Quotes of All Topics . Occasions . Authors
I have to say when a man lives for himself, it's hard to live with him. That's pretty much the story of all my divorces. I've been making records since I was 22 and done things my way, and it's hard for me to compromise. And of course, to have a successful relationship, one has to compromise. Sometimes I'm not good at it.
I want to collect more records from terrorists, but less records from innocent Americans. The Fourth Amendment was what we fought the Revolution over! John Adams said it was the spark that led to our war for independence, and I'm proud of standing for the Bill of Rights, and I will continue to stand for the Bill of Rights.
I've been a DJ since I was about 13, and I started out as a hip-hop DJ. So I was always playing records that would just get people going. I was just doing parties and high school dances and whatever, and then, progressively, I started making my own music, writing little songs here and there, but it was never anything crazy.
Everybody recommended me to Sinatra and Don Costa, because everybody was enjoying my music. I got a big following going on. Nino (Tempo) told Don Costa "you gotta come see this guy." And that's how Don Costa heard about me, through Nino Tempo. Then, Don Costa brought me to the attention of Frank Sinatra and Reprise Records.
[On Richard M. Nixon:] The Republican nominee would be far worse than another Eisenhower - he is Tricky Dicky of the first magnitude. His entire record is one of opportunism. I cannot feel that there is the remotest sincerity in him, and that clearly he would be the tool of the highest bidder, which is always 'big business.
I didn't really feel any pressure when I've made records, I haven't as yet anyway. I feel when I'm making a record that I'm so excited about making new songs that when I'm doing demos of new songs, as soon as I make one that's really different I get really excited about the record, I don't care about the last record anymore.
I have a lot of analog. I think a lot of people do. There are a lot of people that are re-discovering it. I still have a lot of my old records from back in the day. It's a joy to play things like Junior Wells' 'Hoodoo Man Blues,' and John Mayall & The Blues Breakers with Eric Clapton. There's a warmth that you can still feel.
They still have negligent auditing, they still have things going for a walk, and they have no idea where they're coming from and they have no idea where they're going. And if that's the case, how can we as the public trust the NSA with all of our information, with all of our private records, the permanent record of our lives?
I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.
What's interesting about the shift from an industrial age to a technological age is that we keep inventing new media: movies, records, radio, television, the Internet, and now ebooks - and one of the things that's most interesting about the invention of a new medium is watching it reinvent itself as it penetrates the culture.
I got my first real job, one that didn't involve wearing a hairnet or bending over the hood of a wet car with a towel in my hand, in the early '90s working for CBS Records. While there, I started my first of several rock bands and eventually wrote my first book, the semi-autobiographical novel, 'Don't Sleep With Your Drummer.'
I had an apartment on Long Beach Blvd and San Vicente in Long Beach, California. That was the apartment I done 'Regulate' in. I had all my equipment set up in the bedroom, a vocal booth in the bathroom and in the closet, and that's where we created it. I had an MPC 60, a Numark mixer, and a Technics 1200, and a ton of records.
To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.
When I was a kid, when I was 16, 17, I'd come home from high school, and my dad collected all of Barbra Streisand's records. And she was very young then. I think she probably had three records out, and she was 21, and we had them all. And I knew every single song, every breath, every elision, every swell. And I sang along to it.
We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.
I do not compete with anybody else; I compete only with myself. You saw my capacity a few minutes ago. Now I am competing with myself. When I do weightlifting, my body is my world. If I can improve myself, if I can go beyond my previous achievements, then that is my goal. My own previous record is always what I am competing with.
What people have to realize is this: You have rappers who are popular or whatever for the time being, but that don't mean you necessarily want to dress like them. You may have a guy who sells five million records; do you want to dress like him? When you see me, you think you may want to dress like that guy because that guy is fly.
Now here's what I'm saying: I've always believed that every other month we hear about compromisation of bank records, I think that's the CIA and the FBI. Now let me tell you why I'm saying this. I don't believe no insignificant pip-squeak is going to be able to pull this off month after month and we can't find out what's going on.
I bought a Three Dog Night album when I was pretty young, and I remember listening to all those songs. That's just greatly crafted songwriting, and the songs have such great harmonies. I remember marveling over those and trying to figure them out on piano. That was my early education - figuring out records, older records, as a kid.
Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
To have so many years in the rap industry and so many number one songs, and sold so many millions of records, introduced the world to people like Cool & Dre, DJ Khaled, Pitbull, Rick Ross, Trick Daddy, Remy Ma, Big Pun, Rico Love... I could go on and on. Having been able to influence the rap game for so long is very important to me.
Columbia was a wonderful label for me. Wonderful. The records I made there garnered me an audience. I won a number of polls during the years that I was at Columbia. The Downbeat Jazz Poll. Leonard Feather, who was a huge critic back in the day, different polls that he had. The Playboy poll, a number of polls. So the music was great.
The people and the cultures of what is known as Africa are older than the word 'Africa.' According to most records, old and new, Africans are the oldest people on the face of the earth. The people now called Africans not only influenced the Greeks and the Romans, they influenced the early world before there was a place called Europe.
My weirdness aside, if I am to find any friends, particularly a girlfriend, she will almost certainly have to be a human. My previous track record tends to suggest that of all species that exist on the planet, it has so far been exclusively humans to whom I find myself sexually attracted. This is a good thing legally if nothing else.
I know whites buy more records than blacks. So, I wanted to be able to make the most money that I could. Pop is for both whites and blacks, but if I just stuck to rhythm and blues, it's mostly for blacks. I didn't want to do that. So like I said, I wanted to get the most out of it that I could, so I thought that pop was the way to go.
