Quotes of All Topics . Occasions . Authors
I'm very much a man of the moment. I can think about an idea for a year, two years, even four years all right, but what ever is going on with me the moment I write is gonna work it's way into the piece.
I stopped reading articles about myself. Even if it's not bad, I think actively caring about people's daily perception of you makes you second-guess everything. I am very happily not paranoid right now.
I think we bring together that broad coalition including Russia to help us destroy ISIS and work on a timetable to get rid of Assad, hopefully through Democratic elections. First priority, destroy ISIS.
I'm probably the wrong person to ask. My partner in much of this work [climate movement], who really came up with the divestment campaign with me, Naomi Klein, I think has written powerfully about this.
I think poetry workshops get a bad rap. I'm sure some aren't good, but in general, I like the format. I try and keep mine pretty informal. Sometimes we have wine or sake, and we read aloud, and we talk.
I don't like it when a woman looks like a fashion victim. Some women think that if the look this season is minis, they have to wear minis. If you don't have great legs, there are plenty of alternatives.
Why do only boys get to chase? Nuh-uh! If anything, I think this whole sitting back and waiting thing can be self-sabotaging. We have to send up flares. We have to let guys know we're open for business.
I am an English major in school with an emphasis in creative writing. I think hearing Maya Angelou speak at school last year was one of the best moments Stanford, at least, intellectually, had to offer.
For me, my storyline [in Big Little Lies] is very complicated and nuanced. [The script] was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.
I'm very lucky in that I've gotten to do a lot of things. But if you ever put a gun to my head and said, "You can only do one," I'd think it would be stand-up. I think it's the coolest job in the world.
I don't believe in fate," she said at last. "But I do believe in...loopholes. I think a lot of what keeps the world going is the result of accidents — happy or otherwise — and taking advantage of these.
I was thinking a lot about music, about how music is mixed and how everything is happening at the same time; it just amounts to how the sound is lowered or raised. I was trying to get that with writing.
We break ourselves up into parts. To lie to ourselves, to hide things from ourselves. You are not you. You are not what you think you are. You are bigger than you think. More complicated than you think.
I think what it is is do not depend on the president to get you over the line. Do not depend on the fundraising, on the turnout operation, the president's own popularity, because it's not going to work.
I'm the artist formally known as Beck. I have a genius wig. When I put that wig on, then the true genius emerges. I don't have enough hair to be a genius. I think you have to have hair going everywhere.
I think women have come a long way. Women are in positions not because they're women, they're in positions because they're intelligent and they should be equal to their counterparts and treated equally.
It's hard to be in these relationships where they don't call you one night and you don't think about it and then the next day they are photographed with someone coming out of an event with another girl.
Chakras really are dimensions. We think of them as objects, but they're not really. They're dimensional access points, whereby we can enter into different levels of mind, and that happens automatically.
I think the thing that impressed me is (AT&T CEO Michael) Armstrong's strategic vision and the fact that he's got John Malone (TCI's chairman) to go along. There's a real commitment to build a new AT&T.
When you’re obsessing about one thing, you can reach insights about how to solve hard problems. If you have too many things to think about, you’ll get to the superficial solution, not the brilliant one.
To rob the Negro of his reputation of thinking through a problem in his own fashion is about the same as trying to pretend that he doesn't have a natural instinct for rhythm and for singing and dancing.
Risk management is the most important thing to be well understood. Undertrade, undertrade, undertrade is my second piece of advice. Whatever you think your position ought to be, cut it at least in half.
I base everything on my own life experiences as a female. I start from there, and then I look for characters and settings that I think are cinematic, where I can use symbols and imagery to tell a story.
I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.
The plan shows that the twenty million people in the German democratic Republic and in the democratic sector of Berlin think only of peace, and that they are working for freedom and peaceful prosperity.
I am not aware, however, that patients suffering from traumatic neurosis are much occupied in their waking lives with memories of their accident. Perhaps they are more concerned with not thinking of it.
There were times I'd be nervous walking home from elementary school, thinking, 'If that red tag from the power company saying our lights are turned off is on the door handle, I don't know what I'll do.'
We can change the world if we change ourselves. We just need to get hold of the old patterns of thinking and dealing with things and start listening to our inner voices and trusting our own superpowers.
I think every job that you do gives you the opportunity to learn something new. As hokey as that sounds, that's why I have a problem saying no to my friends. That's why I do so many random comedy shows.
Let me keep my distance, always, from those who think they have the answers. Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads. (from “Mysteries, Yes”)
It is amazing when you try and write songs without an instrument. It kind of forces the melody to be honed it. It has to be good. A lot of what I think are my best songs were made without an instrument.
I always wanted to be a character, when I worked at Disney, but I wasn't short enough for certain characters and I wasn't tall enough for others. I wanted to be a chipmunk; I think 4'10" was the cutoff.
Always think about how a piece of code should be used: good interfaces are the essence of good code. You can hide all kinds of clever and dirty code behind a good interface if you really need such code.
You think once you've shown what you can do, and your movies have been successful, that snap, you work. So to discover the difference between guys' roles and girls' roles made me plain mad. It's unjust.
This is the task, I think, of a letter movement. But it should be set up only in states where a significant response can be achieved, for a letter movement necessarily presupposes a strong organization.
When I first started coaching, one of the worst things that I think I heard was 'It will be O.K.' I would wonder, 'How the hell is it going to be O.K.?' The worst word in the English language is 'hope.'
I think most artists feel like they're outside society - no matter how many accolades they receive, or how much money is in your bank account, whatever is going on in your life on the professional side.
I think [millenials] are taking advantage of deflationary forces to improve their life while not maybe having to chase the nominal money that was needed to buy a whole car, a whole house, a whole couch.
It is a truism to say that a good experiment is precisely that which spares us the exertion of thinking: the better it is, the less we have to worry about its interpretation, about what it really means.
I think that many people are ashamed when they feel afraid. There's this thing in our society that you're not allowed to feel scared. You have to be a man and put on a brave face, but we all have fears.
To me, the big difference is when you yell cut and then you have to walk over there and deliver a note, it gives it much more import as opposed to "Hey, try that." It's just much more intimate, I think.
that's exactly the good thing about the Injun life--you don't have to stop and think about whether or not you're 'happy'--which in my opinionis a highly overrated human condition invented by white folks
I do think I feel it but you don't think you are cause at a certain time you are no age but you don't think you are anything. You feel the life you have lived. I feel that. It's been a long fifty years.
I've seen a lot of LA and I think it's also a place of secrets: secret houses, secret lives, secret pleasures. And no one is looking to the outside for verification that what they're doing is all right.
People are complex. You can be smart and still look hot. You can be a punk rocker yet have a refined vocabulary. It's all about this mashup that makes us who we are and I think that's a beautiful thing.
I want to help people help themselves, not have government tell people what to do. I just don't think it's the role of the United States to walk into a country and say, we do it this way, so should you.
There have been some very extreme hecklers in audiences whose bile was so hateful and so meant that it would be a bit frightening to think that all I'm doing is jokes and yet someone hates me that much.
No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music.
America is a nation that lies to itself about who and what it is. It is a nation of minorities ruled by a minority of one-it thinks and acts as if it were a nation of white Anglo-Saxons and Protestants.
I'm aware people will think I've had an easy way into a dream career. My view is, if anyone has opportunities, they'll take them. My surname opens doors, but those doors will slam firmly if I'm no good.