Moving Quotes - Page 186

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We're now moving toward a radically different economy. You absolutely can't have a distribution oligopoly. The new oligopolies - and I think there will be new oligopolies - will be oligopolies of trustworthiness. Microsoft, Amazon, Schwab, and other brands will dominate psychic space, not shelf space.

I listened to a lot of The Stooges when I was writing "Oscillate," imagining our hero moving through his days naturally embodying the spirit of a real punk. I say real, because today's idea of 'punk as fashion accessory' doesn't even register with him, it's more about the way he engages with the world.

Government employees move up the ladder through educational credentials rather than merit. People are given jobs and promotions based on seniority, race and gender rather than ability or talent. Such a system often overlooks the deserving and rewards the incompetent. There is no payoff for achievement.

We are now spending half a trillion dollars on foreign oil, importing 62 percent of the oil we use, and we haven't had the leadership in D.C. to do anything about it. We've got to move to other sources of energy. But we've gotten way behind, and will continue to pay the fiddler. It's not a good future.

Worship and spiritual hunger make you so attractive to God that your circumstances cease to matter anymore. He will move heaven and earth to find a worshiper. When you begin to worship with all your being and desire, your heart turns Him toward you. You capture His attention and attracts His affection.

I've translated two of Bae's novels, A Greater Music and Recitation, which are coming from Open Letter and Deep Vellum in October and January respectively. A Greater Music is a semi-autobiographical book centred on a Korean writer moving to Berlin, learning to live and even write in a foreign language.

They were close enough that he could feel the hurried beat of her heart. He could feel Charlotte's indecision in every word she didn't say and every move she didn't make. She was tense with uncertainty, quivering with irresolution. She might not be leaning into him, but she wasn't pulling away, either.

If they succeed in creating an inclusive structure in virtually any peaceful form, Iraq succeeds. If they fail, the U.S.-led coalition fails almost regardless of its military success and that of the new Iraqi forces, and Iraq will move towards division, paralysis, civil conflict and/or a new strongman.

I initially thought 'Lewis' was a terrible idea. The character had very much been Morse's work donkey and sounding board. But I was persuaded to do it, thinking if it was a flop, at least ITV would stop asking me. But the pilot took off, so we got back on this moving train, and we've never looked back.

Aging is like enlightenment at gunpoint. Before I had cancer, I lived my life for my art. After I had cancer, I lived my art for my life. I’ve always said dance is the breath made visible. That covers about everything because once you stop breathing and the breath is no longer visible, you stop moving.

I wept like a child. It was not because I was overcome at having survived my ordeal, though I was. Nor was it the presence of my brothers and sisters, though that too was very moving. I was weeping because ....fill in the blank with whatever/whoever helped you survive... had left me so unceremoniously.

She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.

I felt the electricity of his body behind me as he reached around me and took the card from my hand. He didn't move away, and I battled the urge to lean back into him, seeking the comfort of his strength. Would he wrap his arms around me? Make me feel safe, if only for a moment, and if only a delusion?

We see an ever-increasing move toward inter and trans- disciplinary attacks upon problems in the real world ... The system scientist has a central role to play in this new order, and that role is to first of all understand ways and means of how to encode the natural world into "good" formal structures.

She tried to open the bottle, but the top slipped through her fingers without moving. He took the bottle from her hand and opened it with his thumb and index finger. There was nothing special in the gesture and yet she found it strangely fascinating like a small heroic feat performed specially for her.

One of the best things about life is friends. We all agree on that. And yet our shyness with strangers often prevents friendship from ever gaining a foothold. If only we would realize that the other person is probably just as shy as we are and is simply waiting—and hoping—for us to make the first move.

Mother Teresa tells a story of walking past an open drain and catching a glimpse of something moving in it. She investigated and found a dying man whom she took back to a home where he could die in love and peace. 'I live like an animal in the streets,' the man told her. 'Now I will die like an angel'.

You wake up, you wake up, another day, you wake up, you wake up, traffic still moving at the same speed, our eyes looking at the same speed, our minds thinking at the same speed, I wanna see movement, I wanna see change. I wanna wake up for real. I wanna wake up. I wanna wake up. We were meant to live.

You can deceive yourself into thinking that America is a technological leader, but if you don't see what anyone else is doing you have no accurate assessment - you can't make an accurate assessment of where you fit and why. I consider our moving frontier in space as the anecdote to that downward trend.

know the feelin, when you feelin like a villain, You be havin good thoughts but the evils be revealin'. And the stresses of life can take you off the right path, Jealousy and envy tends to infiltrate your staff... We gotta hold it down so we can move on past All adversities, so we can get through fast.

Today we are fighting Communism. Okay. If I'd been alive fifty years ago, the brand of Conservatism we have today would have been damn near called Communism and we should have been told to go and fight that. History is moving pretty quickly these days and the heroes and villains keep on changing parts.

In My Secret Life" "I saw you this morning, you were moving so fast. Can't seem to loosen my grip On the past. And I miss you so much, there's no one in sight. And we're still making love In my secret life. I smile when I am angry, I cheat and I lie, I do what I have to do to get by, In my secret life.

America is a country that went through an extremely difficult set of circumstances out of 9/11. And we've survived it as a country, and I think we've survived it as one people. And we all ought to be concentrating on trying to make sure that we move forward as one people out of that terrible experience.

If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.