The image of God carries with it the right not to be mistreated or harmed.... Regardless of their record or character, all human beings have an irreducible glory and significance to them, because God loves them.... So we must treasure each and every human being as a way of showing due respect for the majesty of their owner and Creator.
You look at what One Direction has done and just say, 'That is just lucky;' it is not. It is happening because they are talented boys, good looking lads; and yes, their songs might not be the typical songs that lots of radios want to play, but they are great songs, pop records, that are massive across the world selling in huge numbers.
I didn't even know I could sing or write songs. I didn't have that education. But people shouldn't think they can look down on someone like me, because I've had the same success as others, sold the same amount of records, if not more. They shouldn't think that because I'm just from 'The X Factor,' I'm not credible or respected as much.
There's not anything I can fix, change, make better its out to the world. I'd like to say that I like my records but it's for reasons other than enjoyment, it's more like a notch on my revolver, one more down. I am proud of my work, yes but its accomplishment to me and another year of schooling,in making records it can always be better!
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
My favorite records are, like, The Pretty Things' 'Parachute' and 'S.F. Sorrow' and The Mothers of Invention's 'We're Only in It for the Money' and The Kinks' 'Village Green Preservation Society' - these records that have a story - even if it's not a literal story - because of how they're sequenced and flow. It's like a novel with sound.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
We all expect photographs to be a picture of something. We assume that the photographer observed a place, a person, an event in the world, and wants to record it, point at it…The problem with my work is that these images are really not of anything in that sense, they register only that which is incidental and peripheral to the implied it.
But there is one whom you do not deceive, and that is Christ, our Lord. He knows all. Personally, I have felt that nobody need keep much of a record about me, except what I keep myself in my mind, which is a part of my spirit. I often question in my mind, whether it is going to require very many witnesses in addition to my own wrongdoing.
We, as artists, we have the right to express ourselves. That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
I'm just not going to tour. One point I want to get across to everybody is that I'm still going to make records and I may still do some events. It's not the last time I'm onstage. It's been a part of my life for too long to quit everything. I have done it since the '80s, and I think it's time now to maybe see if I can live without that part.
The NSA has built an infrastructure that allows it to intercept almost everything. With this capability, the vast majority of human communications are automatically ingested without targeting. If I wanted to see your emails or your wife's phone, all I have to do is use intercepts. I can get your emails, passwords, phone records, credit cards.
I kept on buying records and listening to them. Finally, I was able to hear the relationship between the jazz improvisers' solos and the underlying structure that it's based on, the chord progression. That was pretty easy to do in the swing era, y'know, when jazz was, like, pop music, you know. It had made the charts and everything like that.
When I was around 13 or 14, I started getting really into songwriting. And one day, I was rooting through my mum's old tapes and records, and I found 'Grace' by Jeff Buckley. I remember so vividly the first time I put it on. It blew my mind: his voice, the way he could play the guitar. I must have listened to the album over and over for weeks.
My very first records, I was very interested in how you get the particular quality you want out of it, and I began to learn about the engineering and aspects of production and things very early on. I got hands-on with the process and taught myself how to engineer, as opposed to just being a producer who asked the engineer to make it sound nice.
Today, no less than five Supreme Court justices are on record, either through their opinions or speeches (or both), that they will consult foreign law and foreign-court rulings for guidance in certain circumstances. Of course, policymakers are free to consult whatever they want, but not justices. They're limited to the Constitution and the law.
The literal record was not a hopelessly and imperfect fraction of truly insensible gradation within large populations but an accurate reflection of the actual process identified by evolutionists as the chief motor of biological change. The theory of punctuated equilibrium was, in its initial formulation, little more than this insight adumbrated.
If you want to develop courage, do the thing you fear and keep on doing it until you have a record of successful experiences behind you. That is the quickest and surest way ever yet discovered to conquer fear. You can conquer almost any fear if you will only make up your mind to do so. For remember, fear doesn't exist anywhere except in the mind.
In a modern digitalized world, it is possible to paralyze a country without attacking its defense forces: The country can be ruined by simply bringing its SCADA systems to a halt. To impoverish a country, one can erase its banking records. The most sophisticated military technology can be rendered irrelevant. In cyberspace, no country is an island.
It's crazy to me that in this world of electronic medical records Walmart has so much information about how we shop, but no one has that information about our health. Why can't my doctor say, 'Wow, Anne, based on your lifestyle and behavior, you're five years from being diabetic.' But I can go to Target, and they know exactly what I'm going to buy.
The choice is ours-yours and mine. We can stay with business as usual and preside over a global bubble economy that keeps expanding until it bursts, leading to economic decline. Or we can adopt Plan B and be the generation that stabilizes population, eradicates poverty, and stabilizes climate. Historians will record the choice, but it is ours to make.
See, Sway, that’s what you get for flunking your pilot’s test six times…which I’m pretty sure is a record of some sort. If not for the actual flunking, definitely for the persistence in pursuing that which you obviously have no talent for. Personally, I wouldn’t let you fly a remote-control kid’s plane. (Vik) Shut up before I find a can opener. (Sway)
I've spent a lot of time working on declassified documents - and they do get declassified after decades - you look at the record of declassified documents, and they are mostly concerned with keeping what the government does secret from its own population. It's mostly defense of the power system from its own population. Very little is authentic security.
I was in the beginning of junior high. When I was first offered the record deal, a lot of people were concerned, saying to me, "Stacie, you are so young, and you have a great talent but you don't have to do this right now." If you can do it now, you're only going to get better, you're only going to learn more, and you can do it at any point in your life.