Quotes of All Topics . Occasions . Authors
Not that I'm in the stage of my career where they're offering me parts in 'The Revenant,' but I try very hard to go through the audition process because I feel like I learn quite a lot about the character and the people I'm going to work with.
I did quite a lot of the arranging, fitting different sections together, tempo changes, all sorts of things like that. I actually acted as a bridge between Robert and Ian. Not so much composing, rather presenting musical ideas at each rehearsal.
Often, with our music, there's quite a lot going on, so people hear melodies that sound up and catchy, and production, and maybe don't really listen to what the songs are about, so it's nice to sing a song like 'The Currents' and really mean it.
I've been fortunate with my acting career. A lot of scripts come to me. I don't mind auditioning if something that requires that, but I haven't had to in awhile, which is a nice place to be 'cause I've been on quite a lot of auditions in my life.
Food scenes in movies are traditionally nightmares to shoot - you just can't fake eating, and you usually have to repeat it a lot of times to get the angles you need. It's actually quite a lot to ask of actors, and there's really nowhere to hide.
I have quite a lot of fans in Holland because that is where my mother is from, in fact I have a fan club there, and the fans don't always get the chance to see us drive the cars because getting to races across Europe isn't always possible for them.
The weird thing is I have now met quite a lot of people who are really famous but they are always disappointingly normal and nice. Alan Carr is very nice indeed. Exactly how you would expect him to be, and not that different from how he is on stage.
I auditioned for quite a lot of films. I do not wish to name the films I auditioned for. There were times when I knew I would not be fit for this film, or I would not get this film. Still, I used to audition for it just to get experience... to practice.
I have an aunt who believed strongly that teaching kids that Shakespeare is 'hard' is wrong, so she handed me 'Hamlet' when I was in kindergarten to see what would happen. What happened was I did a book report on 'Hamlet' and caused quite a lot of trouble!
As I'm growing up, going into holding midfield, I'm watching Busquets quite a lot for Barcelona. The way he controls the game, his reading of it, technically, defensively - everything about him cuts him out above the rest. I'm really enjoying watching him.
I began to think, now is the time. I found quite a lot of opposition in Hollywood about the idea of doing a film musical and we ended up having to buy the rights back. I'm glad we did because it meant John and I were able to make exactly the movie we wanted.
You never get quite down to the bottom of the barrel, but we are much higher than that at the present time. There is quite a lot left in the barrel that could be explained by them. If they have some weapons, if they have some anthrax, they should deliver that.
I use myself as a template for my comedy. So first my background as a Muslim man, my being a doctor, I talk about my family quite a lot, my kids. Anything that resonates with me I talk about. The important thing is it should be able to work in a family setting.
Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code.
We look around at our national politicians, we do not see national politicians who are without fault. And, actually, we see quite a lot who get very far - let's take Boris Johnson- with considerable. White. Privilege. Failure after failure after failure rewarded.
Quite a lot has been written, including by me, about the effect of social media on politics, and in particular the way in which the algorithms built into Facebook and YouTube are more likely to spread angry, extremist and deliberately provocative political language.
Being a firearms officer is incredibly highly scrutinised now, and I think it is one of the things that puts off quite a lot of people. And if you think that you are more visible in that role as a woman, you might feel slightly less inclined to go into it than a man.
In all honesty, if somebody asked me the secret of auditioning for Americans, I don't know. Often, I do what's called self-taping for America. I go over there quite a lot to sit in a room and do stuff in front of people. You feel like a performing monkey. It's bizarre.
You have to have hope. It's irresponsible to give false hope, which I think a lot of playwrights are guilty of. But I also think it's irresponsible to simply be a nihilist, which quite a lot of playwrights, especially playwrights younger than me, have become guilty of.
I'm not sure many writers are trying to reconcile all the things that are separated in our culture - body and mind, urban and pastoral, lyricism and hardboiled, men and women, joy and grief. I tried to do quite a lot, but I wanted to create a serious work of literature.
What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
There's a certain type of theatre that I haven't got any time for at all - established, boring, same-old stuff without any reason or passion. There's quite a lot of it about, and it motivates me to try to do something different, something risky, raw, ugly, and challenging.
My conception of my ideal reader has expanded quite a lot as I've matured: Ultimately when I think of my ideal reader, it's someone who's not sitting down with the intention of automatically arguing with the book: somebody who's going to give me enough slack to tell my story.
There are really three parts to the album, and there's, like, quite a lot of hip-hop on there. I guess it is a worry that people who love 'Human' might think they're buying the album and that's a blueprint for it, but it's definitely not. Hopefully they'll be pleasantly surprised.
I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
I'm convinced that quite a lot of young people, when they get in trouble with the law, it's a cry for help there. Because it's not that they go out to offend. It's that their behaviour is self-parading, it's the big 'I'. And sometimes that means they're really lacking in confidence.
No, I'm not a vegetarian. I do eat that way. I actually eat vegan quite a lot. I feel better when I eat that way, and I think there's been a lot of proof that's come up over the last however many years, that you can't deny, I don't think, that meat or dairy aren't all that good for us.
No matter what I've published - and you can look it up, I've published quite a lot in science, quite a few books too - none of it's very important. All will be forgotten and in a few years time will be a few comments in eight-point type in footnotes at the bottom of the page somewhere.
