Quotes of All Topics . Occasions . Authors
The day of my arrest I was first put in a room where there were already several other prisoners, most of them Arabs. They laughed when they saw me. Then they asked what I was in for. I said I'd killed an Arab and they were all silent
I know what it's like to be a teenager in Orange County. I know what it's like to be a kid in L.A. I know what it's like to not have any money and have your lights turned off. I know what it's like to live in a house with five rooms.
If, in fact, the GOP doesn't like any form of health care reform, what do we do with those 40 to 60 million uninsured?...When they show up in the emergency room, just shoot 'em! Kill them!...Do we have enough body bags? I don't know.
It's very nice to have someone that you can have a completely abstract conversation with and leave the room, feel like everything's fine, and then realize that if you pick it apart, you have absolutely no idea what either of you said.
The command-and-control systems, the war rooms, the methods of information gathering, and the technology of the pilotless aircraft, or drones, that now serve the Americans and their allies were all, in large part, developed in Israel.
I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs, and how the couches would be situated.
If I really can be said to have a personal style, I think it is reflected in my taste for the exotic and the unexpected. I like to create rooms which are essentially traditional - and then add touches of the bizarre and the delicious.
Given certain known factors in an equation and the equation comprising a situation of absolute need - any form of need - you can predict the results. Leave a sick junkie in the back room of a drugstore and only one result is possible.
You open up a lot of tours making nothing just for the fact that you need to start somewhere and get some exposure. When you start to headline your tours, all the money is in headlining, but there's no money in headlining small rooms.
Alone in my room, wrapped in a blanket, I whimpered and talked aloud to myself, recalling the lost glory of my youth when I considered myself, and was considered by others, a bright and capable person. It seemed that was all gone now.
Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.
I've always had to bind up and wrestle fear, because acting is really about faith. And faith and fear can't really stay in the same room. So, in order for you to be more than a conqueror, you're going to have to defeat fear with faith.
Next time your lady leaves the room, take a dump on the floor! 'Cuz there is nothing more mysterious than a dump on the floor! And it always starts a conversation, am I right? Honey, what happened? You better hold me 'cause I'm afraid.
I was walking in a grocery store and someone jumped on my back - and I knew the second she yelled ‘It’s Emily Fields’, it was a fan. I guess being in someone’s living room once a week on the TV makes them feel a little TOO comfortable.
I don't mind being distracted. I don't want to sit there in utter silence and type. If the phone rings, I usually answer it, speak for a few minutes and return to writing, or go for a walk in and out of the rooms. I don't mind a break.
When someone new walks into a room, the first thing we notice about that person is probably their gender. And the second things is what they're wearing. And based on what they're wearing, we start making certain assumptions about them.
What? I have a cold. Don’t get a look of terror on your face. The worst that could happen is that you’ll get a cold, too. You don’t have to theatrically Purell a thousand times a day and look all panicky every time I come into the room.
There are certainly some secrets the government needs to protect, but many of the most important clues about revolutions, nuclear transfers, and new military sites can be found online, in open chat rooms and commercial satellite photos.
The people who flood our living-rooms with a smorgasbord of commercial messages about fetid breath, moist underarms and troubled intestines know this: an appropriate time, place and manner to sell a product is any that sells the product.
Everyone knows how to choose; few know how to let go. But it's only by letting go of each experience that you make room for the next. The skill of letting go can be learned, and once learned you will enjoy living much more spontaneously.
When I was a kid, I worked as a clerk at my parent's motel. From when I was eight or nine, I rented rooms, helped with laundry, folding tons of towels. And then I also worked at my dad's gas station more as a young adult and as an adult.
Trapped in the bureaucracy nightmare, real families suffer when the big banks and their servicers force foreclosures. The emotional toll on children packing up their rooms and on parents struggling to find a temporary roof is a deep one.
In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.
America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.
I wanna thank everybody - I wanna thank everybody in this room. And it's a privilege to be here this morning with you. So many distinguished members of our services, and that's really what you are, very, very highly distinguished members.
I never knew before getting involved with these investigations that so much of this activity was going on. I mean, obviously there are chat rooms, social networking sites, and it occurs. I just didn't ever think it occurred at this level.
