Moving Quotes - Page 209

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Helen KellerBenjamin FranklinOprah WinfreyTyler, The CreatorMartin Luther King, Jr.Maya AngelouMartin LutherMuhammad AliNapoleon HillJean De La Bruyere
ConfidenceChance4th Of JulyEnvironmentalSadGovernmentBest FriendFaithAgeUncles

I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.

On the world scene, it is our position that there is a resurgence of socialism taking place. The world's socialist and Communist forces are now on the move to restore socialism in the former socialist countries and to strengthen the existing socialist countries... there is a new socialist world on the horizon, a resurgence of the world revolutionary process.

I have always found thick woods a little intimidating, for they are so secret and enclosed. You may seem alone but you are not, for there are always eyes watching you. All the wildlife of the woods, the insects, birds, and animals, are well aware of your presence no matter how softly you may tread, and they follow your every move although you cannot see them.

I also see an undercurrent - and perhaps the Indigo Children are another aspect of this â€" that's moving in the right direction that I thought was really predominant during the last 35 years since I started Noetics. So we do see quite a few people bucking the tides. At the moment, however, the political system, in my opinion, is going in the wrong direction.

A farm regulated to production of raw commodities is not a farm at all. It is a temporary blip until the land is used up, the water polluted, the neighbors nauseated, and the air unbreathable. The farmhouse, the concrete, the machinery, and outbuildings become relics of a bygone vibrancy when another family farm moves to the city financial centers for relief.

We're moving from a generation who gave little thought as to the built environment and accepted housing that was neither pleasant to look at, nor to live in or around, to a new century where there's a real desire for housing that's affordable, flexible, and places community at the heart of its thinking. For architects and the public it's an enticing prospect.

She had spent all her life in feeling miserable; this misery was her native element; its fluctuations, its varying depths, alone save her the impression of moving and living. What bothers me is that a sense of misery, and nothing else, is not enough to make a permanent soul. My enormous and morose Mademoiselle is all right on earth but impossible in eternity.

As we move forward into this 21st century, we encourage all of you to take a positive step toward universal understanding. Touch people with the message of love. Pray for the peace and happiness of people in all other lands and cultures. Make a commitment to world peace by honoring the earth, honoring its people, and celebrating the unity of the human spirit.

When you have an emotional reaction to what you see, you are judging. That is your signal that you have an issue inside of yourself - with yourself - not with the other person. If you react to evil, look inside yourself for the very thing that so agitates you, and you will find it. If it were not there, you will simply discern, act appropriately, and move on.

We want to see...the efficient production and use of energy, so that the products we produce and the way we produce them pose no threat to the world's natural environment...economic development...so that more and more of the world's population can enjoy...the things which the energy industry supplies...(and) a society in which ideas and knowledge move freely.

The Tea Party I have huge disagreements with, obviously. But I give them credit for having activated themselves. And they made a difference in terms of moving the Republican Party, in terms of moving the country in a particular direction. It's a direction I disagreed with. But it showed that, in fact, you get involved, if your voice is heard it has an impact.

When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.

Internalize the vagrant mind and fix it in the Lord. Then the meditation will be profound and intense. Don't open the eyes. Don't move from the seat. Melt yourself down into Him. Dive in the deep corners of your heart. Get immerse in the brilliant Atman. Drink the nectar of Immortality. Now enjoy the silence. Son of the nectar! Rejoice! Peace! Silence! Glory!

I do think that saving the economy was a pretty big deal. We did a lot of stuff early that ended up having an impact. I believe that the work we've done in moving our energy future in a cleaner direction is going to stick even if some of the individual steps that we took are reversed by future administrations. I think that it's embedded itself in the economy.

I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.

Every optimist moves along with progress and hastens it, while every pessimist would keep the worlds at a standstill. The consequence of pessimism in the life of a nation is the same as in the life of the individual. Pessimism kills the instinct that urges men to struggle against poverty, ignorance and crime, and dries up all the fountains of joy in the world.

The soil in which the meditative mind can begin is the soil of everyday life, the strife, the pain, and the fleeting joy. It must begin there, and bring order, and from there move endlessly. .. You must take a plunge into the water, not knowing how to swim. And the beauty of meditation is that you never know where you are, where you are going, what the end is.

