Quotes of All Topics . Occasions . Authors
I know some of you are Thinking maybe I deserved it. But before you start pointing Fringers, let me ask you Is what I did really so bad? So bad I deserved to die? So bad I deserved to die like that? Is what I did really much worse Then what anybody else does? Is it really so much worse Than what you do?
The way that I make films is that I sit down and I think, "How much money could I get with less consequences?" And that's how I start. I'd rather have less money and total autonomy than more money and start having to answer to things, because then I'm not being true and the money men are not being true.
A lot can happen [because of the dysfunctional family]. People don't look at that. They think, "Oh, my kids are going to be fine. My kids are resilient." But at a certain point, the damage starts. They start to feel pain - and when they feel bad, they start to take painkillers. We want to kill the pain.
It's very easy for me to say that I think everybody should just be treated how they're supposed to be treated and tattoos shouldn't come into play. But what if someone has an offensive throat tattoo that might affect someone's business? I am sure there are a lot of opportunities out there for everybody.
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
If a story is funny, and I made it up, then the big message is, `Aren't I clever?' .. If a story is funny and it actually happened, the big message is, `Isn't the world funny?' And actually I think that's a better message. I kind of want to think that about the world -- and it sounds less like boasting.
Even when you think you have your life all mapped out, things happen that shape your destiny in ways you might never even have imagined. The coincidences or little miracles that happen every day of your life are hints that the universe has much bigger plans for you than you ever dreamed of for yourself.
When you start talking about same-sex marriage, you start talking about abortion, and I think those issues are very very important and very interesting and very right for us to talk about, but when we allow those issues to cannibalize all other issues we find ourselves homeless while we debate about it.
I think of something quite different from a snapshot. I know of a lot of poems, some very fine ones, that are like snapshots, but I'm more interested in poetry that is like an endless film, long stories, things that weave together many different strands, like a big piece of cloth, not like a photograph.
As an actress, I think I really understand that stage where you think you are picking reality in order to feed the fiction, but it happens to be the contrary. It's the fiction that suddenly feeds your reality. And you don't know how it has been done. That's the kind of magical transposition that is art.
The individualism of American life, to our glory and despair, creates anger and encourages its release; for when everything is possible, limitations are irksome. When the desires of the self come first, the needs of others are annoying. When we think we deserve it all, reaping only a portion can enrage.
I was told David Letterman and Kaufman had heart attacks on the same day: David Letterman's heart attack was at a hospital in NYC. Kaufman's heart attack was at the red light district in Amsterdam, Holland. I think Kaufman had more fun. You're a great artist. I just love the way you painted my portrait.
I think you can hear, when you listen to someone's music, whether or not they're enjoying making it - it's so great to hear music where you can tell the person making it was just having a blast. That's really important to me as far as my process goes. That's probably why my music ends up being so poppy!
Fear of what other people will think is the single most paralyzing dynamic in business and in life. The best moment of my lifewas the day I realized that I know longer give a damn what anybody thinks. That's enormously liberating and freeing, and it's the only way to live your life and do your business.
I think more than being a woman is the fact that i'm an introvert. In the environment I work in people forget that i'm a woman which is wonderful it just shows what a wonderful environment i work in, no one treats me differently. They don't think that because i'm a woman i'll make decisions differently.
Even now, when I go over to my mother's house and dig out the old tracksuit tops I wore, it makes the hair stand up on the back of my neck. I like to think i am part of a special family. I am no longer connected with the club on a daily basis, but i'm delighted with every win and sad about every defeat.
Oh youth, youth! You don't worry about anything; you seem to possess all the treasures of the universe--even sorrow gives you pleasure, even grief suits you.... And perhaps the whole secret of your charm lies not in your ability to do everything, but in your ability to think that you will do everything.
I think the Russians are trying to figure out what to do. I don't think they know what to do with our president Donald Trump. I don't think they know what to do with the situation. They've been isolated when it comes to Syria and they're trying to figure out what their place in the world is going to be.
I feel excited in that I think boys born to feminists have a leg up. At least, the ones I've met seem like they do. There's something really vital about that exchange. I think I'd only imagined, beforehand, handing down a feminism to a young girl. But I'm newly excited by the challenge of raising a boy.
I get asked that a lot: "What do you think your role is, with all the people that look up to you?" I'm an entertainer, you know? I'm not trying to bombard anybody with anything, but at the same time, face-to-face or in real life, if I'm talking to some kid, I have opinions just like everybody else does.
I honestly think that it was when the actual voices started to stand up for me. It was the iconic artists like Tony Bennett or Barbara Streisand or Liza Minnelli. When people like that take you under their wing and say in quotations, "He's the next one. He's got my stamp of approval," people trust them.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
Nobody makes art for an elite, not if they're a real artist. You try and reach as many people as possible with whatever it is that you make. If a chef is making an omelette, he wants everyone to think that it tastes great because he did it. And if it does, then that's a success because everyone eats it.
My advice is: to try and stay really true to the things that make YOU laugh, as opposed to trying to create a character that you think is funny. Some comedians get into bad habits when they are trying to create something that is not them, and they are trying to write a voice that isn't their true voice.
