Quotes of All Topics . Occasions . Authors
During the Cold War, we gathered information by listening to the Soviets, taking pictures of the Soviets, and we allowed our human intelligence to decline.
That's why I never took this business too seriously, thinking I was something special, when I knew the truly great performers in motion pictures. pictures.
Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it.
I've been painting and drawing and taking pictures as long as I've been writing music - and I've actually been drawing longer than I've been writing music.
I am aware of some of the things about me on the Internet - like people putting up pictures of me online every single day on something called Rachel Watch!
Argumentative exhibitions bring issues to life in a way that very much irritates traditional curators who want to see their pictures valued for themselves.
I carry a notebook full of sketches of pictures I want to take - they are really scruffy sketches, but at least I am going out there with a clear objective.
Most of these pictures, taken while travelling, were developed on the mantelpiece of a hotel room, which proves that the method is easy enough to carry out.
It's cool when people know you more, but I like people to treat me regular when they see me. I take pictures. I don't really be big on people looking at me.
The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.
You've got to push yourself harder. You've got to start looking for pictures nobody else could take. You've got to take the tools you have and probe deeper.
I would never deny the importance of the media, but I wouldn't go out of the way to splash my pictures all over town. I'd rather let my work do the talking.
Wherever I go, I'm watching. Even on vacation, when I'm in an airport or a railroad station, I look around, snap pictures, and find out how people do things.
People want to act like they know celebrities. They want to see pictures. They want to know where you're going. They want to hear you talk about your family.
A love of books, of holding a book, turning its pages, looking at its pictures, and living its fascinating stories goes hand-in-hand with a love of learning.
A lot of people just go to movies that feed into their preexisting and not so noble needs and desires: They just go to action pictures, and things like that.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
People looked at my early pictures and called them the most disgusting things ever, and now 'Hairspray' is being done at every school in Britain and America.
It's hard to understand why just walking around for two hours and taking pictures would be just a big deal, but once you try it, you'll fall in love with it.
Also the pictures themselves give a visual to the audience tuning in, that makes them a very important part of law enforcement, or pulling families together.
I enjoy passing time in my house. I'll get up, head out on the terrace, think about what to do, fool around oiling the floorboards or hanging pictures askew.
If I'm feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
We have been endowed with the capacity and the power to create desirable pictures within and to find them automatically in the outer world of our environment.
It's funny looking at yourself. You know how it is when you look back at old pictures? It's just funny looking back at yourself walking and talking at age 14.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
Facebook and pictures on the Internet have created such a different way of dating. It's not necessarily good because an obsessive quality can develop in people.
Hollywood, what a place it is! It is so far away from the rest of the world, so narrow. No one thinks of anything but motion pictures or talks of anything else.
The fans are always at the hotel waiting, they like to get pictures and autographs. I enjoy it all, the displays of love and support at the hotel and the shows.
Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.
There was a strange happening during a performance of Elgar's 'Sea Pictures' at a concert hall in Bermuda tonight, when the man playing the triangle disappeared.
I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures?
It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.
I don't like my thighs, the back of my legs or my chubby knees. I wear clothes that show off my legs in pictures and videos but not often when I'm appearing live.
I know what I'm doing off the court. Everybody just sees pictures or videos of me, and if it looks out of shape, they just assume that I'm fat or I'm not working.
That is one reason so many of the Japanese pictures are not good, they cannot spare all the footage necessary for that bow, which is repeated over and over again.
I grew up in the north of Chile, and this is why there are a lot of religious symbols in my pictures: because the Catholic Church in Latin America is very strong.
Star Wars, the original movie, was all the various old genre of pictures: the swashbucklers, the war movies, all those things were put n there in a different look.
If I can say one thing for my pictures, it is a certain craftsmanship. A thought which has gone into every angle. There is nothing there without an optical reason.
We don't have titles on our business cards. No one really gets any special treatment. No one gets a corner office to put pictures of their family and their dog in.
It doesn't matter if you can't speak the same language. If you have pictures, or better still, if you can draw things, then you can communicate anything to anyone.
My bedroom was plastered with pictures of Van Damme. My mother was worried about me. Most teenage boys have half-naked women on their walls, and I had Jean-Claude.
I'm somewhat overwhelmed by the microblogging that takes place in China, and the smartphones and all the people that want to take pictures of myself and my family.
'Five Easy Pieces,' 'Easy Rider' - those are indie pictures; those were not studio pictures. They had relationships with studio distribution, but they were indies.
The great poet is a great artist. He is painter and sculptor. The greatest pictures and statues have been painted and chiseled with words. They outlast all others.
I go and see anything that's visually new, any technology that's about picture-making. The technology won't make the pictures different, but someone using it will.
What I am interested in now is the landscape. Pictures without people. I wouldn't be surprised if eventually there are no people in my pictures. It is so emotional.
I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
I had always loved John Ford's pictures. And I came to love him, too, but I was frightened to death working for him. He used the shock treatment while directing me.
It's very difficult when there are pictures taken on the red carpet. I find those things so terrifying that another persona just kicks in. I don't recognise myself.
I hate it when people come up to me on trains and ask 'Are you Soulja Boy?' If people want pictures or autographs, that's cool, but I don't like the dumb questions.