[Wave of bestselling conservative commentators] it's kind of like reading The Power Of Positive Thinking, or any other advice or how-to book. All they do is reassure people of their basic opinions, and then they can continue to act like they've always acted. I'd say it's time to move on to something else, but I don't know what it would be.

Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.

I had to learn how to trust my gut. Trust what I know to be right... not right, but not waver on who I am. Know who I am, know what I want, and know it. Not waver on it and be secure in that. And I still struggle with it. But I really... I can't be moved. You can't move me, and that all comes with loving myself, and I'm like my best buddy.

When I was an actor in some movies a long time ago, I was so curious about all the camera movements - why is the camera placed here, and why does it move like this? And why the set and the background, the color? It's a lot of questions for me to ask, because I was so interested, not only in acting, but also the whole process of filmmaking.

I'm essentially a humorist and, I think, a pretty good one. I've known all along that 'My Friend Dahmer' is the one book I'll be most known for, and in a way, that's a drag, as it's nothing like the rest of the work I've done or will do moving forward. But the way I figure, it's better to have a best-known work than not to have one at all.

I started thinking, my gosh, all this sophisticated software for measuring how Yo-Yo plays, and how he moves and this technique of the bow, I should be able to use similar techniques for measuring the way anybody moves, and so somebody who is not a professional or a trained musician, I should be able to make a musical environment for them.

Economic growth is the key to everything. But once you have economic growth, it is important that we reach out to people who live in the shadows, the people who don't seem to ever think that they get a fair deal. And that includes people in our minority community; that includes people who feel as though they don't have a chance to move up.

Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.

Movies have an enormous power to open the mind and the heart and everything. You are sitting and seeing something moving in front of you, and then your mind goes into a trance. You are completely there. It's a real great art; it's not only a business. It's to open the mind, to understand this mystery within reality. This is why we need it.

This is what history is: all those centuries of bodies, moving over these canals, twisting and blooming into life in these houses, these streets; all that flesh hungering, coming together, separating, continuing, accumulating, relinquishing, aging and breaking down. Bodies as tulips bent to the demands of light, colored into blossom, spent.

A time comes when silence is betrayal. Even when pressed by the demands of inner truth, men do not easily assume the task of opposing their government's policy, especially in time of war. Nor does the human spirit move without great difficulty against all the apathy of conformist thought, within one's own bosom and in the surrounding world.

The phenomena in these exhausted tubes reveal to physical science a new world-a world where matter may exist in a fourth state, where the corpuscular theory of light may be true, and where light does not always move in straight lines, but where we can never enter, and with which we must be content to observe and experiment from the outside.

...You find a way, somehow to get through the most horrible things, things you think would kill you. You find a way and you move through the days, one by one, in shock, in despair, but you move. The days pass, one after the other, and you go along with them - occasionally stunned, and not entirely relieved, to find that you are still alive.

Love is most nearly itself When here and now cease to matter. Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.

I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?

Some time ago we heard a strange story. The pilot of a small plane said that he had been caught in a one hundred fifty mile gale, which held his plane perfectly still. The motor was roaring, he claimed, but the plane was not moving. "It was weird," he said , "to be going one hundred fifty miles an hour and yet not be going anywhere at all."

The film's title star, Christian Bale, told me in June that he'd signed a multi-picture contract. When I caught up with Batman Begins ... All I can tell you is, we're talking. There was quite an air of secrecy around the development of 'Batman Begins,' and there will be even more around the development of another film, if they move forward.

Look Rushtail," Crowfeather was meowing frustratedly "WindClan is gathering farther down the hill. If you stay here, you'll get mixed up with ThunderClan" "So?" ThunderClan never did me any harm," rasped the elder "I'm not moving a pawstep from here, young fellow, until I've had something to eat" Crowfeather rolled his eyes " Great StarClan

There's a lot of time sitting in movies, so you can put alligators in people's trailers in your spare time. So it [making a film] moves slower, which in some ways is great, because you can live with a scene and invest in it a lot. And in some ways it's hard, because sometimes you can start to lose your energy a little bit, but both are fun.

Running is many things to me: survival, calmness, euphoria, solitude. It is proof of my corporeal existence, my ability to control my movement through space if not time, and the obedience, however temporary, of my body to my will. As I run I displace air, and things come and go around me, and the path moves like a filmstrip beneath my feet.

If you are committed to the change, you're going to have to sideline the skeptics, or at least keep them under control. There may be a temptation to move them out but skeptics have a value - flagging weaknesses in the plan. Ideally, you will enlist their critical stance by challenging them to find ways to improve the plan as you go forward.

Only perhaps in the United States, which alone of countries can do without governing,every man being at least able to live, and move off into the wilderness, let Congress jargon as it will,can such a form of so-called Government continue for any length of time to torment men with the semblance, when the indispensable substance is not there.

Too many of us are not living our dreams, because we are living our fears. Decide to become fearless. Face the thing you fear the most. You're stronger than you give yourself credit for. If you can laugh at it. You can move past it. You have the ability to do more than you have ever hoped, imagined or dreamed. You have GREATNESS within you!

Time moves only forward, never back. We look forward to a moment and then it arrives and an instant later it is gone. Like something on the surface of a river that we reached for but did not touch in time and it carried on, away. You cannot be a prisoner of your past against your will. Because you can only live in the past inside your mind.

It's the city's crush and heave that move you; its intricacy; its endless life. You know the story about Manhattan as a wilderness purchased for strings of beads, but you find it impossible not to believe that it has always been a city; that if you dug beneath it you would find the ruins of another, older city, and then another and another.

You don't necessarily have to do anything once you acknowledge your privilege. You don't have to apologize for it. You need to understand the extent of your privilege, the consequences of your privilege, and remain aware that people who are different from you move through and experience the world in ways you might never know anything about.

