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In the late Fifties and early Sixties, I used to think that most of these fashion creators weren't that great, and if the photograph was good, it was mostly thanks to the photographer.
I like to think of my behavior in the sixties as a 'learning experience.' Then again, I like to think of anything stupid I've done as a 'learning experience.' It makes me feel less stupid.
A lot of people think that the music was responsible for a lot of changes in the Sixties, but I think the music came out of it. The music wouldn't have happened without the social changes.
I've been combing through the Wolverine archives and advertisements from the sixties and seventies. I'm looking to take inspiration from designs of the past and bring them into the future.
Back in those days, in the fifties and sixties, countries had balance of payment's deficits or surpluses, those were reflected much more than today in movements of reserves among countries.
Growing up in the fifties and sixties, I can only remember knowing one child, ever, whose parents got a divorce, and hardly any whose mother 'worked' at anything besides raising her children.
I think until Britain acknowledges just how much of a presence black people had here before the Sixties, then there are certain stories that are not going to be inclusive of what I have to offer.
Bob Dylan was the source of pop music's unpredictability in the Sixties. Never as big a record-seller as commonly imagined, his importance was first aesthetic and social, and then as an influence.
But the whole point of the Sixties was that you had to take people as they were. If you came in with us you left your class, and colour, and religion behind, that was what the Sixties was all about.
I divide my time between all the mud and open space in Surrey and the social life and work in London, particularly Chelsea, which still has the same village feel that it had in the swinging Sixties.
I know so many women in their fifties, sixties and seventies who delight in being on their own. It's amazing. They don't see any stigma attached to it. We don't need a man to prove our identity anymore.
I love the Nineties because more than any other period of time, there was such an eclectic mix of styles going on. More so than in the Sixties and Seventies, when there was an overriding look and sound.
There's not that many people from the sixties who have progressed as writers and are continuing on. They're out there. But I'm one of them who's just continued on, following his own little inner madness.
The American 'unum' has been lost since the Sixties. If this continues, there will soon be no unifying American identity and vision to balance the 'pluribus,' and the days of the Republic will be numbered.
I am not made for lonely expeditions. In the sixties, I climbed during the day so I wouldn't have to be alone. I finally learned to stay up for weeks in the high altitude all by my own without being afraid.
How my film career happened, I don't know. It was unplanned. I'd been in films and TV throughout the Sixties and early Seventies, but it was really 'The Naked Civil Servant' in 1975 that put me on the radar.
In the Led Zeppelin shows of the Sixties and Seventies, it was the same numbers every night, but they were constantly in a state of flux. If I played something good, really substantial, I'd stick it in again.
I'm a child of the sixties, I'm a man of the sixties. During that period of time this country was coming apart at the seams. We were in Southeast Asia. Good men were dying for America and for the Constitution.
I'd often use a Leslie cabinet on its own in the studio because everyone in the late Sixties and Seventies was experimenting with them. We'd stick anything through a Leslie because it made everything sound so good.
Here's the truth. Your teens and twenties are your Plan A. At 50, you're assessing whether Plan B or Plan C or any of the other plans you hatched actually worked. Your sixties and seventies, they're an improvisation.
In the sixties, everyone you knew became famous. My flatmate was Terence Stamp. My barber was Vidal Sassoon. David Hockney did the menu in a restaurant I went to. I didn't know anyone unknown who didn't become famous.
Well, I actually grew up in the sixties. I feel very lucky, actually, that that was my slice of time that I was dealt. Let's remember that the real motivation in the sixties, and even in the fifties, was the Cold War.
Writing about where I was from and the people I knew was not something that would have occurred to me early on, because like so many Southerners of that period - the Sixties - I rejected those things when I went north.
In Don Mills in the Sixties, nothing comes close to the humiliation of losing an argument. In our weird little creative circle, no one cares who has faster fists, but to lose an argument suggests inferior intelligence.
As I grew older, I worked less as an actor and as a model, and I went back to what I had tried to do when I was young but wasn't really available. I'm so glad now to be in my sixties and to be able to go back to school.
My father was a rags-to-riches businessman who came over in the Sixties with no money. On my mother's side, I am the grandson of a High Court judge and celebrated intelligence officer, so it's quite an unusual combination.
