Quotes of All Topics . Occasions . Authors
People haven't always been there for me, but music always has.
Myspace was always a bit edgy. People identified it with edginess and music.
The people who know nothing about music are the ones always talking about it.
I've always been incredibly lucky that the music that I make, other people like it.
Lyrics are always misleading because they make people think that that's what the music is about.
I'm always flattered and honored when people cover my music or sing my songs, no matter where it is.
I've always wanted to make music like people write plays, so I was inspired by writers as much as musicians.
I always did music privately as a hobby, I think partly because I was nervous to do it in front of other people.
I've always appreciated having a wide music taste, despite making what a lot of people would call electronic music.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
My favorite music is never the music that anyone else likes, and other people's favorite songs are always my least favorite.
I've always loved to prove people wrong. I want to be able to cross color lines, because in music, there really is no barrier.
I've always been drawn to people who dance to the beat of a different drum; it didn't matter if they were in film or music or fashion.
Music is such a balm. Always has been. It's such a heartbeat, like blood thrumming through the womb. That's why music appeals to people.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
When I do listen to music, I'm more prone to listen to the people I've always listened to: George Jones, Otis Redding, Alison Krauss and Emmylou Harris.
I've noticed that a lot of people in film always seem interested in music videos, like it's some, like, really exciting thing they've always wanted to do or something.
I've been wanting to do music since I was 14, but like I've really always enjoyed giving speeches and I enjoy talking to people, so I was like, maybe I can be a newscaster.
I always looked up to people who did more than just rap or focus on music. I'm inspired by the people who put their different talents to use and turned it into something bigger.
I've always been interested in shaping music in odd ways, with odd riffs and that's been probably something that I've continued on with my studies with improvisation as I'm working with people.
We were excited when we sold our first 10 records. I always felt that if we could get the music out there, and if people became accustomed to it, then a substantial number of them would enjoy it.
For the people that don't know it, we've had members come and go from this band since the beginning. It's always been about collaboration, and it's been about just playing music with our friends.
And my idols in music videos are people like Michel Gondry and Spike Jonze and Johnathan Glazer and David Fincher and that's always kind of been my reference point in music video and commercial directors.
I never minded being thought of as a pop star. People have always thought I wanted to be seen as a serious musician, but I didn't, I just wanted people to know that I was absolutely serious about pop music.
You can never judge any music by their audience. That's the main reason people in England have a prejudice against someone like Skrillex. You judge people by their music. That's always been first and foremost.
My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
People called rock & roll 'African music.' They called it 'voodoo music.' They said that it would drive the kids insane. They said that it was just a flash in the pan - the same thing that they always used to say about hip-hop.
My thing has always been that the clothing we make is kind of like music. There are always critics that don't understand that young people can be into Bob Dylan but also into the Wu-Tang Clan and Coltrane and Social Distortion.
Well the first record is something that you just put so much into. And the second record, people always talk about the sophomore jinx and everything, but I was still able to get through it and still focus on what I needed to do and make timeless music.
There's always those few people that are like, 'Why don't you play any of the material off your first two records?' And I'm like, 'For the same reason that I don't play with G.I. Joe dolls anymore.' It's like, 'I'm a grown-up.' I wrote that music when I was a kid.
I wasn't always totally interested solely in music as a sort of visceral expression of people in unison and synchronized, a federated expression of a group of people. I loved it as a wallflower, as a fan, but when I was in it, I always felt like I wasn't built for it.
We always found that many people are robots without knowing it. The interpreters of classical music, Horowitz for example, they are like robots, making a reproduction of the music which is always the same. It's automatic, and they do it as if it were natural, which is not true.
We were always just a hardcore band that came out and said what we believed in, but we also talked about the streets and the stuff that we were into and the struggles and everything we were going through. Once people found out we were Christian, it was always, 'Is that Christian music?'
When I was first starting out in the music industry, I was always coupled in the same sentence with Jessica Simpson, Britney Spears and Christina Aguilera - and I was probably the worst of them. I think a lot of people back then thought, 'Mandy Moore... she'll probably go back to where she came from in a year.'