A poem, being an instance of language, hence essentially dialogue, may be a letter in a bottle thrown out to the sea with the-surely not always strong-hope that it may somehow wash up somewhere, perhaps on the shoreline of the heart. In this way, too, poems are en route: they are headed towards. Toward what? Toward something open, inhabitable, an approachable you, perhaps, an approachable reality. Such realities are, I think, at stake in a poem.
It is impossible for the mind which is not totally destitute of piety, to behold the sublime, the awful, the amazing works of creation and providence - the heavens with their luminaries, the mountains, the ocean, the storm, the earthquake, the volcano, the circuit of the seasons, and the revolutions of empires - without marking in them all the mighty hand of God, and feeling strong emotions of reverence toward the Author of these stupendous works.