It is at a time like this, when crisis threatens the stomach, that the French display the most sympathetic side of their nature. Tell them stories of physical injury or financial ruin and they will either laugh or commiserate politely. But tell them you are facing gastronomic hardship, and they will move heaven and earth and even restaurant tables to help you.

O world, world when I was younger I thought there was some order governing you and your deeds. But now you seem to be a labyrinth of errors, a frightful desert, a den of wild beasts, a game in which men move in circles…a stony field, a meadow full of serpents, a flowering but barren orchard, a spring of cares, a river of tears, a sea of suffering, a vain hope.

For most men, time moves slowly, oh so slowly, they don't even realize it. But time has revealed itself to me in a very special way. Time is a rushing, howling wind that rages past me, withering me in a single, relentless blast, and then continues on. I've been sitting here passively, submissive to its rage, watching its work. Listen! Time, howling, withering!

First of all, I would tell any young woman who's interested in politics to get in touch with herself first and really, really determine if this is what she wants to do - and not do it just because it may be the thing at the moment. What do you care about? What is it that moves you? What would you like to change? What would you do if you were in this situation?

I really love it, I love working with directors that are very collaborative and allow me input. I've done over 75 films, it's just like you're an apprentice. You learn so much about camerawork, lenses, and I'm always talking about DPs and directors and they always give me lists. I think pretty soon, I'll be ready to move away from being in front of the camera.

Going to war accelerated the move from indirect to direct rule. Almost any state that makes war finds that it cannot pay for the effort from its accumulated reserves and current revenues. Almost all war-making states borrow extensively, raise taxes, and seize the means of combat - including men - from reluctant citizens who have other uses for their resources.

In worship we have our neighbors to right and left, before and behind, yet the Eternal Presence is over all and beneath all. Worship does not consist in achieving a mental state of concentrated isolation from one’s fellows. But in depth of common worship it is as if we found our separate lives were all one life, within whom we live and move and have our being.

There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

China is a great nation that offers the world a great culture, so many good things. I love the Chinese people and I hope there is the possibility of having good relations. We're in contact, we talk, we are moving forward but for me, to have as a friend a great country like China, which has so much culture and has so much opportunity to do good, would be a joy.

And now I was trying to brush my hair,you know,when I thought about it,and looking at myself in mirrors,wondering if I was pretty.Pretty! A year ago,when my haair got in my eyes I hacked it off with a knife.The only thing important about my clothes was whether they were to stiff to move fast in battle. And Fang had been my best friend and an excellent fighter.

Here is what I'm trying to tell you: Adult isn't a noun, it's a verb. It's the act of making correctly those small decisions that fill our day. It is one that you can practice, and that can be done in concrete steps. And if you slip up and have Diet Coke for breakfast, no one busts in and snatches away your Adult card. Just move forward and have milk tomorrow.

Now it is you who everyone presumes is so fragile. Wounded. Scarred. Maybe they're right. Perhaps you are. A nursery rhyme comes into your head, and, like an egg, you allow yourself to topple onto your side, your legs still pulled hard against your torso. You lie like that a long while, watching the chrome shell of the tape measure sparkle until the sun moves.

If we surround ourselves with people who are successful, who are forward-moving, who are positive, who are focused on producing results, who support us, it will challenge us to be more and do more and share more. If you can surround yourself with people who will never let you settle for less than you can be, you have the greatest gift that anyone can hope for.

Momma said that ghosts couldn't move over water. That's why Africans got trapped in the Americas.. They kept moving us over the water, stealing us away from our ghosts and ancestors, who cried salty rivers into the sand. That's where Momma was now, wailing at the water's edge, while her girls were pulled out of sight under white sails that cracked in the wind.

The highest reward for our toil is not what we get for it but what we become by it. ... Mistakes are not failures. They are proof that we are making an effort. When we understand that, we can more easily move out of our comfort zone, try something new, and improve. ... Improvement demands a commitment to grow long after the mood in which it was made has passed.