I'm a huge advocate of all sciences. And my favorite - actually, not my favorite because I love all sciences - but my primary science that I study all the time is physics. It's the mother of all sciences because it's just how things move and how things react to the world around them. I feel like I would definitely go to college for physics.

Some remain great cities, but they shouldn't stand still. They should move in the direction of a knowledge-oriented society. Most cities have to do something to draw attention to themselves and make their particular assets visible on the international radar. I'm not talking about developing countries, but about the United States and Europe.

Lord Bacon has compared those who move in higher spheres to those heavenly bodies in the firmament, which have much admiration, but little rest. And it is not necessary to invest a wise man with power to convince him that it is a garment bedizened with gold, which dazzles the beholder by its splendor, but oppresses the wearer by its weight.

A Web site that promotes flow is like a gourmet meal. You start off with the appetizers, move on to the salads and entrees, and build toward dessert. Unfortunately, most sites are built like a cafeteria. You pick whatever you want. That sounds good at first, but soon it doesn't matter what you choose to do. Everything is bland and the same.

Engagement is the conscious inhabitation of your body and mind. Practice is happening when your open awareness is moving with, in and through your embodied activity. Intrinsic to practice is your conscious participation with your life. Engagement is the conduction of your free and open awareness through your activities, whatever they may be.

Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.

There are five known gyres spinning around in our world's oceans. A gyre is a slowly moving spiral of currents created by a high pressure system of air currents. A spinning soup, so to speak, is made of what exists in the water. And in this case, the gyres are spinning with millions of tons of our discarded and forgotten about plastic waste!

But we need more than a broader understanding of what is a good society or a moral and political critique of the existing market fundamentalism engulfing American society, we also need to create new forms of solidarity, new and broad based social movements that move beyond the isolated and fractured politics of the current historical moment.

I've always thought that each album would be my last one, and then I would be out of ideas and I would move to photography or something. I thought it was transient and it's not because of this entrenched career stubbornness that I've done it for so long, it's just something I enjoy doing, and it's the most direct way I can express something.

The sun, moving as it does, sets up processes of change and becoming and decay, and by its agency the finest and sweetest water is every day carried up and is dissolved into vapour and rises to the upper region, where it is condensed again by the cold and so returns to the earth. This, as we have said before, is the regular course of nature.

A nation can survive its fools, and even the ambitious. But it cannot survive treason from within. An enemy at the gates is less formidable, for he is known and carries his banner openly. But the traitor moves amongst those within the gate freely, his sly whispers rustling through all the alleys, heard in the very halls of government itself.

I'm being probably naïve, but I would like to think that once something moves you and you have an emotional involvement with it, and you see some relevance in it to your own life, then it's a little bit harder, maybe, to look at the people that produced it as being just exotic others that don't have any connection to you or relevance to you.

What we've established (in San Diego) with my growing family is hard to re-create. It's hard to up and re-create that. I know that moves are part of life. But that certainty is fair to say that (not being sold on moving to Los Angeles) is part of it. The good thing is I'm not under contract in a year where we'd potentially be in Los Angeles.

I happen to believe the world will change only when we change ourselves. And that starts with finding ourselves: learning to quiet the clamor in our minds and the voices of everyone around us and move toward what feels right – toward the things we know, for reasons we can’t explain, that we’re mean to do, the things that makes us feel alive.

The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He is one of the few composers who can put slapstick and primal emotion alongside each other. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe.

Social media is itself as temporary as any social gathering, nightclub or party. It's the people that matter, not the venue. So when the trend leaders of one social niche or another decide the place everyone is socializing has lost its luster or, more important, its exclusivity, they move on to the next one, taking their followers with them.

André Bazin wrote that art emerged from our desire to counter the passage of time and the inevitable decay it brings. But in “Boyhood,” Mr. Linklater's masterpiece, he both captures moments in time and relinquishes them as he moves from year to year. He isn't fighting time but embracing it in all its glorious and agonizingly fleeting beauty.

If you've had a bad experience with an agent, you have to move past it. You are bound to want a player at some stage who is represented by this guy and you will have to try to work around the personality of the agent. You tend to work out what makes them tick, what they respond to. You have to have tactical plans to get a deal over the line.

If you like, there is a Guinness time. The reason for that it's fundamental. It is not that we have to keep shortening the time. It turns out all molecular and biological systems have speeds of the atoms move inside them, the fastest possible speeds are determined by their molecular vibrations and this speeds is about a kilometre per second.

Stealing home is one of the most sensational plays in baseball. If the run thus scored is the winning tally, the play is, of course, all the more thrilling. It is a play that requires a lot of quick thinking to bring about a successful completion. The chap who has slow moving feet and a slower moving brain had better never try to steal home.

In animation, you can throw away people's defense. You can go right to the center of things, right through inside someone's heart. The characters anyway, they do represent different aspects of all of us - and put them all together, you get a human being. And so it's got a wonderful purity, a real purity that's so moving, exiting, everything.

The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.

Bono told me how to dance in high heels and he also told me about U2's Glastonbury performance and how everything that could have possibly gone wrong went wrong, including him ripping his trousers on stage. I think he was lunging and his trousers ripped! He was telling me how he had to find a new way of performing that didn't involve moving.

You ARE Zaphod Beeblebrox?' 'Yeah,' said Zaphod, 'but don't shout it out or they'll all want one.' 'THE Zaphod Beeblebrox?' 'No, just A Zaphod Beeblebrox, didn't you hear I come in six packs?' 'But sir,' it squealed, 'I just heard on the sub-ether radio report. It said you were dead...' 'Yeah, that's right, I just haven't stopped moving yet.

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