You know how we built the pyramids? You gotta ask yourself a question always flip the script. What if up was down and down was up? What if you looked down into space standing up on Earth? This is how we built the pyramids.

It doesn't sound like there was time for the word to be there. On the other hand, I didn't intentionally make an inane statement... certainly the 'a' was intended, because that's the only way the statement makes any sense.

It is ironic that Einsteins most creative work, the general theory of relativity, should boil down to conceptualizing space as a medium when his original premise [in special relativity] was that no such medium existed[..].

Is that love? It seems like a pale word, too easily tossed about by people who don’t know the meaning of it, who twist it for their own ends. I’m afraid of it now, right up there with clowns, close spaces, and open flames.

It is in this space of mastery over paradigms that people throw off addictions, live in constant joy, bring down empires, get locked up or burned at the stake or crucified or shot, and have impacts that last for millennia.

On the wall of his rehabilitation room was a picture of the space shuttle blasting off, autographed by every astronaut now at NASA. On top of the picture it says, "We found nothing is impossible." That should be our motto.

Thus the sum Forever is replenished, and we live As mortals by eternal give and take. The nations wax, the nations wane away; In a brief space the generations pass, And like to runners hand the lamp of life One unto other.

I cannot join the space program and restart my life as an astronaut, but this opportunity to connect my abilities as an educator with my interests in history and space is a unique opportunity to fulfill my early fantasies.

And if at times you renounce experience and mind's heavy logic, it seems that the world has rushed along on its orbit, leaving you alone flying above a forgotten cloud bank, somewhere in the solitude of interstellar space.

...because he believed that if you wanted to get rid of a hole, you filled it. He had not realized at the time that there were all sorts of filler that took up space, but had no substance. That made you feel just as empty.

I've discovered that half the people would love to go into space and there's no need to explain it to them. The other half can't understand and I couldn't explain it to them. If someone doesn't know why, I can't explain it.

Watching a whole cluster of friends, and my own mother, die over quite a short space of time convinced me that purely materialist 'explanations' for our mysterious human existence simply won't do - on an intellectual level.

Trying to write is very much like trying to put a Chinese puzzle together. We have a pattern in mind which we wish to work out in words; but the words will not fit the spaces, or, if they do, they will not match the design.

Ah, what balance is needed at the edges of such an abyss. I am left alone on the surface of a turning planet. What to do but, like Michelangelo's Adam, put my hand out into unknown space, hoping for the reciprocating touch?

She was always puzzled that people say that darkness falls. To her it seemed instead to rise, massing under trees an shrubs, pouring out from under furniture, only reaching the sky when the spaces near the ground were full.

Apollo wasn't just about sending people into space. It transformed so much of our economy. From our education system to so many of the things we use today, it was a vision that led to the total transformation of the planet.

My father, Phillip Gilmore, was very talented. He was getting seriously into dancing. He was on 'Soul Train' and won $2,500. But the Bay Area was too small for him. I don't think he had the space to do what he needed to do.

I'm getting more and more into Chinese art and Japanese, some of those scroll paintings are amazing. You follow the change of the seasons. It's really something. These guys were great masters and of course the use of space.

We are made of star stuff. For the most part, atoms heavier than hydrogen were created in the interiors of stars and then expelled into space to be incorporated into later stars. The Sun is probably a third generation star.

I think I exist,' he said wearily. 'I am conscious of my own identity. I was born, and I shall die. I have arms and legs. I occupy a particular point in space. No other solid object can occupy the same point simultaneously.

All I'm after is a few square metres to be myself. A space where I can continue to profess my creed: take the ball, give it to a team-mate, my team-mate scores. It's called an assist, and it's my way of spreading happiness.

Architects in the past have tended to concentrate their attention on the building as a static object. I believe dynamics are more important: the dynamics of people, their interaction with spaces and environmental condition.

I grew up in Southern California and there is a deep car culture there. I am now down to one car. It is a 1923 T pick up with 1000 hp. I have had a number of cars but little time and space so I have liquidated most of them.

I'm always open, and will criticize myself, too. And I just think being that honest with everybody puts you in a different space than somebody who's just shooting venom at a certain group or a certain amount of individuals.

