Quotes of All Topics . Occasions . Authors
When you say what is the difference between me and my stage name the idea is that as a musician you always think of yourself as inhabiting a certain cultural space in the kind of a cultural landscape, so when I say cultural space what I mean to imply there is that you exist within certain parameters of how people think of culture.
Choices are funny things-ask a native tribe that's eaten grubs and roots forever if they're unhappy, and they'll shrug. But give them filet mignon and truffle sauce and then ask them to go back to living off the land, and they will always be thinking of that gourmet meal. If you don't know there's an alternative, you can't miss it.
We are trading away a little bit of our country all the time for this access consumption that we have over what we've produced. That is not good. I think it's terrible over time. But our country's productive grows enough so we actually can do that, and we'll still be better off. We just don't be as well off as if we hadn't done it.
Motivating yourself, I think having big strong legs, that's pretty cool. Having a big VMOs [the teardrop-shaped muscle above your knee] is always nice. But, the thing is, when you see guys who are clearly gym junkies who only do bicep curls all day every day, and you see them walking down the street ...'Mate, what about the legs?'.
Much good art got made while money ruled; I like a lot of it, and hardship and poverty aren't virtues. The good news is that, since almost no one will be selling art, artists - especially emerging ones - won't have to think about turning out a consistent style or creating a brand. They'll be able to experiment as much as they want.
There are two things that matter in a criminal investigation of a subject.What did the person do, and when they did that thing, what were they thinking? When you look at the hundred-years-plus of the Justice Department investigation and prosecution of mishandling of classified information, those two questions are obviously present.
When we moved to Florida we experienced it on a communal level, in a more structured religious setting, with temples and different worships. That sense of community is very much interconnected with music for us, and thinking of music as this living organism that offers a space of mystical participation with forces outside yourself.
I feel a little peculiar around the children. For one thing, they grown. And I see they think me and Nettie and Shug and Albert and Samuel and Harpo and Sofia and Jack and Odessa real old and don't know much what going on. But I don't think us feel old at all. And us so happy. Matter of fact, I think this the youngest us ever felt.
I think Straight Outta Compton is one of the greatest biopics, but I am biased on that one, obviously. There are some things the Academy gets wrong and it's important to call them on it. But in other instances, there are simply just better actors. They're doing a better job than they've done, but there's still room for improvement.
To know about the movie [jack the giant Slayer], wow. It's an adventure, there are so many special effects flying around. It's going to be really fun, definitely. I think there's something there for the whole family. There is something you can really enjoy, and I think it's going to be a really fun, family film. I'm really excited.
Many people think it impossible for guerrillas to exist for long in the enemy's rear. Such a belief reveals lack of comprehension of the relationship that should exist between the people and the troops. The former may be likened to water the latter to the fish who inhabit it. How may it be said that these two cannot exist together?
When you fight corruption, corruption strikes back and that is the truth because when you fight corruption, you get confidence and when it gets to impunity, then it gets aggressive and says, 'oh, so you think you are different? You think you are tough and different?' This is why some of us are almost permanently in the libel court.
The question I'm always asking myself is: are we masters or victims? Do we make history, or does history make us? Do we shape the world, or are we just shaped by it? The question of do we have agency in our lives or whether we are just passive victims of events is, I think, a great question, and one that I have always tried to ask.
I think it is said that Gauss had ten different proofs for the law of quadratic reciprocity. Any good theorem should have several proofs, the more the better. For two reasons: usually, different proofs have different strengths and weaknesses, and they generalise in different directions - they are not just repetitions of each other.
I think it's the same with all the relationships between a man and a woman. They can survive anything so long as some kind of basic humanity exists between the two people. When all kindness has gone, when one person obviously and sincerely doesn't care if the other is alive or dead, then it's just no good. -- from Quantum of Solace
I think one big reason why Sweden might have a good reputation around the world is that if you look at Norway or Denmark or Finland, any of the Scandinavian countries, they all seem less interested in being a part of the larger world, where Sweden has always tried to reach out, whether it's with Volvos, Saabs, H&Ms, music, clothes.
I have been thinking more and more that I shall always be a lone wanderer of the wilderness. God, how the trail lures me. You cannot comprehend its resistless fascination for me. After all, the lone trail is bestI'll never stop wandering. And when the time comes to die, I'll find the wildest, loneliest, most desolate spot there is.
I found that life for me gets a lot more serious as you get older. You start off young and happy and smiling and "Wooo! I'm having fun!" And then you get married, and that's very serious, and you have kids, and that's very, very serious. So as you get older, you start thinking about passing away, and that becomes extremely serious.
Whoa, Rebecca," Talia said smiling even wider, "Walking on the wild side, are we?" Raisa seemed to think the situation needed more explaining. "He - uh - I'm tutoring him." "She is," Han said solemnly. "She's very good. I'm learning a lot." Pearlie snickered. "What's she teaching you?" "Well," Han said, "we're jumping around a lot.
