I think one of the things that I took from Mel [Bochner] specifically was his ability to look at oneself and one's relationship to the history of art and the practice of art at arm's length, the ability to sort of clinically and coldly remove oneself from the picture and to see it simply as a set of rules, habits, systems, moving parts.

People might gain insight the longer they live, but things never get easy. There will always be challenges and miscommunications and the temptation to eat greasy, bowel clogging fried food, and take others for granted. The secret is to keep moving and try to see people yo love for what they are: flawed, beautiful and as confused as you.

Take the sum of human achievement in action, in science, in art, in literature subtract the work of the men above forty, and while we should miss great treasures, even priceless treasures, we would practically be where we are today ... The effective, moving, vitalizing work of the world is done between the ages of twenty-five and forty.

Rosa Parks was an unlikely person, but she became an instrument of the people's will in that community who were tired. They said she was tired from working and perhaps she was - but she herself said later that she was spiritually tired and weary of being humiliated by being asked to move back so that a white person could occupy her seat.

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture.

I think that at its best, painting can be an act of juggling perceptions, a hall of mirrors. And it can be a bit confusing and scattering. But as the artist, as the man behind the velvet rope who controls the smoke and the mirrors and the way that things move in the painted space, what I want to do is to try my best to be a good witness.

Failure of success is not race-related; it's not socioeconomics-related; it is really predictable, based on principles that are laid down by God the Creator by which we are supposed to function. If we find them and obey them, success becomes inevitable. That's why I was able to move from rats to 40,000 feet in the air in my own aircraft.

Some experts say we are moving back to the pre-antibiotic era. No. This will be a post-antibiotic era. In terms of new replacement antibiotics, the pipeline is virtually dry. A post-antibiotic era means, in effect, an end to modern medicine as we know it. Things as common as strep throat or a child's scratched knee could once again kill.

I'm thrilled that Alice Medrich, one of America's premier bakers, has embraced teff, buckwheat, oat, and rice flours. She understands that these flours are far more than substitutes for wheat flour. These flavor flours are stars on their own, full of character. Her recipes are sure to entice you to move into the kitchen and start baking.

If you read Exodus 15 carefully, it describes a storm at sea. This is the old Yahwistic source. In the retelling of the story in the later Priestly source, it is more miraculous: The water stands up on either side like a wall. There are walls of water standing up. As you move back in time, oddly enough, the story becomes more historical.

I'm moving and not moving at all. I'm like the moon underneath the waves that ever go on rolling and rocking. It is not, "I am doing this," but rather, an inner realization that "this is happening through me," or "it is doing this for me." The consciousness of self is the greatest hindrance to the proper execution of all physical action.

From my earliest youth I have regarded the connection between Ireland and Great Britain as the curse of the Irish nation, and felt convinced, that while it lasted, this country would never be free or happy. In consequence, I determined to apply all the powers which my individual efforts could move, in order to separate the two countries.

For me, I am constantly forcing myself to evolve, because, I think, to stagnate creatively - there's a certain death that happens with that. Because if you're not moving forward and you're not evolving, you're devolving, and I don't want to go backwards. I want to be better at what I do tomorrow than I am today. I don't want to be worse.

I think there's just an inherent burden of being alive and being a woman. No man would ever admit that, but I think women know it, which is: You know more than men, you know more than most people you're dealing with every day, and you know that's it up to you to make things move forward, and you get paid half as much, but you just do it.

I typically like to train with the mentality of a high-performance athlete. I put in the work and do what it takes to be successful. A typical workout routine consists of sprint-based training combined with strength moves two days a week. Along with the balance of total-body workouts that challenge my core and shape my body twice weekly.

We can go back to economic plans that are only designed to benefit the wealthiest among us, like Mitt Romney. Or we can keep moving forward with President Obama's vision for a growing economy that works for middle-class families in North Carolina and all across the country. For me, for North Carolina and for America, it's an easy choice.

