Quotes of All Topics . Occasions . Authors
I will keep a Bible or Koran on me at all times - the Bible I can actually carry on my phone, and any hotel you go to has a Bible, but the Koran is harder. I keep a physical Koran in my guitar case and put it on the table in hotel rooms so after a day's work, I can read a few verses.
Working on 'Austin and Ally' has been an absolute dream! We literally have fun every single day! Whether it's scaring each other or singing together or just hanging out in each other's dressing rooms, the cast and I are super close! I feel really lucky to be with everyone on our set!
When we were kids, we couldn't wait to have our own rooms, not to have to share anymore. And that is what I love about having my own bedroom. It is mine. My sleep is mine. Both pillows are mine. If I wake up, it is me who has woken me up... It makes me feel like a grown-up. I love it.
When I go into rehearsal rooms and meet with bands, they're genuinely excited to be with me because of what I've done as an artist, not because of anything else. There's that whole celebrity rock star thing, and artists are into artists who have been able to achieve success their way.
People think I work a lot more than I do. I think because you're in people's living rooms every day they're like: 'Oh my God, you're always on the telly,' but it's like, 'Yeah but you always have to go to work every day nine till five whereas I finish at 12:30 P.M. and then I'm home.'
What you're hoping for about the concert is an overall collective experience that everyone has and that you share with them and when you hit the stage you have a "common" feeling. Even though you're the performer and they're the audience there's something uniting everybody in the room.
I was the first woman to paint cleanly, and that was the basis of my success. From a hundred pictures, mine will always stand out. And so the galleries began to hang my work in their best rooms, always in the middle, because my painting was attractive. It was precise. It was 'finished'.
There simply aren't any grand moments in life, and we surely don't live in those moments. No, we live in the utterly mundane. We exist in the bathrooms, bedrooms, living rooms, and hallways of life. This is where the character of our life is set. This is where we live the life of faith.
It's one thing to wear jerseys at games, which fans have been doing in great numbers for 30 years, dressing as if they might be summoned from the stands on a moment's notice to pinch-run. But those same jerseys are now omnipresent on airplanes, in restaurants, in doctor's waiting rooms.
I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.
It's a mixed feeling when everything you've ever wanted in making films is coming true, and yet you feel scared because it's happening all at once. Suddenly you're in rooms with people you've looked up to for years, the Judi Denches. You wonder if you're good, if you have what it takes.
I have studios in the different places where I live - in Ibiza, Paris and London - but they're not crazy studios, they're just rooms with good monitors, and all I do is plug my laptop in. It's a different way to make music, but for me, I love it, because it's more connected to the world.
I can't say this too often - that a little humor can make life worth living. That has always been my credo. Somebody once asked me, 'What would you like your epitaph to be?' I've always said that I'd like it to be: He left people a little happier than they were when he came into the room.
Dance has become an exclusionary enterprise. To participate, one must be thinner than thin, of pleasing form, flexible, athletic and young. If you are not all these things, you will be allowed to dance in the privacy of your own living room. You just wouldn't dare to put yourself onstage.
I grew up listening to the Beatles and being an ardent Beatles fan when I was in third grade all the way to adulthood, and listening to all kinds of music that came to us either at the flea market or in our living rooms or on the 'Ed Sullivan' show - all these places we were influenced by.
You accused me of murder. Do you make a habit of bringing schoolgirls into an interview room with murder suspects?' He waved his hand. 'Oh, I was only joking about that. I don't really think you murdered someone. Unless you did, in which case I reserve the right to say I knew it all along.
As human beings, of course, we're all compromised and complex and contradictory and if a screenplay can express those contradictions within a character and if there's room for me to express them, that's a part I'd love to play, so much more than a character who is heroic and one-dimensional.
The TV show 'How It's Made' brings the intricate details of assembly lines to numerous North American living rooms. But if the series were to ever branch into exposing the secrets of music production, Colin Stetson's 'New History Warfare Vol. 2: Judges' would make for a mind-bending episode.
Feeling pummeled by the outside pounding of tests and standards, a teacher can easily hide and simply turn to the immediacy of the classroom. It is not surprising that many teachers burrow in their rooms with all that they know about their students. There is no place to take the information.
I started out on the stage, then I had a great career in television for quite a few years. The good news about a TV series is that they give you a certain amount of fame and money. The bad news is that you're in people's living rooms every week and get associated with a particular character.
There's much more. There's all that goes beyond – all ... that is Elsewhere – and all that goes back, and back, and back. I received all of those, when I was selected. And here in this room, all alone, I re-experience them again and again. It is how wisdom comes. And how we shape our future.
I've stood in rooms in urban, rural, and suburban parts of my state and asked a room of middle class voters to raise their hands if the college debt of someone in their family is affecting their financial situation. Without exception, at least three quarters of the room will raise their hand.
There is no room in this country for hyphenated Americanism. When I refer to hyphenated Americans, I do not refer to naturalized Americans. Some of the very best Americans I have ever known were naturalized Americans, Americans born abroad. But a hyphenated American is not an American at all.
My sister and I did not have our own rooms, or even a place to ourselves. In the living room, beyond the two windows, was a little corner where my books were kept, and other thing - my watercolors and so on. Often I had to imagine the things I needed. I learned very early to read amidst noise.
