'Better Call Saul' gets surprisingly dark.

I lived around the corner from Saul Bellow.

Saul Bellow never took my advice when he was my friend.

The tactics of Saul Alinsky and Barack Obama are geared toward wealth redistribution.

I saw an amazing film when I was 16 called 'Slam'. It's about a spoken-word poet. Saul Williams is in it.

The reason Saul Bellow doesn't talk to me anymore is because he knows his new novels are not worth reading.

I would love to love Saul Bellow, but by page fifty of 'Herzog', something within me has wandered into another room.

It's not that I don't enjoy a good mystery that comes and goes in a hour. I do, but God, 'Breaking Bad' and 'Saul' unfold like novels.

I had the idea in my twenties that a writer could immediately become the late Henry James. Henry James himself had to mature. Even Saul Bellow did.

I love 'Boardwalk Empire,' but there were moments where I thought it didn't have the constant through-line that 'Breaking Bad' did and 'Better Call Saul' does.

Our rational, realistic goals for 'Better Call Saul' were simply that it wouldn't suck, and it wouldn't embarrass us. It didn't rise much higher than that, to be honest.

Before he played CIA Director Saul Berenson on 'Homeland,' a much younger Mandy Patinkin gained some fame as Inigo Montoya, a legendary swordsman, in 'The Princess Bride.'

I think one of the reasons for the success of 'Breaking Bad,' and now for 'Better Call Saul,' is that we have been blessed by AMC and Sony with enough time to figure things out.

I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorable and audacious characters Walker Percy, Ernest Hemingway and Saul Bellow created.

As a director, you need the Saul Zaentz type of producers. Zaentz was a guy who literally capped the storm outside of the director so that they could do their job. That's a great producer.

I think even great writers only write two books that you might like. When I think of my touchstone writers like Saul Bellow, I think of 'Henderson the Rain King.' With Don DeLillo, I think of 'Libra.'

Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.

'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.

While my mother tried to stem my truancy, it would be a complete stranger - an Army Officer in the Special Forces home on leave - who would be the mentor to drive home my mother's goal of getting me educated. His name was Saul Hassan.

Do not let the Obama administration fool you with all their cunning Alinsky methods. And if you don't know what that method is, I implore you to get the book 'Rules for Radicals,' by Saul Alinsky. Mr. Obama is very well trained in these methods.

The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.

I don't care if the audience is 600 Saul Bellows; I'm going to knock them dead with a comedy routine. I'm out there as a missionary for literature because, if people laugh and enjoy themselves, they might actually do something as bizarre as reading the book.

I'm not an especially male novelist, but I think men are better at writing about men, and the same is true for women. Reading Saul Bellow is a revelation, but he can't write women. There are exceptions, like Marilynne Robinson's 'Gilead,' but generally, I think it's true.

In a way, light unites the spiritual world and the ephemeral, physical world. People frequently talk about spiritual experiences using the vocabulary of light: Saul on the road to Damascus, near-death experiences, samadhi or the light-filled void of Buddhist enlightenment.

DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years, Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America.

I did often wonder how relatable of a story it was when we started 'Better Call Saul.' It's such a unique character with a unique journey. But the universal drive of trying to earn respect from the people you love and not being able to do that is a common struggle for a lot of people.

'Breaking Bad'... the beauty of it is, some people are always going to love 'Breaking Bad' more. But I run into people every day now who say 'Better Call Saul' is their favorite of the two. I love hearing that. I don't know where I fall personally on that scale, that continuum - I try not to choose.

At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine.

We shot 'Breaking Bad' on film; we capture 'Better Call Saul' digitally. In the shooting of 'Breaking Bad,' we would have this steady, handheld, cinema verite sort of look, so we purposely went the opposite way with 'Better Call Saul' - locked in the cameras and made the movements smoother and more mechanical.

I was working with Bryan Cranston in 'All the Way.' We were about to make an entrance together - I was Hoover, he was LBJ - and he says to me, 'You should play the brother in 'Better Call Saul.' I was like 'What?' and it was time to go on. I'm doing the scene, and I can't think of what Hoover's supposed to say.

I never thought anyone would come up to me and say, 'I like 'Better Call Saul' better than 'Breaking Bad.'' If you had asked me before we started, 'Would that bother you if someone said that?' First of all, I would have said, 'That's never gonna happen. And yeah, it probably would bother me.' It doesn't bother me a bit. It tickles me. I love it.

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