Quotes of All Topics . Occasions . Authors
Like most arts, the link between the mind and the pen can chain you like an enslaved workaholic. Even on an intended vacation you suddenly have this killer urge to record whatever the vacation may teach.
In the Federal Government, electronic records are as indispensable as their paper counterparts for documenting citizens' rights, the actions for which officials are accountable, and the nation's history.
I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album.
It happens to be a matter of record that I was first in print with the discovery that the tastelessness of the food offered in American clubs varies in direct proportion to the exclusiveness of the club.
Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.
I didn't make the same song twice, but I definitely made the sequel to it, because everyone would come up to me in the streets saying, "Yo Khaled, make another 'I'm So Hood.' We love that record so much.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
See, I'm not the type of writer that has 400 songs in a suitcase someplace on the shelf. I'm sort of a rise-to-the-occasion-type of writer, so when I know I'm going to record, I get in the mood to write.
If we got into a situation where people start burning our records, then bring it on. That's the whole point. The gloaming has begun. We're in the darkness. This has happened before. Go read some history.
Everybody needs a release. Sometimes people mosh at my shows. That inspired me to make records to get the people more crunk. People need a release and I enjoy being an artist that can do that for people.
Back in '75 I had five albums in the top 10. Simultaneously. And among them the number one album and the number one single. And my name was mentioned twice or three times in the Guinness Book of Records.
Putting out compilation records, buying the right to music is incredibly complicated. You have to find the writer of the song and the publisher of the song - not the singer - and make two separate deals.
I didn't start drag because I thought it would be a ticket to anything. I did it for my own narcissistic fulfilment. When I started selling records, going on tour, doing TV... I never expected any of it.
Being in a rock band is about touring. It's about writing songs and it's about making records but it's also about taking a wonderful smile onto that stage and making the people feel good about themselves.
I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.
My parents didn't have records, they didn't have radios, and they didn't listen to music. My grandmother was my main connection to art and music. She could play piano very well, and she had perfect pitch.
In reality, there's a limit to putting a record out yourself. When it comes to working with major record companies in the context of them owning anything, though, that will never happen. Ever. In my life.
I hope we [with Patrick Leonard] can come up with something orchestral with some spoken material. And I also, God willing, hope that perhaps another record of songs also might emerge, but one never knows.
Most of my relationships have been like that - with record companies. I've never had a legitimate business relationship with a company. I've always had a personal relationship with someone in the company.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway.
We were proud of our first two records, but the parameters were pretty narrow. We didn't have full drums, for example. There were just so many limitations to that setup, and we really fully explored them.
This is a very screwed-up business. Record labels don't sign a lot of bands these days. We just want to find a home and stay there and make records and do our thing and not have to look over our shoulder.
But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.
Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised as a turn-coat by some of our partisan journals.
I think there's a green side to John Kerry, if you like, that he's an environmental activist. His record on the environment is as best as you have on a pro-environment record of anybody in the U.S. Senate.
I feel like I'd like to continue putting out records and start putting them out more rapidly than I have until now and for me if I can keep selling the records to the fans that already like me that's fine.
If somebody wants to sit down with me for an hour and interview me and ask me any question about my record, my policies, my foreign policy experience, my domestic policy experience, I'm willing to do that.
I don't know what they're thinking about. Just because someone says, 'I like what you do' or something: They might like it today and tomorrow they might not. I've had that experience with record companies.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.
In general, the hedge funds were clobbered by the 1969 bear market, ending up in many cases with records that were worse than those put together by aggressive mutual funds denied the luxury of short sales.
We didn't slow down, unlike the others, when we got to the moon because we needed its gravity to get back, so we hold the altitude record. I never even thought about it. Records are only made to be broken.
The human spirit is indomitable. No one can ever say you must not run faster than this or jump higher than that. There will never be a time when the human spirit will not be able to better existing records.
I don't make records that way, where I'm trying to please the marketplace or anything. Not because I have anything against that, it's just never been a part of my aesthetic, even when I was with the Pixies.
Changes, cyclic or otherwise, within the solar system or within our galaxy, would seem to be the easy and incontrovertible solution for everything that I have found remarkable in the stratigraphical record.
I admire Chris Martin. Coldplay have made some wonderful records for the genre they're involved in, but I would consider them to be more of a pop act. The music is much more cerebral than it is animalistic.
So many times I've done a CD, and then the week after I record it, I've got this new tagline that's killer. And it makes the whole bit better. It happens all the time. But that's just the process of comedy.
HAG Records, is a company that I've owned. I've had a couple of gospel releases on it. We developed a pretty good distribution setup there and we do have something to use in case they don't want to sign us.
I served at a time when we had a strong economy, when we had deficits that we would die for today. I was able to propose a balanced budget, not over ten years, but over five years. I'm proud of that record.
Everybody talks about candidate tax returns, and they release those - well, most. But medical records, that's another thing, and that arguably might be more important or relevant than somebody's tax return.
At 11, 12 I thought I was clumsy, ugly, a mess, an unappealing person, but I did have the gift of the gab. I had the school record at Haberdashers for consecutive detentions for simply speaking out of turn.
Whether I'm performing in a club or onstage as Erika Jayne, whether I'm making records, whether I'm doing TV, I've got to entertain, and I have to take people away from their space and bring them into mine.
Remember, this was a world that was still ethnically separated. I was thirteen and ignorant of the social situation in America, but I felt these records were better than what my own culture was turning out.
A knowledge of the true age of the Earth and of the fossil record makes it impossible for any balanced intellect to believe in the literal truth of every part of the Bible in the way that fundamentalists do.
I became a radio nut. I loved the afternoon serials, and I got into jazz through the radio. I had a subscription to Down Beat when I was 12. And I'd spend a lot of time in front of the minor, miming records.
It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.
The greatest thing that ever happened to (my career) was the breakdown of the record companies, because there were no more stupid questions about how many hits are on the next record. It was very liberating.
I can't even listen to Swans anymore. It doesn't do it for me at all, but I absolutely adore the early records and, on that same token, I wouldn't in any way wish for them to come back and repeat themselves.
[Marco] Rubio says we should collect all Americans' records all of the time. The Constitution says otherwise. I think they're both wrong. I think we defeat terrorism by showing them that we do not fear them.
...I felt that photography ought to start with and remain faithful to the appearance of the world, and in so doing record contradictions. The greatest pictures would then... find wholeness in the torn world.