The deadly arms race, and the huge resources it absorbs, have too long overshadowed all else we must do. We must prevent that arms race from spreading to new nations, to new nuclear powers and to the reaches of outer space.

Matter is regarded as being constituted by a region of space in which the field is extremely intense . . . . . . There is no place in this new kind of Physics both for the field and matter, for the field is the only reality.

I would like to live to 120, because conceptually, people can survive to 120. Every 20 years, it changes. So maybe, in the next 20 years people can go to space. I don’t know what the next revolution will be. I want to watch.

Through art, mysterious bonds of understanding and of knowledge are established among men. They are the bonds of a great Brotherhood. Those who are of the Brotherhood know each other, and time and space cannot separate them.

NGOs have a complicated space in neoliberal politics. They are supposed to mop up the anger. Even when they are doing good work, they are supposed to maintain the status quo. They are the missionaries of the corporate world.

Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.

For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.

The ultimate aim of all science to penetrate the unknown. Do you realize we know less about the earth we live on than about the stars and the galaxies of outer space? The greatest mystery is right here, right under our feet.

Science is the topography of ignorance. From a few elevated points we triangulate vast spaces, inclosing infinite unknown details. We cast the lead, and draw up a little sand from abysses we may never reach with our dredges.

The outstanding feature, however, is the possibility that the velocity-distance relation may represent the de Sitter effect, and hence that numerical data may be introduced into discussions of the general curvature of space.

I've recently started practicing japa meditation. Meditating has always been a bit difficult for me, but japa asks you to focus on the space between things, and psychologically knowing I have anchor points frees me to do so.

Solitude is independence. It had been my wish and with the years I had attained it. It was cold. Oh, cold enough! But it was also still, wonderfully still and vast like the cold stillness of space in which the stars revolve.

Why is there space rather than no space? Why is space three-dimensional? Why is space big? We have a lot of room to move around in. How come it's not tiny? We have no consensus about these things. We're still exploring them.

In the popular imagination, the Big Bang is a great explosion; at one time there was nothing, then matter erupted into previously empty space. However, the Big Bang is the beginning of spacetime itself, not an event in time.

I do believe there is life in outer space. Mathematically, there has to be, and if you believe as I do that there is a creator of the universe, then how can we be so arrogant to believe he created life here and nowhere else?

When you were a wandering desire in the mist, I too was there, a wandering desire. Then we sought one another, and out of our eagerness dreams were born. And dreams were time limitless, and dreams were space without measure.

It doesn't matter to me whether I go back to outer space or not [while acting]. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not.

Just because of that one disastrous blind date she had last year, where the guy turned out to be fifty-nine, not thirty-nine (He claimed it was a typo. Yeah, I’m sure his finger just happened to slip two spaces to the left).

The first time I flew, it was being alive. Nothing was pressing under me. I was living in the fullness of air; air all around me, no holding place to break the air spaces. It's worth everything to be alone in the air, alive.

To perceive that form reveals the void, and to see that the void reveals form, is the secret for the overcoming of death. To the extent that one is unaware of space, one is unaware of one's own eternity — it's the same thing!

The width of a line may present the idea of infinity. An epigram may contain a world. In the same way, a small picture format may be much more living, much more leavening, stirring, awakening, than square yards of wall space.

People aren't stupid. They saw what was happening at the Cologne central station. A lawless space was created in the middle of a city of over a million. That has to be addressed and it has to be done so in a sober-minded way.

A particular piece of music attaches itself to the piece I'm writing, and there is nothing else I can listen to. Every day I return to the same space to write, the music providing both the walls and the pictures on the walls.

Kati with an I was a New York Times Critics' Pick and I was really happy that it got a run uptown in Harlem at the Maysles Cinema, which is a great space but isn't necessarily the most well attended for a week-long screening.

My home is such a powerfully imaginative place that the space is almost irrelevant. I think the house I live at on the Hudson is where I belong because it's the only place where I am that I never think about when I'm leaving.

The voice of the natural world would be, "Could you please give us space and leave us alone to get along with our own lives and our own ways, because we actually know much better how to do it then when you start interfering."

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