happen.
It was not until I was in my forties, in the fifth decade of my life, that the sense of place, the spirit of place, became of paramount importance to me. It was then that I began my travels, that I discovered, through photography, the quality of light, and that I gradually became able to paint the mood of place.
The enemies of acting are mood and attitude and other general homogenized disruptive entities. Whereas acting is about action - doing - and unless you can figure out a way to craft in an imaginative reality to which you don't submit, you're going to be out of control. You'll flip out. The job is to be surprised.
While a large segment of the art world has obsessed over a tiny number of stars and their prices, an aesthetic shift has been occurring. It's not a movement - movements are more sure of themselves. It's a change of mood or expectation, a desire for art to be more than showy effects, big numbers, and gamesmanship.
Every time I sit down in front of my piano, I like to improvise with the instrument. It depends on my mood of that day what kind of melodies and rhythms I am playing around. Sometimes, even before starting to play I already have a quite clear picture of a song I would like to compose, or at least the sound of it.
My mood depends on how I treat my toothbrushes. Being a skipper is a strenuous job, and when you are going through a rough phase, obviously you start taking out your frustration. You can't take it out on anyone: you can't take it out on your teammates or your wife. The only person that is left is your toothbrush.
In the years that I have been an actress, I have told the story of my life many times, and I get tired of it, so sometimes I change it a little. That is, I change the mood. If I am feeling sad, then I remember to tell only the sad things. If I am feeling happy, then I can remember only to tell all the good things.
I am sometimes asked to name my favourite books. The list changes, depending on my mood, the year, tricks played by memory. I might mention novels by Nabokov and Calvino and Tolkien on one occasion, by Fitzgerald and Baldwin and E.B. White on another. Camus often features, as do Tolstoy, Borges, Morrison and Manto.
I meet with retired football players. Some are well-dressed, some are well-spoken, but when you talk to them personally, they will admit to you that they are having problems. But they are managing their problems. They have impaired memory, they're having mood problems. They are being treated by their psychiatrists.
A novel can be set in motion by an incident, a character, a location, a mood - by anything at all. Sometimes the stimulus can be an idea, which will rapidly clothe itself in character and incident. 'Foreign Bodies' came about through the contemplation of the contrast between post-second world war America and Europe.
Creating any type of art is all about mood. I've been making extreme music in one fashion or another for decades. And truthfully, Down has a big enough fan base to where I could remain content to do only that, but music is a vast territory and I am an explorer. And I'm a lover of all things considered extreme in music.
We're losing social skills, the human interaction skills, how to read a person's mood, to read their body language, how to be patient until the moment is right to make or press a point. Too much exclusive use of electronic information dehumanises what is a very, very important part of community life and living together.
It's all about the mood I'm in and the scene I'm writing. 'Cause work controls my life, writing controls my life, performing controls my life. So I don't listen to any music that's not an influence on what I'm working on that day. Music is a big influence in my work and sometimes drives the energy of where I want to go.
What's important is that people realize that I can't be put into a box musically. I've studied all forms of music; I know probably more Jay-Z songs than the biggest Jay-Z fan. I've studied R. Kelly to the Isley Brothers to Stevie Wonder to Sting and Sade. You don't have one personality every day. You don't have one mood.
Action set pieces are my absolute favorite thing to write. I'm pretty much always in the mood to do them, but music certainly helps the process. I usually brainstorm out the dynamics and choreography of a fight to music beforehand - it gives me the little sparks of imagination when I get to the gaps in my own creativity.
For bipolar in adults, I think there's pretty good agreement about what this looks like. For bipolar in children, there is some considerable debate about where are the boundaries. At the mild end, are these just kids who are active? Is this the class clown at the very severe - is this something other than a mood disorder?
What I wear is a reflection of where I am going and how I am feeling. If I'm in a good mood, it's got to be cashmere and jeans - just something comfy, soft and warm. When I'm down, I might find something that I haven't worn for a while that was bought for me - or wear a brooch or a pair of shoes that are like old friends.
I'm a firm believer that lighting affects mood, and twinkly lights on strings bring something magical to occasions ranging from concerts to weddings, though I'm fond of using them as year-round home decor. There's a reason why they're sometimes called fairy lights. When the night is right, there aren't any strings at all.
I started seriously applying myself to writing fiction immediately after I finished graduate school. By 'seriously,' I mean that, instead of noodling along on a story, finishing it or not as the mood struck me, I set out to complete what I started, to polish it to the best of my ability, and to send out the finished story.
Being in this fine mood, I spoke to a little boy, whom I saw playing alone in the road, asking him what he was going to be when he grew up. Of course I expected to hear him say a sailor, a soldier, a hunter, or something else that seems heroic to childhood, and I was very much surprised when he answered innocently, 'A man.'
I know that people don't listen to music much in the way when they'll put on a CD, sit down, have a drink or go on a car journey. People pick and choose and just listen to tracks. But when I make a record, I try to think about it as a 50 minute musical journey, so the mood is very important, as is the sequence of the songs.
Spending time with negative people can be the fastest way to ruin a good mood. Their pessimistic outlooks and gloomy attitude can decrease our motivation and change the way we feel. But allowing a negative person to dictate your emotions gives them too much power in your life. Make a conscious effort to choose your attitude.
I am mean; I'm nasty at times. I don't feel like talking to people at times. When I am in a bad mood and have had a really awful day, don't come in my face because I am not tolerant and I am not a goddess; I can't handle it after a point. I am going to get up, and I am going to scream, and I am going to say bad things to you.
Writing with a partner is, in some ways, an easy but odd process. Two people come into a room and look to each other for motivation. One might not be in the right mood at any given moment. And somehow, you begin; somehow, out of your exchange of thoughts, something engages both of you, and the process of collaboration begins.
On those days when you don't want to get up, I think, I'm going to get through my entire practice without saying how tired I am or I try not to complain just because I was in a bad mood when I woke up. Even if it's not perfect and I slip up, I can catch myself and make myself of aware of where my mental space is at and move on.
I know this sounds weird, but I was into storyboarding when I was younger. I loved coming up with my own style through fashion blogs and magazines. But I've never liked trying things on. I don't know why. It was more about making mood boards. I've loved fashion my whole life, but more the imagery of it than actually wearing it.
I have always loved fashion because it's a great way to express your mood. And I'm definitely a shoe lover. The right pair of shoes can change the feel of an outfit, and even change how a woman feels about herself. A woman can wear confidence on her feet with a high stiletto, or slip into weekend comfort with a soft ballet flat.