Everyone's opinion is of equal value, which is bizarre to me. It's so hard to get anybody cast because you'll be on the phone with 15 people, and if anybody says I don't know about that guy - move on. Wait a minute, why is that person's note valid? It's such a bizarre process that's sprung up around it.

The sun is roaring, it fills to bursting each crystal of snow. I flush with feeling, moved beyond my comprehension, and once again, the warm tears freeze upon my face. These rocks and mountains, all this matter, the snow itself, the air- the earth is ringing. All is moving, full of power, full of light.

I've just done a movie - Albino Alligator - with Viggo Mortensen, who's an actor I idolize. He influenced me in a way that has helped me move toward getting lead parts instead of supporting parts, merely through his presence. So now I tell everyone, as a joke, that I'm entering my Viggo Mortensen phase.

I'm moving on. I should have made that clear when I made the announcement. I guess I wasn't clear. If people think you're leaving a show after all these years, you might be retiring. So I understand where they're coming from, but I should have impressed the fact that I hope I'm just moving on right now.

It used to be that your bloodlines dictated who you were. But the U.S. became the land of the self-made man, in which not only did you make a fortune but you could make up everything else about yourself as well. You move into a new town with a spurious pedigreed background and you just make yourself up.

The roles evolve over time: juries once made determinations about law; nowadays, they are supposedly limited to making factual determinations. A good move? All along, however, we will, be employing and refining "established" values in new contexts, with the possibility of restructuring them in some way.

So if we look at progress, or evolution, or we look at accomplishment in our life, the key is to be continually moving on, expanding and growing, clarifying, developing and maturing. The opposite would be getting stuck, staying stuck, so there's no maturing, no developing, no accomplishing, no movement.

As popular culture becomes more presentist, we move away from entertainment as the vicarious experience of a narrative - as watching someone else's story - and much more toward enacting one's own story. Moving away from myths and toward fantasy role-playing games, away from movies and toward videogames.

When I was a very young author, I knew I needed to build myself a tower outside of Europe. Like when you're a hunter, and build towers to watch the animals move. I knew I would never understand the world without that perspective. I came to Africa for that rational reason, although I love Mozambique now.

Most people, they're dug in. 'Michael Jordan is the best player, and there's nothing LeBron can do.' A lot of people dug in that LeBron is whiny and he complains, he jumped teams, he wants all the best players. And once you have your mind made up on a particular topic, there's no moving you off of that.

Really it becomes a question of architecture. How do you move people through a space and allow them to have an experience? I, probably more than most people, suffer from museum fatigue. I always want to just stay still or sit in a chair and look at one thing, but that's not the experience of the museum.

To any situation the reaction may be different. That's why it's useless - in a way - to memorize patterns, because the possibilities in life are endless, and you cannot be prepared for every single thing. Therefore it's better to be able to move in a natural way, and not even physically but intuitively.

The music I listened to when I was a kid was Sonny Boy Williams and Pinetop Perkins. He was the one who had the most influence on my playing. I saw him through a window playing piano and I thought it was unbelievable somebody could move their fingers that fast. And this is how I got interested in piano.

My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.

Like a lot of small press founders I was looking for a way into publishing - as well as a way out of academia. Without moving to London, I couldn't see a way of working for a publishing house whose work I liked. Believe it or not, the simplest way for me to get into publishing was to start my own press.

When we got organized as a country, [and] wrote a fairly radical Constitution, with a radical Bill of Rights, giving radical amounts of freedom to Americans, it was assumed that Americans who had that freedom would use it responsibly...When personal freedom is being abused, you have to move to limit it.

When I was doing 'Generation Kill' in Africa I worked with five really super-trained Navy SEALs who taught us all these moves like how to disarm people: if there's a bar fight and someone's got a chair or there's someone with a gun behind our head, how to disable them and take them down in a swift move.

We no longer even understand the question whether change is by itself good or bad, ...We start out with the axiom that it is the norm. We do not see change as altering the order... We see change as being order itself - indeed the only order we can comprehend today is a dynamic, a moving, a changing one.

A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same.

It's interesting to see what people who you find talented come up with, so you work with them. Sometimes ideas come along quicker cause they'll come up with something and you'll be like, "It would have taken me forever to get to that point!" Because you're talking together, your brains are moving faster.

Tucker was my safe place for three years, my secure dock in a sea of indecision as I dealt with my father's illness and death. And now I had to sink or swim. It was time to let go...and move on. Slowly, I pushed off from the dock that was Tucker Montgomery and prepared to swim...praying I wouldn't drown.

The growing gap between rich and poor, the seeming lack of concern for the health and well-being of ordinary people, the obscene salaries made by CEOs who are increasing profits by moving their plants to places where labor is cheap - that's where the problem is, not in schools, colleges and universities.

I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world.

I try not to dwell on big mistakes but to move on when I make a mistake. I make mistakes most of the times and that's part of the risk profile being an entrepreneur. I guess one big mistake I did was not to start my own company earlier. I spent nine years working for others before starting Kazaa in 2000.

Resistance in my experience always kicks in when you're trying to move from a lower level to a higher level or to identify with a braver part of yourself or your higher nature. So it's that negative repelling force. It's kind of the dragon that we have to slay every day if we're artists or entrepreneurs.

Whenever I may be tempted to slack up and let the business run for awhile on its own impetus, I picture my competitor sitting at a desk in his opposition house, thinking and thinking with the most devilish intensity and clearness, and I ask myself what I can do to be prepared for his next brilliant move.

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