Real Quotes - Page 344

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Thomas SowellRuth Bader GinsburgJohn LewisMuhammad AliSoren KierkegaardMae WestWilliam BlakeEdgar Allan PoeSaint AugustineVincent Van Gogh
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What you want is practice, practice, practice. It doesn’t matter what we write (at least this is my view) at our age, so long as we write continually as well as we can. I feel that every time I write a page either of prose or of verse, with real effort, even if it’s thrown into the fire the next minute, I am so much further on.

I am persuaded that a leader is not made in one life. He has to be born for it. For the difficulty is not in organisation and making plans; the test, the real test, of the leader, lies in holding widely different people together along the line of their common sympathies. And this can only be done unconsciously, never by trying.

... I have developed, over the years, some sense of the difference between real horseshit that you can step in and Ideal Platonic Horseshit that exists, evidently, only in the contemplation of those who worship such abstractions; and I continue to notice that Natural Law bears an uncanny resemblance to ideal Platonic Horseshit.

I think people hear the words 'transcendental meditation' and 'paganism,' and that's almost worse because it's real. Those are real things. Those are absolute energies. Satanism is like Halloween. Transcendental meditation and having a realization of how we really are - whether we want to be or not - we live in a pagan culture.

Real life this fdar had taught me that in the adult world, fate was chaotic and uncertain. Guidelines for success were arbitrary. But in the world of D&D, at least there was a rule book... By role-playing, we were in control, and our characters... wandered through places of danger, their destinies, ostensibly, within our grasp.

99% of our uses of animals, including our numerically most significant use of them for food, do not involve any sort of necessity or any real conflict between human and nonhuman interests. If animals matter morally at all, then, even without accepting a theory of animal rights, those uses of animals cannot be morally justified.

One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."

Somewhere along the line of development we discover what we really are and then make our real decision for which we are responsible. Make that decision primarily for yourself because you can never really live anyone else's lie, not even your child's. The influence you exert is through your own life and what you become yourself.

I grew up on M*A*S*H and All In The Family and Cheers. And then around this time, this would have been '95, '96, I was so into Friends and Mad About You, the idea of being on a sitcom became a very real thing that I wanted. It was not so much a relief. It was really exciting. It's an amazing thing to be in front of an audience.

It just seems to me that the world's kind of a mess, and the more messy it gets, the more interested I am in escapist fare. Having a good time is something that isn't about the war in Iraq or the Asian flu or the Kyoto protocol - things that are horribly depressing to consider in our real lives. I'm eager to get away from them.

This generation has lost the true meaning of romance. There are so many songs that disrespect women. You can’t treat the woman you love as a piece of meat. You should treat your love like a princess. Give her love songs, something with real meaning. Maybe I’m old fashioned but to respect the woman you love should be a priority.

Happily, and thanks to God, there are orifices through which our inner life constantly escapes, and the soul, like the blood, hath its pores. The mouth is the chief and foremost of these channels which lead the soul out of its invisible sanctuary; it is by speech that man communicates the secret converse which is his real life.

When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.

The ruthless economic exploitation and political oppression of the peasants by the landlord class forced them into numerous uprisings against its rule.... It was the class struggles of the peasants, the peasant uprisings and peasant wars that constituted the real motive force of historical development in Chinese feudal society.

Let's be honest. You let yourself be pulled in because it felt good to be wanted, needed. But then it went too far, as projected images always do. If it's not a real image, but one that has been projected on to you, then you can keep up the masquerade for only so long before the mask cracks and the paint on the mask peels away.

Quit making excuses. What we're really talking about here is commitment. Until you make a commitment to your dream, it's not a commitment at all. It's just another fantasy. And fantasies don't come true because they're not real, we're not committed to them. When we make commitments, they become dreams. And dreams are very real.

I don't feel a connection with younger people or with Generation X, or any generation, I feel. If I felt a connection with people my age I wouldn't have written six books about feeling depressed, alienated, lonely. If I did I would have many friends and feel connected with them and probably be a happy person who has a real job.

My friends, all I'm trying to say is that if we are to go forward today, we've got to go back and rediscover some mighty precious values that we've left behind. That's the only way that we would be able to make of our world a better world, and to make of this world what God wants it to be and the real purpose and meaning of it.

The fact is when I get pissed off about something or something awful has happened, I just say, 'You know what? Thank you very much. Thank you for the lyrics. Because that is exactly what you just gave me.' There's no real negative then. So if something happens, I don't cry about it. I just find myself a pen and I figure it out.

Some of my music requires an obsessive-compulsive approach and a real embodiment of excessiveness. So I really have to live in that world of overstimulation. Sometimes I think it's like a drug; more is more, and you can never get enough. The older I get, the more I crave that excessive aesthetic. It's never going to satisfy me.

The real work of men was hunting meat. The invention of agriculture was a giant step in the wrong direction, leading to serfdom, cities, and empire. From a race of hunters, artists, warriors, and tamers of horses, we degraded ourselves to what we are now: clerks, functionaries, laborers, entertainers, processors of information.

People are very uncomfortable when you call actors artists because there are a lot of actors out there that aren't artists - there are a lot of actors that are hired for very specific reasons that are shallow and have to do with sexual currency and what the industry thinks sells. Real actors are artists, they're expressionists.

Not having a schedule is OK if it's your PhD and you plan to spend 14 years on the thing, or if you're a programmer working on the next Duke Nukem and we'll ship when we're good and ready. But for almost any kind of real business, you just have to know how long things are going to take, because developing a product costs money.

Parents have this twisted belief that anyone under the age of about twenty simply can’t know what love is, like the age to love is assessed in the same way the law assesses the legal age to drink. They think that the ‘emotional growth’ of a teenager’s mind is too underdeveloped to understand love, to know if it’s ‘real’ or not.