It was always the singer that was the front man, but Mike stood there and played piano and keyboards. He had a great voice and he was the Sixties' Rod Stewart, and he contributed a tremendous amount to the Dave Clark Five.
Basically, my parents messed up because it was the Sixties, and they both had affairs, but they had a great love for each other. I saw that when my father flew over from Los Angeles when he knew my mother was going to die.
The Sixties was all about style and a certain look. But what was interesting about 1963 was that it was pre-Beatles, so the clothes of that time, especially the suits, were very different from the clothes post-Beatlemania.
People don't remember that during the Fifties and Sixties there was a Cold War, and kids were getting under their desks during school because they thought they were going to get bombed. So it wasn't really that ideal at all.
I don't feel that I've had a life of abuse or that I am a victim in any way. My life is pretty typical of a lot of Americans of my generation who grew up in the sixties in families like mine that were sort of unconventional.
I was initially recruited while I was in business school back in the late sixties by the National Security Agency, the nation's largest and least understood spy organization; but ultimately I worked for private corporations.
Rock and roll's relatively new, in the sense of the Fifties, Sixties, right? They invented the first sort of rock stars, and they took it to excess, and then the excess became bitter, tormented. Then it became okay to succeed.
In the sixties, for anybody to suggest that the government didn't have our best interests at heart and policemen sometimes killed people would have automatically made them a radical firebrand lefty. That's not the case anymore.
I knew I was a winner back in the late sixties. I knew I was destined for great things. People will say that kind of thinking is totally immodest. I agree. Modesty is not a word that applies to me in any way - I hope it never will.
Growing up in the Sixties, whether it was the Batmobile or the costumes Porter Wagoner wore or the music that came from there, California was the home of what a friend of mine calls 'custom culture.' It seemed like the promised land.
There was a period which I refer to as the 'Golden Age of Jazz,' which sort of encompasses the middle Thirties through the Sixties, we had a lot of great innovators, all creating things which will last the world for a long, long time.
I remember driving to North Carolina when I was a little girl in a snowstorm to get down to my mom's family in the Carolinas. There were chains on the car - it was the late sixties - and we were just singing in the car. Christmas carols.
The great triumph of the Sixties was to dramatize just how arbitrary and constructed the seeming normality of the Fifties had been. We rose up from our maple-wood twin beds and fell onto the great squishy, heated water bed of the Sixties.
I am worried that young Japanese people are not very curious about the outside world - which is so different to the way we were in the Sixties and Seventies. All they want to listen to is Japanese pop. They haven't even heard of Radiohead!
To her audience, Janis Joplin has remained a symbol, artifact and reminder of late Sixties youth culture. Her popularity never derived from her musical ability, but from her capacity to link her fantasies of freedom and immortality with ours.
In the early Sixties, having begun to describe the physiology of cells in the adult cat visual cortex, David Hubel and I decided to investigate how the highly specific response properties of cortical cells emerged during postnatal development.
Soul was the music made by and for black people. For most of the Sixties it was thoroughly divorced from white popular music, but by the end of the decade several artists with their roots firmly in both soul and R&B traditions had crossed over.
I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
The Sixties were different in an isolated place. We got two television channels if the wind was blowing in the right direction. The radio stations went off at sundown. Then you picked up Chicago and heard the teenage music you really yearned for.
People of my generation who became photographers in the late fifties, early sixties, there were no rewards in photography. There were no museum shows. Maybe MOMA would show something, or Chicago. There were no galleries. Nobody bought photographs.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
End of the sixties, Keith Blazey interested me to work on GdAlO3, an antiferromagnet on which he had done optic experiments. This started a fruitful cooperation on magnetic phase diagrams, which eventually brought me into the field of critical phenomena.
In housing in the fifties in Britain and the sixties, we pulled down the terraces - destroyed whole communities and replaced them with tower blocks and we built walkways that became rat-runs for muggers. That was the fashionable opinion. But it was wrong.
Although the civil-rights movement did a lot to change how black life was dramatized on the American stage in the fifties and sixties, white composers and lyricists often still rely on familiar tropes when it comes to representing black women in musicals.