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Nothing seems real anymore. Even the flames from the fire seem to beckon to me, drawing me into some great past life buried somewhere deep in my subconscious, if only I could find the key..if only..if only. Ever since my illness, my condition, I've been trying to find some logical way of passing my time, of justifying a means to an end.

I'm kind of a scaredy cat - I don't watch a ton of them. I mean, I started reaching this script at night and had to wait until the next morning to finish it so it would be light out. It really scared me. The scary movies I like are The Others and Pan's Labyrinth - they're so scary but they're about real things, and hopefully this is too.

First birth is from your parents, but real birth, real life, begins when one accepts a bona fide spiritual master and renders service unto him. Then the path is open for going back to home, back to Godhead, to live eternally in full knowledge and full bliss and in association with the Supreme Personality of Godhead Himself, Lord Krishna.

For a detective or street police, the only real satisfaction is the work itself; when a cop spends more and more time getting aggravated with the details, he's finished. The attitude of co-workers, the indifference of superiors, the poor quality of the equipment - all of it pales if you still love the job; all of it matters if you don't.

I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it.

I had this grand idea that Elvira's kind of the Santa Claus of Halloween - at the malls, you'd have an Elvira there. Girls would dress as Elvira just like guys dress as Santa Claus, and it's not the real thing, but they'll pose for pictures, sign autographs. Of course, I couldn't go around to every mall, so we'd have to get more Elviras.

We need not have the loftiest mind to understand that here is no lasting and real satisfaction, that our pleasures are only vanity, that our evils are infinite, and, lastly, that death, which threatens us every moment, must infallibly place us within a few years under the dreadful necessity of being forever either annihilated or unhappy.

I went through that phase where I wanted to almost be different than my brother. Just kind of argued a little louder or if there was a curfew, I always came in a little later than I was supposed to. If it was set for 12, I would come in at 12:45. I would test the limits a little. There was no real reason and I grew out of it, eventually.

I think Stephen Crane too becomes trapped in a myth that poetry should be operating at a certain level, that there's the real world and the reflection of that real world. I don't exist in any of these historical periods. I exist in the period in which I'm writing the book. So I only attempt to frame this in a way that I myself relate to.

What is real is that adultery destroys tens of thousands of families every year across America. What is real is that adultery scars tens of thousands of children emotionally and psychologically every year. What is real is that adultery is an open wound in a relationship which more often than not overflows into domestic violence or worse.

If laws were real they wouldn’t need to be enforced, because if they were real they couldn’t be broken. Try breaking the law of gravity. Now that’s a law. Laws made by man are rules reflecting the current status of his moral codes. As he alters and whittles away his morality, casting bits and pieces aside, his codes change to reflect it.

Turkey was fantastic, Turkey was like mystical and such a special place. Just unique, something that's really hard to describe, such beauty, those mountains and the stone is kind of, eroded? Special erosion which makes what you see just something that seems, it's been made for a movie, it's like something out of fantasy except it's real.

We live in a very risky world and investors should not get "carried away" with excessive allocations to equities, or for that matter, real estate. As always asset allocation and low cost and broad diversification will be essential in earning one's fair share of whatever returns our financial markets are generous enough to bestow upon us.

The poet is no tender slip of fairy stock, who requires peculiar institutions and edicts for his defense, but the toughest son ofearth and of Heaven, and by his greater strength and endurance his fainting companions will recognize the God in him. It is the worshipers of beauty, after all, who have done the real pioneer work of the world.

The real irony is that the view of infinity as some forbidden zone or road to insanity - which view was very old and powerful and haunted math for 2000+ years - is precisely what Cantor's own work overturned. Saying that infinity drove Cantor mad is sort of like mourning St. George's loss to the dragon: it's not only wrong but insulting.

Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?

Hundreds of thousands of UFO sightings have been made by persons in all walks of life, in all parts of the world. Tens of thousands of UFO reports have been made to governmental and private agencies in the past 55 years. Thousands of these reports have withstood careful scrutiny and appear to represent real objects having a novel nature.

Any sport that lasts six minutes, that's it, you can just imagine how intense it is, only six minutes long.If you try something, if you try a move, if you take a single leg takedown and it doesn't work, you don't give up. You don't give up; you will succeed. I think it's very parallel with the stuff that you have to do in the real world.

Normal consciousness is a state of stupor, in which the sensibility to the wholly real and responsiveness to the stimuli of the spirit are reduced. The mystics, knowing that man is involved in a hidden history of the cosmos, endeavor to awake from the drowsiness and apathy and to regain the state of wakefulness for their enchanted souls.

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.

Prayer is the force as real as terrestrial gravity. As a physician, I have seen men, after all other therapy had failed, lifted out of disease and melancholy by the serene effort of prayer. Only in prayer do we achieve that complete and harmonious assembly of body, mind and spirit which gives the frail human reed its unshakable strength.

A vase of flowers or greens will bring even a dull hotel room to life in the most delightful way. The small amount of trouble or expense involved is honestly repaid in real decorative effect. If you find cut flowers too extravagant, stick to the greens. Laurel, rhododendron leaves, huckleberry or pine will all last many days, even weeks.

With non-professionals, there's a lot of time you have to allocate to getting what you want with them, but also you cast based on who they are, to bring out their real personalities. So it's less about working on character and more about just getting them comfortable in front of the camera to be themselves, and understanding the process.

Why is compassion not part of our established curriculum, an inherent part of our education? Compassion, awe, wonder, curiosity, exaltation, humility - these are the very foundation of any real civilization, no longer the prerogatives, the preserves of any one church, but belonging to everyone, every child in every home, in every school.

You look at the savings health insurance, there's so many great ways you can do that. You'll get great plans at much less money, at much less money. I mean, these people are being just killed. And you know the 25% was put out by Washington 'cause the real number could be three times that amount. I mean, it's catastrophic what's going on.