Back in the old days, guys used to wreck hotel rooms and trash rental cars and all that dumb stuff. When I came into wrestling, they were like, 'We're out of cars. You're one of those wrestlers. No, we're not renting a car to you.' It was like that. We had to re-create, re-establish the trust.
I love the old stuff that's why I included it. I did see them play a lot as they supported the Banshees all the time. And I was a friend of the Banshees so I used to get there early to see the Ants and while the Banshees were on I used to like to go in their dressing room and steal their booze!
Yoga is the most boring exercise. It's for people who are too lazy to get on the elliptical. Bikram, where they heat up the room to mimic India's climate, is especially stupid. People in India are not skinny because they're doing yoga in 105-degree rooms; they're skinny because there's no food.
When I started, the press credentials said 'No women or children in the press box,' ... There are a lot of things in the workplace that you can attempt to hide, and I could not hide the fact that I was a woman. I was always the only woman in the press box, and they didn't even have ladies rooms.
Don't underestimate the importance of having enough room to work. Grilling is much more relaxing when you are not trying to juggle a whole collection of plates and bowls as you do it. If your grill doesn't have enough workspace - and they almost never do - set up a table right next to your grill.
I simply adore getting dressed up for a special occasion. I feel incredible stepping out in luxurious fabrics and a bit of bling. That's also how I feel about special-occasion dining rooms. Because these aren't everyday spaces, they contain all sorts of drama for that once-in-a-while 'wow' event.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
Be fun! I don't like homes or rooms that don't have a sense of humor or have some sense of whimsy or a personality. Your home should reflect who you are, and what you love. I would never have something in my home because it's the thing to have. I have to love it and it needs some connection to me.
Touring is tough. You're almost in a haze because you don't really know where you are half the time: You're in a hotel room one moment, and the next thing you know, you're onstage performing for 60,000 people, then you're back on an airplane. It's very hectic and I couldn't do it without my family.
I remember going to the audition for 'Corrie.' I wasn't an actor - what they're often looking for in these rooms is a character, not what's on the page. They want to see what you are going to bring. So somehow, I got the job on 'Corrie.' For the first time in a while, someone really believed in me.
When [Erwin Schrödinger] went to the Solvay conferences in Brussels, he would walk from the station to the hotel where the delegates stayed, carrying all his luggage in a rucksack and looking so like a tramp that it needed a great deal of argument at the reception desk before he could claim a room.
If nations always moved from one set of furnished rooms to another -- and always into a better set -- things might be easier, but the trouble is that there is no one to prepare the new rooms. The future is worse than the ocean -- there is nothing there. It will be what men and circumstances make it.
We would play songs live on stage, and then we'd watch their reaction we were receiving immediately, if people were dancing and singing along. If they weren't, then we'd go into the dressing rooms of the different NBA teams that we were playing in their arenas, and we'd change the songs right there.
What are you? The voice came from nowhere. It was in the room. It was outside. It was in Magnus's head. "A warlock," Magnus answered. "And what are you?" We are many. "Please do not say you are a legion. Someone's taken that." Do you make mirth from mundane scriptures, warlock? "Just breaking the ice
It's been a long road for me coming from NXT. I've been with NXT for almost four years, and just getting to WWE, and now being able to travel with them, I kind of have to make new friends and get hotel rooms and travel in different cities every single night. It's very different, but it's so much fun.
I end up improvising in almost everything to some degree, 'cause it's often necessary on movies. The script is one thing, and it's this kind of theory of what you're going to do, and then you get there on the day and you realize, "Oh, the script is not appropriate to this room, the door's over here."
I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
A few years ago, I realized I was decorating and designing my house around what was beautiful rather than practical for my family. When I made that realization, everything kind of clicked for me. I started being intentional about designing spaces with my kids in mind rather than picture-perfect rooms.
If I had millions and millions and millions of dollars, I'd leave a large portion to the 42nd Street library. That's why - that was my hangout, the reading rooms, the North and South reading rooms. I'd go there, and my God, I couldn't believe I had access to all of these books. That was my university.
I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no 'meaning' beyond their temporary arrangement, not a movie but a cutting-room experience.
I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.
I've written everywhere - in hotel rooms, cafes, airports, and planes all around the world. Now I have a home office, and the wi-fi is really bad down there, which is great. If I make a date with myself to write from, say, 6 A.M. to 10 A.M. on a Saturday, the fact that no emails come in helps me focus.
My foster mother always laughed and said it was his reputation for knowing everything that allowed for him to appear infallible: all he had to do was walk through the room and see who looked guiltiest when they saw him. Maybe she was right, but I tried looking innocent the next time, and it didn't work.
You get very comfortable doing the open mic circuit, turning up to the same places and playing to 20 people. In that situation, it won't matter if you aren't great on that night because no one will really remember who you are. Then suddenly you are doing rooms to 400 people and you have to up your game.
And above all, I will argue the necessity for preserving, against all shame, a demanding question of revolution itself, a question about utopia that keeps pushing its way through a field of failed aspirations, like a student at the back of the room who gets suddenly, violently, tired of being invisible.
The aggregate of everybody's emotion, it's such a powerful thing. You can see it in the Trump rallies, where people - I just know, in their living rooms, would be better people - are driven to the worst possibilities by the bloodlust in a crowd. It just gets ginned up, and they're outside of themselves.