As you move through the day, be aware of how you treat yourself. Be aware of what you do to and for yourself, because you set the standard for others. As you grow in your awareness of how you treat yourself, you will probably become aware of the example you have set for others. You may realize that the time has come to set a new example.

I was blown away when I figured out that none of the great integrative moves that I studied came as a result of starting with a blank sheet of paper - as many innovation coaches suggest. Integrative solutions came directly from mining the existing models for the best of their nuggets. So I never start with a blank sheet of paper anymore.

I think Kwan intended to show me the world is not a place but the vastness of the sou. And the soul is nothing more than love, limitless, endless, all that moves us toward knowing what is true....If people we love die, then they are lost only to our ordinary senses. If we remember, we can find them anytime with our hundred secret senses.

I think the key to success is vision that adjusts on the way, but doesn’t at all falter. It’s about not compromising and following your gut to a certain degree, based on knowledge, instinct, etc. And not listening to the naysayers.... You develop strength through adversity. You have to keep moving towards your goal through huge obstacles.

You merely dream that you roam about. In a few years your stay in India will appear as a dream to you. You will dream some other dream at that time. Do realize that it is not you who moves from dream to dream, but the dreams flow before you and you are the immutable witness. No happening affects your real being-that is the absolute truth.

Black community, I think as a whole America is dealing with the issue of homophobia. We got to be really honest about whether we believe in civil rights for all people or not. As Black people we need to remember the moment that we say it's okay to disenfranchise one segment of society, we're opening the door to move backward on ourselves.

I am saying that an Igbo man should be president in 2015. It matters where the president comes from, because all segment of the society had been president. People continue letting Ndigbo down because they think we were defeated during the war, which is not true. And until an Igbo man rules this country, the country will not move anywhere.

A balance is necessary in life. To achieve this we must move away from broad definitions of workplaces as functional and households as emotional. Similarly, home, the haven in a heartless world, as defined by men, cannot be used by them as an antidote to the workplace's discomforts and demands, if this means having the wife as a servicer.

I think you make the best with what you've got, you know? Sometimes you have very little. And you just always try to rise to higher ground, because you're going to suffer one way or the other, so you just hope that you have strength and perseverance and good friends and faith, some kind of faith, to endure and move on to greener pastures.

You know, it's people's lives, so as you get a little older, your own life narrative, I guess, invades a little more. It's not like we're traveling in separate buses to each show. It's a labor of love, so we just do it because we like it. Maybe someone's gonna move, or not want to go on a tour for some reason - that could happen, I guess.

Phyllis explained to him, trying to give of her deeper self, 'Don't you find it so beautiful, math? Like an endless sheet of gold chains, each link locked into the one before it, the theorems and functions, one thing making the next inevitable. It's music, hanging there in the middle of space, meaning nothing but itself, and so moving...'

Nothing is ever solved, or created, by standing still. Movement is the process of the Universe. So move. Do something. Anything. But do not stand still. Do not fence sit. Put your foot down on one side or the other, swing the opposite leg over and start walking. You'll know before you take ten steps if you're going in the right direction.

I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.

We tend to be so bombarded with information, and we move so quickly, that there's a tendency to treat everything on the surface level and process things quickly. This is antithetical to the kind of openness and perception you have to have to be receptive to poetry.poetry seems to exist in a parallel universe outside daily life in America.

Look, I admit you seem like a decent person. For all I know you stop and move turtles out of the road whenever you see one to keep someone from running it over. But this turtle is tired of having its guts spattered on the pavement while other people drive right over him. I just want to scrape myself up and hide in the woods, okay? (Aiden)

The peculiarities of my childhood, of constantly moving through so many different cultures, of always being the outsider, may have made me extraordinarily self-sufficient, but it had also bred a certain detachment, a sense that the world was a place to explore rather than truly inhabit. This manifested as a kind of shyness, even timidity.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

Religion begins in story. Yes, it does, because religion is an attempt to make sense of what is incomprehensible to us, what is inexplicable, what is awe-inspiring, what is frightening, what moves us to great wonder, and so on. That is the religious impulse, and it is part of our psychological makeup -- of everyone's psychological makeup.