I thought of the idea of Summly in March or April 2011. I was 15 years old and I was revising for some kind of history exam. The problem was I was trying to find information that was useful to me. When you type into Google an esoteric term, you get quite a lot of stuff that's not relevant.
Of all the writers I have read, Vladimir Nabokov has made the biggest impression on me because he, despite living through the 1917 February Revolution, forced exile amidst the anti-Semitism in Nazi Germany, the two World Wars and quite a lot of controversy, was an author who never gave up.
When I was in grade five or six, I just remember quite a lot of people were always talking about me like I was some kind of math genius. And there were just so many moments when I realized, like, okay, why can't I just be like some normal person and go have a 75% average like everyone else.
There's an assumption that my audience is all these bearded twats from Dalston. But actually, quite a lot of older people go. For them, it's like pre-alternative comedy, when there was Dave Allen or Jackie Mason or someone. Also, weirdly, because I don't really swear, they're not scared off.
Klopp would reproach me for not tracking back properly. I took things on board, and I listened to him. I worked hard in training; I stayed behind after training. That's what helped me to shine in the Bundesliga because I scored quite a lot of goals despite some difficult games in the league.
I didn't want to be thirtysomething and not know what I was going to do. I was quite afraid of that, there were quite a lot of aimless kids around, in that 'other' side of my life, who didn't really know what to do because they always had a bank balance to fall back on and they were quite lost.
I had a great grandmother who believed in so many strange superstitions. She used to tell the future from the things that catch on to the hem of your skirt when you've been sewing, and different colored threads would mean different things... Of course, all that influenced me quite a lot as a child.
I struggle quite a lot in rehearsals, partly because I'm shy, partly because I still don't really understand the work that actors and directors do. I love the magic at the end, but the getting there - the wrong turns that are necessary to make something work - I find slightly beguiling and worrying.
I've been watching Arnold Schwarzenegger. There's a couple of hour-long videos and he's made some amazing speeches. You look at what he's done in his career and it's such an inspiration with where he started. He's got these six rules of success which I listen to quite a lot and it really motivates me.
I spent quite a lot of time in front of the bathroom mirror. Nearby, there was a stack of books. My favorites were 'The Death of Manolete' and the cartoons of Charles Addams. I would pretend to be Morticia Addams. I was drawn to her. I used to pull my eyes back and see how I'd look with slanted eyelids.
I have always been known as Mahesh Bhatt's wife, and I would tell people, 'Hello! I'm here!' This has always been a struggle. I would like to be known for who I am. I'm very happy to be known as his wife or Alia's mother. But I am also a person who, in her own right, has gone through quite a lot of odds.
There are quite a lot of YouTube clips of me that have gone viral. One that I think of is of a young woman at a lecture I was giving - she came from Liberty University, which is a ludicrous religious institution. She said, 'What if you are wrong?' and I answered that rather briefly, and that's gone viral.
I don't know about the hair. I've had it since I was a kid, and when I look at myself in the mirror, it looks quite normal. But then when I look at myself in a photo, I realise that my hair is basically bigger than my head! There's quite a lot of interest in my hair, which is strange, as for me, it's normal!
Humans have continued to evolve quite a lot over the past ten thousand years, and certainly over 100 thousand. Sure, our biology affects our behavior. But it's unlikely that humans' early evolution is deeply relevant to contemporary psychological questions about dating or the willpower to complete a dissertation.
I think if somebody is so set in their ways about what they feel about something - and you get this a lot in academia, of course, and also different sorts of journalism too - you're going to sweep under the carpet the facts that don't suit your thesis. And I think that happens quite a lot in the courtroom, for instance.
I worked with Michael Black and Michael Showalter on their show 'Michael and Michael Have Issues.' We did some stuff on that, but it ended up not getting picked up for a second season. There will be more stuff, but not right now. Michael Showalter and I are literally next-door neighbors. We see quite a lot of each other.
I did quite a lot of fencing when I was a kid. I was a swimmer, and I played a lot of basketball. I was a fencer for Great Britain, but I only did that because I watched 'Robin Hood,' 'Star Wars,' 'Highlander' and 'The Three Musketeers,' and I wanted to emulate Richard Harris and the great British actors that I grew up watching.
I was working for a Swedish TV show - I'm Swedish - who basically did kind of spectacular stories. It was almost like CBS '60 Minutes,' but a Swedish version where we actually did travel quite a lot. After a while, I realized that travel is the most fun part of this, so why not do it for a longer time and just go off and explore?
Lollapalooza, that was one of my worst shows. We just played at, like, 3 in the afternoon; it was like the hottest, most miserable thing. My shoes were melting. I just thought I was going to die. It was the most horrible experience. I lasted, what, four songs? In front of quite a lot of people. That was one of my least favorites.
The general public doesn't expect romance authors to be Harvard graduates. Which is funny, because there are actually quite a lot of us. But this disconnect means that journalists see me as an interesting story. The tricky part is making sure they understand that there are many, many talented writers who don't have 'fancy' educations.
I think most of our eyes are trained to background being completely out of focus, but you can't do that with an iPhone unless you manipulate it quite a lot in post. You have to accept the fact that your film is going to look a little different on the big screen. Even though the resolution holds up, it does have something very different about it.
I have had quite a lot of prizes, but I don't think it makes any difference to the ease or difficulty to the writing process.