Quotes of All Topics . Occasions . Authors
A sequel is going to be a pressure no matter who directs it. A sequel is only made when the original film works.
I consider composing music to the sequel of 'Ladies Tailor' which had music by Ilayaraaja as my biggest blessing.
I would wanna be in the sequel to 'He Got Game.' I would definitely want to be like, in the part two of that movie.
When a movie becomes very successful, it's automatic that people will start thinking a sequel, a prequel, a quel-quel.
One of the difficult things of making a horror sequel in general is because the horror genre is so founded on surprise.
I would want a sequel to 'Kaho Naa Pyaar Hai.' But more than me, it's the audience who are looking forward to the same.
You have to be very careful when you're working on a sequel, because it has to be a continuation of what you did before.
I never thought about doing a sequel when I was actually writing 'The Magicians.' I only ever considered it a standalone.
The sequel to 'Aliens' is not a movie, it's a video game. How cool is that? That's how important our industry has become.
I'm not into things that feel like a sequel. There's just something magical about when something happens for the first time.
The only reason ever to make a sequel is to spend more time with the characters that people love: to tell more of their story.
Dabangg' symbolises entertainment, drama, good music, actions and we have tried to give doses of all of that in the sequel too.
'School of Rock' was just once in a lifetime things; I want to be a doctor, actually. I'd go an do the sequel if they asked me to.
What I can't tell is, I don't know if there's a subliminal resistance to the idea of a sequel to 'The Phantom of the Opera' anyway.
I think sequels are fine if there's a story, so I think when there is a property that is worthy of a sequel, it could very well happen!
After 'DmC' came out, we had a fantastic relationship with Ninja Theory, and we loved what they made. We wanted to see a sequel to that.
If I were to do a sequel, it would be with Sophie as a very old woman and The BFG the same, a bit like that 'Let the Right One' in film.
Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
It's tough to make a sequel that stands up to the original especially one that has, over the course of time, become a bit of a cult favorite.
I have apparently become a sequel queen because of films 'Raaz: Reboot,' 'Guest-Iin-London,' 'Yamla Pagla Deewana Phir Se' and 'Housefull 4.'
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
The first 'Blade Runner' is a cool movie. It's a classic. Just to be part of the sequel was such an honor and a beautiful learning experience.
I would definitely return to 'Neverland' for a sequel if there was the chance again because we all got on so well, and I think it will be great.
The biggest difference in writing a sequel is that now there are expectations. But also - and this is the awesome part - now there are fans, too!
I filmed the 'Sicario' sequel 'Soldado' with Benicio del Toro and Josh Brolin. That was cool. I play the female lead. I'm the bad guy's daughter.
We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover.
Usually when you have a sequel, the character always stays the same and that's true basically of 'Rocky III,' 'IV' and 'V.' He didn't really change.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
There's so often - in filmmaking, you're backed into something that already has these set parameters, whether it's a sequel or a book that people love.
I'm like the king of the low-budget sequel. People ask, 'What film are you gonna do next?' 'I don't know, but it's probably got a 3 or 4 in the title.'
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel.
I'd love to make a sequel to 'The Rocketeer.' The film didn't do as well at the box office as we all hoped, but it has endured and generated a following.
The only reason we made 'Toy Story 2' is that we happened to come up with a storyline that was really good. It wasn't driven by wanting to make a sequel.
I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to do a sequel to it' at one point.
There's a real danger in doing a sequel. There are some benefits, but that all hinges on how well you execute. Quite frankly, most sequels don't execute well.
The first is that instead of writing a sequel, which is what most people do, this is in fact a prequel. Although we didn't know that when we began the process.
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
When you're an actress, there are only a few times you can really get paid. One of them is doing a sequel. They can't fake you or hire another actor to play you.
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
I cannot explain why they made that sequel to Secret of NIMH. Because they claim that it the original didn't make money, so what was the enthusiasm to make a sequel?
I went to NYU thinking I was going to make a 'Die Hard' sequel, or maybe action and genre films for the studios, but I ended up falling in love with personal cinema.
That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
I'm always the last person they go to with a sequel, because I'm the most skeptical. You know, I'm very proud of what we've done, and I don't want to screw up our series.
A nice thing about being at Disney is that these movies can develop into a presence in theme parks and become something real, or maybe get a sequel or tell other stories.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
Everything about 'Avunu 2' will be many notches higher than its prequel. The sequel is scarier, and there'll be more thrills and chills. I myself felt it when I was shooting.
I never wanted 'Toy Story 3' to feel like another sequel just grafted on. We all know that if you put 3 after your title, it typically means garbage, and we knew that going in.
'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.
I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.
Working with Jim Carrey is an absolute gas. I have never laughed so hard for so long. Had he been on-board for the sequel of Dumb & Dumber, I would've jumped on, with no hesitation.