As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.

I always wanted to make motion pictures, ever since I was a wee boy, and I was 32, and time was marching on. I met a guy who said, 'Come out to Hollywood for 10 days, and I'll get you a deal.' So I figured, 'OK, 10 days.' On the 10th day, he got me a development deal with Disney, not for a lot of money, but it allowed me to make the move.

Look, Iraq and Iran would fight for years and years and years, it went on forever. They were almost identical strengths, and the line would never move, right? Then they would go home and rest for ten years and then they would start fighting and they'd rest, that was it. We knocked out one of those two pegs, and so now Iran is taking over.

We want Facebook to be one of the best places people can go to learn how to build stuff. If you want to build a company, nothing better than jumping in and trying to build one. But Facebook is also great for entrepreneurs/hackers. If people want to come for a few years and move on and build something great, that's something we're proud of.

Most people live, whether physically, intellectually or morally, in a very restricted circle of their potential being. They make very small use of their possible consciousness, and of their soul's resources in general, much like a man who, out of his whole bodily organism, should get into a habit of using and moving only his little finger.

I believe in a set of values I cannot live by. I set high goals for myself, I seek perfection, dream of exotic faraway places. But ultimately, what I long for isn't far away at all. It's in my own backyard. Imperfection charms me, familiar things move me... a celebration of what we have, instead of what we long for. That for me, is glamor.

Some of [Donald Trump] comments can be interpreted as potentially reducing the threat of nuclear war. The major threat right now is right on the Russian border. Notice, not the Mexican border, the Russian border. And it's serious. He has made various statements moving towards reducing the tensions, accommodating Russian concerns and so on.

Some television programs are made very attractive to young children by presenting short, rapidly moving sequences and ever-changing episodes.... Some experts now argue that slower- paced television fare that allows children time to think about the material is more valuable than the faster-paced programs that merely capture their attention.

The illusion of freedom will continue as long as it's profitable to continue the illusion. At the point where the illusion becomes too expensive to maintain, they will just take down the scenery, they will pull back the curtains, they will move the tables and chairs out of the way and you will see the brick wall at the back of the theater.

I don't know what you believe in. I believe we just stop. Because if we move on to an afterlife, any kind of afterlife, that means there will be other people there. I'm tired of the chit chat. Oh, that is a handsome boy. He takes after his grandfather. Did they change the breakfast again? It tastes different to me. For Eternity? No thanks.

Leaders, your God-given job is not merely to preside over something, not to pontificate to your underlings how smart you are, not merely to preserve something from its gradual demise; it's to figure out what God wants to get done in this world, figure out what role you play in that, and then to move something or someone from here to there.

The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.

Girls are simply wonderful. Just to stand on a corner and watch them going past is delightful. They don't walk. At least not what we do when we walk. I don't know how to describe it, but it's much more complex and utterly delightful. They don't move just their feet; everything moves and in different directions . . . and all of it graceful.

Few things are more beautiful to me than a bunch of thuggish, heavily tattooed line cooks moving around each other like ballerinas on a busy Saturday night. Seeing two guys who'd just as soon cut each other's throats in their off hours moving in unison with grace and ease can be as uplifting as any chemical stimulant or organized religion.

I have much more power and protection than Salman Rushdie, because I'm an American citizen, but yes, I live in terrible fear for my life and for the lives of my children. My whole family has been threatened, my adoptive parents had to sell their house and move out of Washington, D.C. because of death threats caused by my work and activism.

We should not laugh at the person who becoming caught up in his prayer bends his body or moves about in strange ways. Perhaps he moves in this manner to wave off unwelcome thoughts that would interrupt the prayer. Would we find it funny if we saw a person drowning going through strange motions doing whatever was necessary to save his life?

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