History does nothing, possesses no enormous wealth, fights no battles. It is rather man, the real, living man, who does everything, possesses, fights. It is not History, as if she were a person apart, who uses men as a means to work out her purposes, but history itself is nothing but the activity of men pursuing their purposes.

The shutdown itself is bad but not devastating. The real danger will come up in a couple of weeks. There's legislation which is in fact routine - it's passed every year - which allows the government to borrow money, otherwise it can't function. If Congress does not approve this budget request, the government may have to default.

The real power of the Buddha was that he had so much love. He saw people trapped in their notions of small separate self, feeling guilty or proud of that self, and he offered revolutionary teachings that resounded like a lion's roar, like a great rising tide, helping people to wake up and break free from the prison of ignorance.

As in private life one differentiates between what a man thinks and says of himself and what he really is and does, so in historical struggles one must still more distinguish the language and the imaginary aspirations of parties from their real organism and their real interests, their conception of themselves from their reality.

For most people, an hour a day playing our favorite games will power up our ability to engage whole-heartedly with difficult challenges, strengthen our relationships with the people we care about most - while still letting us notice when it's time to stop playing in virtual worlds and bring our gamer strengths back to real life.

Some people come into our lives and they move our souls to sing and make our spirits dance. They help us to see that everything on earth is part of the incredibility of life... and that it is always there for us to take of its joy. Some people come into our lives and leave footprints on our hearts and we are never ever the same.

Oh, talk as we may of beauty as a thing to be chiselled from marble or wrought out on canvas, speculate as we may upon its colors and outlines, what is it but an intellectual abstraction, after all? The heart feels a beauty of another kind; looking through the outward environment, it discovers a deeper and more real love-liness.

In here, the human bosom -- mine, yours, everybody's -- there isn't just one soul. There's a lot of souls. But there are two main ones, the real soul and a pretender soul. Now! Every man realizes that he has to love something or somebody. He feels that he must go outward. 'If thou canst not love, what art thou?' Are you with me?

There is a real attempt to sanitize the CIA killings and to glorify the CIA and to give it a new face. That's what happened with Zero Dark Thirty, that's what happened with Michelle Obama... When she appeared my jaw dropped; I couldn't believe it... These were really a disgusting propaganda films, glorifying the role of the CIA.

Not many people realize this, but I'm a really squeamish guy. When I watch other horror films that are really over-the-top with their blood and guts, I cannot watch it. So if my threshold to something onscreen is at that level, you can imagine how my threshold is to all the pain and suffering that is happening in the real world.

But you know the difference between sex and love. And sex can be part of love, but what moves your heart, what's really intimate, that's the real spirit. And that's very personal, it's also transpersonal. It's not impersonal, it's beyond any of us, it's transcendent of any of us, yet imminent in dwelling, imminent to each of us.

I live in Los Angeles. It's a very liberal city, but it's so hypocritical in what it's liberal about. You can be driving down Hollywood Boulevard, see a guy in lipstick and high heels wearing a fur coat masturbating into a mailbox. People giving him a hard time as they drive by: Hey, is that real fur? Of course not! That's sick!

Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.

TV, and the culture it anchors, masks and drowns out the subtle and vital information contact with the real world once provided. There are lessons, enormous lessons, lessons that may be crucial to the planet's persistence as a green and diverse place and also to the happiness of it's inhabitants-that nature teaches and TV can't.

If I must have an ill, may it be real, That I may meet it eye to eye and fight, And wheresoever it may strength reveal Get after it with all my main and might. The woe that but impends and wears the mind With worry deep and most vexatious care, Is harder fighting than the realler kind, For when you come to strike—it isn't there!

For me there was-is-nothing better than walking on the beach late at night. It feels like you could walk forever, like the whole night is yours and so is the ocean. When you walk on the beach at night, you can say things you can't say in real life. In the dark you can feel really close to a person. You can say whatever you want.

How are the eyes?' 'Oh, excellent,' he said. 'I mean, they're not in my head is the only problem.' 'Awesome, yeah,' Gus said. 'Not to one-up you or anything, but my body is made out of cancer.' 'So I heard,' Issac said, trying not to let it get to him. He fumbled toward Gus's hand and found only his thigh. 'I'm taken,' Gus said.

Even when I'm writing animation, I think of them as real people. I think of them as completely three-dimensional beings, even if it's a talking teapot. I don't think of them as one-dimensional drawn characters running around. Maybe that's why, to me, there's really no difference in writing the two - animation versus live action.

I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.

It is good to have a reminder of death before us, for it helps us to understand the impermanence of life on this earth, and this understanding may aid us in preparing for our own death. He who is well prepared is he who knows that he is nothing compared with Wakan-Tanka, who is everything; then he knows that world which is real.

Making art, being creative, is risky, especially for actors, but everybody on the set is being creative. You're putting yourself out there with ideas, and to have your brain be free of stress so that it can actually do its best work, it feels like you want to have a real sense of intimacy and connection and trust with everybody.

But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.

I think I do become someone else. In real life, I’m very shy, but people think I’m this angry, sexy kind of... god knows what they think! And there I am in front of them, nervous and blushing and stuttering and whatnot. So I’m definitely not the person you see in pictures. I mean, in pictures, you look like something you’re not.

I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.

What happened on "As Cool As I Am" was, you know how in the `90s, "the personal is political, the political is personal"? That was a really big thing. Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.

Everything in life turns out to be a distraction from the real thing you want to do. There are a million distractions and when I was a kid I was very disciplined. I knew that the other kids weren't. I was the one able to do the thing, not because I had more talent, maybe less, but because they simply weren't applying themselves.

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