I create books for six-year-olds. I don't know why that time of my life was so important to me, but no matter what I draw, it always looks like it comes from a children's book. I can't resist. I'll set out to paint a serious picture then think, "Well, maybe there would be a little bunny in that corner."
Thinking in mythological terms helps to put you in accord with the inevitables of this vale of tears. You learn to recognize the positive values in what appear to be the negative moments and aspects of your life. The big question is whether you are going to be able to say a hearty yes to your adventure.
I do think that's one of the reasons that acting appealed to me so much: the idea of letting go of control in a controlled environment. Being able to go through the range of intense emotions and jump off the cliff, metaphorically, but in a creative way, and in a way where the structure was really solid.
What came up at age 49 is I realized that of all the things I'm interested in, the thing I'm most interested in is figuring out what makes people tick, why people think the way they do, why they act the way they do. And I realized that music is such a great way to investigate why people do what they do.
I've been wearing terrible jeans most of my life and finally someone showed me the way. And it made such a difference. So for me, the three things a guy should concentrate on for an easy fix are shoes, good-fitting jeans, and a nice watch. I think everything else can kind of fall into place around that.
I feel that if entertainment is that important, the media, then it's my duty, not only to mankind but to God, to fulfill the promise that I carry on this work. If someone, for instance, can forget their pains and their ills and their strife by watching any performer then I think this work is worthwhile.
If you think God has promised this world will be a five-star hotel, you will be miserable as you live through the normal struggles of life. But if you remember that God promised we would be pilgrims and this world may feel more like a desert or even a prison, you might find your life surprisingly happy.
I think we have tremendous media covering the sport of boxing, even if boxing is a little bit lost in popularity with MMA sports. And I think that with the show 'Lights Out' it's going to get more attention to the sport, and it's going to put more attention to the problems that athletes in general have.
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
Think how you love me,' she whispered. 'I don't ask you to love me always like this, but I ask you to remember.' You'll always be like this to me.' Oh no; but promise me you'll remember.' Her tears were falling. 'I'll be different, but somewhere lost inside me there'll always be the person I am tonight.
The minute we have a pain, we want a diagnosis. So I think the minute we feel love, it's very hard to just let it be. We want to identify it, we want to catalog it, we want to keep the thing and create the environment it happened in. That's where marriage comes from! Let's make an institution out of it!
If you're going to break up, it reaches a point where whatever is happening is not working and it all comes to a head. I think that's a tough realization and it's hard to communicate sometimes. You just have to think about your happiness and the other person's happiness, and communicate really honestly.
There are technical tricks that may help you create more effective characters. My approach to characterization is not at all technical. I can't really analyze how I do it, but I am sure of one thing. To write convincing characters, you must possess the ability to think yourself into someone else's skin.
I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.
I think you come to watch baseball, and if you're a true fan, then you enjoy watching baseball. MLB tries to change this and change that, speed up the games, but baseball's baseball. You can't change it. It's America's pastime. It's the greatest game on earth. I don't really want to change it that much.
I'm just aware of what I'm thinking and feeling but I do obviously have to get that to the back of the auditorium. So there are things like projection and filling the room, and not dropping the ends of lines - technical things which are important, but I don't think they change the way I feel in a scene.
There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"
I think at the end of the day you can do both: make money and stay true to yourself. But a lot of young people look for that fame that some of these huge artists that they see on TV have, not knowing they can do what some of these underground artist are doing which is not selling their souls for a buck.
I think there's a fundamental moral issue about whether it's right for a machine to decide to kill a person. It's bad enough that people are deciding to kill people, but at least they have perhaps some moral argument that they're doing it to ultimately defend their families or prevent some greater evil.
There was certainly merit to the criticism that the deputy attorney general Rod Rosenstein had about how James Comey handled the Hillary Clinton investigation. And I don't think Director Comey ever adequately explained why he treated the Clinton investigation one way and the Trump investigation another.
I think we are obsessed in the U.S. with the personal, in ways that blind us to more important issues of life. I just think if we could take all the obsession with the personal (inaudible), and personal judgment and have people be concerned about the environment, what a different world we would live in.
Why was Christ so compassionate towards sexual sinners, especially women? Think of the woman caught in adultery. Think of the prostitute who wept at his feet. Could it be because Christ knew that these women, who had been deceived by counterfeit loves, were actually looking for him, the true Bridegroom?
I think everybody has a moment in their career where you have to test whether it was right or wrong. We've all been there. I've looked back at performances of my own, where only you know if it is something you want to repeat. As long as you know when it's not right that you don't repeat it all the time.
I once had a letter from a man who asked to do something very weird. He told me he wanted to sit on my shoulders and for me to then walk around his town to raise money for charity. He described himself as being 6ft and I was thinking, 'I'm only 5ft 4in, and you want to sit on my shoulders?' How bizarre.
I don't think there are any pure Africans of the African Americans, but the African part of our history was pretty much taken away from us during slavery, so the 60s gave us a chance, because of the civil rights movement, to kind of re-examine and make some sort of formal connection to our African-ness.