The mother's love is at first an absorbing delight, blunting all other sensibilities; it is an expansion of the animal existence; it enlarges the imagined range for self to move in: but in after years it can only continue to be joy on the same terms as other long-lived love--that is, by much suppression of self, and power of living in the experience of another.

The West has institutions that can punish the misconduct of individuals. What drove Rwanda and Africa into decline was the fact that certain people weren't held accountable. When we move to make corrupt mayors or officers answer to the courts, people always immediately say that we are repressive. But should we allow these people to continue to get away with it?

I love the apparent quiet of reading a book. You sit there; you're not really moving. It looks very solitary. It looks very boring, but actually it's the most exciting place because it's going on for you, and you're in that relationship. In that sense, it's like being with a lover. Nobody else can intrude on that space. It's the two of you. It's your own world.

You cannot have a thing "matter" by itself which shall have no motion in it, nor yet a thing "motion" by itself which shall exist apart from matter; you must have both or neither. You can have matter moving much, or little, and in all conceivable ways; but you cannot have matter without any motion more than you can have motion without any matter that is moving.

Kariakin-Shirov saw another theoretical battle in the 6...Bc5 Spanish, which has been one of the opening tabiyas of the event. [...] The most remarkable feature of the game, and a testament to the depth of Kariakin's preparation, is that when the draw was agreed at move 39, his clock showed 1.52 remaining, some twelve minutes more than he started the game with!

Being part of what I call the "click" generation - where everything has to be fast and revolutionary and you just want more, and it's about likes and consuming - I want to bring new things to the table. A lot of designers say they're scared or overwhelmed because everything moves so quickly now. I think it would be scarier if it was too slow. I want to go fast.

The good thing about Pittsburgh, it's a good place to be raised... it doesn't tolerate assholes. You're either a good guy or you're a bad guy... When I'm in Los Angeles having these incredibly surreal moments where nobody's saying anything and everybody's talking incessantly, I always have that Pittsburgh voice in my head - shut up, smile, get the job, move on.

I find the big bang, really quite fascinating. I mean, here you have all these highfalutin scientists and they're saying it was this gigantic explosion and everything came into perfect order. Now these are the same scientists that go around touting the second law of thermodynamics, which is entropy, which says that things move toward a state of disorganization.

Certainly. But take this into consideration: of every ten problems we have, nine are created by our own selves - through guilt, self-punishment, self-pity. However, from time to time a great obstacle appears in our path, which was put there by God, and which is there for a reason. The reason is: to give us the opportunity to change everything, to move forwards.

I have definitely been in experiences where my girlfriends have outgrown me and that's ok and I think that I should be inspired by that to know that it's time to move on - it's time to evolve as well and I think that should be inspirational to other people. They shouldn't feel stifled and feel like oh we can't grow up, we can't move on - change is a good thing.

Directing takes a good chunk of your life out. It's a very hard thing. As an actor, you go in for a couple of months and do your job, and then you move onto another one. As a director, it's with you for quite some time and you're responsible for the entire thing, whether the results are good or bad, or whether people throw darts at you or put you on a pedestal.

One thing that's been a great, uplifting experience through all this is, since the first "Pirates" [movie], the people who've gone to see the films, the audience members. You meet people on the street - whether they're 5, 25, 65 or 85 - they've all had the same experience, and they've all enjoyed it. So that's what keeps me moving forward in this crazy process.

It always amazes me that just when I think there's nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium.

I've known both misery and happiness, lived in so many different skins it is impossible for one skin to claim me. And I have felt like a wayfarer on an alien planet at times - walking, running, wondering about what brought me to this particular place, and why. But once I was here the dreams started moving in, and I went about devouring them as they devoured me.

I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.

Every tree, every plant, has a spirit. People may say that the plant has no mind. I tell them that the plant is alive & conscious. A plant may not talk, but there is a spirit in it that is conscious, that sees everything, which is the soul of the plant, its essence, what makes it alive. The channels through which the water & sap move are the veins of the spirit.

No to spectacle no to virtuosity no to transformations and magic and make believe no to glamour and transcendency of the star image no to the heroic no to the anti-heroic no to trash imagery no to involvement of performer or spectator no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved.

Share This Page