There's no excuse for having a mental or creative block in sound. You can just go out and collect things in the real world - they make the sound, not you. It's very restricting to always use a library for sound effects. It's much more interesting and freeing to go out and record new sounds because you never know what you're going to get.

The real challenge is when I'm at work, I'm at work. I'm locked in, I'm ready to go, I'm focused. When I'm at home, I'm locked in and I'm ready to go and I'm focused on home. We don't watch the show. We don't watch the news. We don't do any of that stuff. I sit down, I play Barbies. And sometimes the kids will come home and play with me.

The boyfriend of the student music teacher came in: "Hey, kids, this is a real Air Force pilot." I asked him something to the effect of how it felt to be dropping bombs on children in Vietnamese villages. And it got very icy in there all of a sudden, and finally the teacher said, "Oh, well, Eric reads a lot of newspapers. Next question."

My wife, trying to be helpful, goes to the grocery store and buys this stuff called soy bacon. Let me tell you something: I know soy beans are good for a lot of things. Let's stay out of the bacon market! It says It looks and tastes like real bacon! No it doesn't! It tastes like somebody bacon-flavored a turd, that's what it tastes like!

Ultimately, any character you write - no matter how fantastic or alien - is an extension of yourself. When our characters reflect the truth of our souls and psyches, they become real and compelling. The wonderful paradox is that the characters then take on lives of their own, separate from their creators. That's where the magic comes in.

I always tell myself that when you're playing a character, pretend they're on trial and you're giving the best witness of their life. You really need to think about every element of the character and represent them properly, as if they were a real person. You want to give 100 percent of what they're worth and what they deserve as people.

Comics have the page as their real estate so you've only got that space to tell the story on. But the other thing only comics do is to have the words and pictures being simultaneous. Your brain is flicking between them and you can put in some excellent narrative devices; you can off-set things and juxtapose things between word and image.

I believe not only that religious faith will be victorious, but that it is vital to humankind that it shall be. We may differ in form and particulars in our religious faith. Those are matters that are sacred to each of our inner sanctuaries. It is our privilege to decline to argue them. Their real demonstration is the lives that we live.

Real destiny takes everything-the last drop of blood, and strip out your veins to be sure-and gives it back doubled. Quadrupled. A thousand-fold! But you can't give halves. You have to give it all. I know. I swear. I've come back from the dead to speak the truth to you. Real destiny gives you a mountain of life, and puts you on top of it.

There's this overly friendly sense of community built up by very isolated people, and there's this Lutheran humbleness that keeps people from talking about their own feelings and asking about yours. What does that do in this modern age where everyone takes pictures of their food, and they share every thought they've ever had in real time?

If you go and talk to most people, they mean well but they don't have much of a breadth on education, of knowledge of understanding what the real issues are and therefore they listen to pundits on television who tell them what they are supposed to think and they keep repeating that until pretty soon they say, 'Oh, well that must be true.'

My prayer for you is that you may grow in the likeness of Christ, being real carriers of God's love and that you really bring his presence, first, into your own family, then, to the next door neighbor, the street you we live in, the town we live in, the country we live, then only, in the whole world, that living example of God's presence.

I chose to write about food: food is inherently political, but it's also an essential part of people's real lives. It's where the public and private spheres connect. I wanted to show readers that the larger politics of war and economics and U.S. foreign policy are inextricably bound to the supposedly trivial details of our everyday lives.

This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.

Even fake news tries to convince us of its reality, but it does so mostly by appealing to your preconceived notions, your shared biases, or your prejudice. How to do the opposite? To create a sense of the real and then challenge your biases. I think that is my favourite aspect of writing, and that is what I've tried to do in 'The Lovers.'

Self-dealing, essentially, occurs when managers run companies to line their own pockets instead of those of the companies' owners. It's been a perennial problem in American capitalism and became a real dilemma when America moved toward a model in which corporations would be run by professional managers who had only small ownership stakes.

In this system called America, white privilege reigns supreme but to me, I have to embrace what I am and how special we are as a people. I have to know that God put me here for a real reason and He blessed me with divine privilege and there's a divine system that I can tap into that can help me overcome any obstacle that stands in my way.

The society wants you to have beautiful personalities; the society wants you to have personalities which are comfortable for the society, convenient for the society. But the person is not the real thing, the individual is the real thing. The individual is not necessarily always comfortable to the society - in fact he is very inconvenient.

You merely dream that you roam about. In a few years your stay in India will appear as a dream to you. You will dream some other dream at that time. Do realize that it is not you who moves from dream to dream, but the dreams flow before you and you are the immutable witness. No happening affects your real being-that is the absolute truth.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

The world is always waiting for someone to save the day, make things better. We've lost hope in politics, preachers. ... As a child of God, I just believe that Jesus is our hero, he is the one that came to save man's life, to save man's soul, to restore people back to themselves with a love that's real - an unconditional sacrificial love.

Guilt, though it may attain temporal splendor, can never confer real happiness; the evil consequences of our crimes long survive their commission, and, like the ghosts of the murdered, forever haunt the steps of the malefactor; while the paths of virtue, though seldom those of worldly greatness, are always those of pleasantness and peace.

I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?

You worthy critics, or whatever you may call yourselves, are ashamed or afraid of the momentary and passing madness which is found in all real creators, the longer or shorter duration of which distinguishes the thinking artist from the dreamer. Hence your complaints of unfruitfulness, for you reject too soon and discriminate too severely.

If you go and talk to most people, they mean well but they don't have much of a breadth on education, of knowledge of understanding what the real issues are and therefore they listen to pundits on television who tell them what they are supposed to think and they keep repeating that until pretty soon they say, 'Oh, well that must be true.'

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