Clint Eastwood enables and allows things to happen. You walk on some sets and it's like walking into an emergency room. It's like, "Come on guys, we're just making a movie here." That tension runs into the performances and into the movie.
I'm an electrical engineer, and when I first started out, there was nobody who looked like me out there. I worked at Qualcomm, and I remember coming into meeting rooms, and I could never get the floor. I could never get my opinion across.
Unfortunately, public debates do not have much room for subtlety. The audience wants a quick thrust at your opponent, not a slow and convoluted series of moves. Whenever Obama uses subtleties in discussing a complex issue, he gets creamed.
My memory is basically visual: that's what I remember, rooms and landscapes. What I do not remember are what the people in these room were telling me. I never see letters or sentences when I write or read, but only the images they produce.
I want to get more comfortable being uncomfortable. I want to get more confident being uncertain. I don't want to shrink back just because something isn't easy. I want to push back, and make more room in the area between I can't and I can.
You should not only have attention to everything, but a quickness of attention, so as to observe at once all the people in the room--their motions, their looks and their words--and yet without staring at them and seeming to be an observer.
I don't know much about auctions. I sometimes go to previews and see art sardined into ugly rooms. I've gawked at the gaudy prices, and gaped at well-clad crowds of happy white people conspicuously spending hundreds of millions of dollars.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
This is something that the nimblest standup comedians learn, over time, to handle gracefully. They'll go between prepared material, then they'll respond to what's happening in the room and weave it back into the prepared material and so on.
Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.
I have rooms full of little dongly things and don't want any more. Half the little dongly things I've got, I don't even know what gizmo they're for. More importantly, half the gizmos I've got, I don't know where their little dongly thing is.
There's a scary moment when you realise you're no longer the youngest person in the room. Especially if you've been a successful young person. That's followed, of course, by the realisation that you're actually the oldest person in the room.
Human life as a whole is not inundated by technique. It has room for activities that are not rationally or systematically ordered. But the collision between spontaneous activities and technique is catastrophic for the spontaneous activities.
A deliberate choice on my part was for the player to continue to find new possibilities in the early Attic rooms far into the game. I think this builds atmosphere, though it means there's no neat division of the prologue from the middle game.
There's no room for failure performing [stand-up] for a black audience. If you don't get them right away it's tough winning them back even if you're doing top-notch material. If you didn't win them right when you walked out there, it's tough.
There's always moments where you creep yourself out, and you think you heard something and you convince yourself that some spirit is in the room with you, but truly, I don't believe in any of that kind of thing. A lot of my friends really do.
Paul Gauguin asked, "Whence do we come? What are we? Where are we going?" Well, I don't know about anyone else, but I came from my room, I'm a kid with big plans, and I'm going outside! See ya later!.. Say, who the heck is Paul Gauguin anyway?
Unlike so many Dylan-writer-wannabes and phony 'encyclopedia' compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in. Finally a breath of fresh words founded in hardcore, intelligent research.
For those still outside the cult of Slack, it's a service - available as a desktop or mobile app, or a website - which is essentially a series of public chat rooms (called channels) on topics relevant to a company or to teams within a company.
I've seen so many beautiful, strong, talented women stifled by male ego in rooms, and I want every young woman who feels that their music is being taken from them to know that they have a voice, and they have the tools, and that it's possible.
Students sometimes turn up at my course and they look a bit like they're going to Bali with only Wellingtons and a map, and they never leave their hotel room because they didn't think to bring a bikini. I'm full of bizarre analogies like that.
Most Americans acquire dogs impulsively and for dubious reasons: as a Christmas gift for the kids. Because they saw one in a movie. To match the new living-room furniture. Because they moved to the suburbs and see a dog as part of the package.
Reading reassures us that no matter how alone we might feel, there are many others - spread as wide as history itself - who have felt the same way we have, who have occupied the rooms we find ourselves locked in at various points of our lives.
He stopped and pointed an accusing finger at her. “I didn’t ask for this. But I felt something in that back room with you, and it’s stayed with me ever since. I want to be with you. I need to be with you.” His tone was both angry and helpless.