I love the joy of mountains Wandering free with no concerns Every day I find food for this old body There's leisure for thinking, nothing to do Often I carry an ancient book Sometimes I climb a rock pavilion To look down a thousand foot precipice Overhead are swirling clouds A cold moon chilly cold My body feels like a flying crane
"What can I offer you that will make you happier about how you should feel about who Angelina Jolie is?" I think that's a very strange desire to know those things. And yet I have it, with musicians in particular. I'm desperate to know what Micah P. Hinson is like or Julian Casablancas. Philip Seymour Hoffman made me feel like that.
Humans impart meaning and purpose to almost all aspects of life. This sense of meaning and purpose gives us a road map for how to live a good life. This guidance emerges spontaneously from the interactions of human beings living in societies and thinking together about how best to get along. It doesn't require a god or sacred text.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
I believe in rendering to science the things that belong to science. I have no problem with evolution or discussions of the age of the Earth, for I don't believe that we come anywhere near comprehending the mind of God or the workings of the universe. Science can explain a lot, but it cannot give us faith, and I think we need both.
Ultimately the social change has to come from the people who make the movies, so the people who make the movies have to look at the landscape and say to themselves, "Well, you know, these things are changing, and I'm okay with their having changed, and I think it's okay to start reflecting those changes through the movies we make."
Now most people do not want an ordinary life in which they do a job well, earn the respect of their collaborators and competitors, bring up a family and have friends. That's not enough any more, and I think that is absolutely tragic - and I'm not exaggerating - that people feel like a decent, ordinary, fun life is no longer enough.
The experiencing self lives in the moment; it is the one that answers the question, 'Does it hurt?' or 'What were you thinking about just now?' The remembering self is the one that answers questions about the overall evaluation of episodes or periods of one's life, such as a stay in the hospital or the years since one left college.
It's a fusion of almost everything, in the way that I think society today tends to take cultural memory. Because there's an internet, it's on there forever. I think that's the way kids see the world today. They actually speak to each other using retro concepts now because the internet culture has kept that memory alive, constantly.
Alice thought to herself, 'Then there's no use in speaking.' The voices didn't join in this time, as she hadn't spoken, but to her great surprise, they all thought in chorus (I hope you understand what thinking in chorus means--for I must confess that I don't), 'Better say nothing at all. Language is worth a thousand pounds a word!
It is essential that America's word be good. And so I know that this campaign has caused some questioning and worries on the part of many leaders across the globe. I've talked with a number of them. But I want to - on behalf of myself, and I think on behalf of a majority of the American people, say that, you know, our word is good.
A lot of times, I think that what I do for a living has no integrity. 'Once Upon A Time' has changed that to a certain extent because the reaction we get from children out in the world is so fulfilling, I cannot even articulate it. There's nothing like being greeted as Snow White by a hyperventilating child versus Ginnifer Goodwin.
If the character should be nude in the scene and it makes sense and I trust the person making the film then I don't see a problem with it. I certainly don't want to be involved in anything that is gratuitous, but I don't think the human body is something to be ashamed of. Every other person on the planet has the same parts as I do.
When something drastic happens in our life, one person goes and hides and doesn't want to be seen. That's what I did. [Others] want to stand up and fight and think they're tough. Like if someone gets shot, you're either scared of guns or you think you're Superman. In my situation, I wanted to hide. I didn't want to be seen anymore.
There is no doubt about it: we are judged by our language as much as (perhaps more than) we are judged by our appearance, our choice of associates, our behavior. Language communicates so much more than ideas; it reveals our intelligence, our knowledge of a topic, our creativity, our ability to think, our self-confidence, et cetera.
So now the question is, basically, right now, how will the Osama Bin Laden tape affect the election? And I have a feeling that it could tilt the election a bit. In fact, I'm a little inclined to think that Karl Rove, the political manager at the White House, who is a very clever man, that he probably set up bin Laden to this thing.
I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.
One way to think about the magnitude of the changes to come is to think about how you went about your business before powerful Web search engines. You probably wouldn't have imagined that a world of answers would be available to you in under a second. The next set of advances will have an different effect, but similar in magnitude.
Demographically, I'm a hippie from San Francisco and I'm not culturally inclined to be sympathetic to states' rights. My cultural heritage is FDR and Medicare and federal government solutions. But if you think through the analysis, strengthening state rights is a good corrective of the aggregation of an over-reaching federal power.
I think as men begin to see things that address them, they will feel that they can relate. They can't relate to 'Basketball Wives,' 'Housewives of Atlanta.' I am not judging or criticizing those shows at all; what I am saying is the perspective is not necessarily the male perspective. 'Iyanla: Fix My Life' is inclusive of everyone.
Chaz looks me dead in the eye and says, 'Why yes, Lizzie. I’m manically depressed because the girl I’ve finally realized I’ve always been in love with, and who I was beginning to think just might love me back, turned around and got herself engaged to my best friend, who, frankly, doesn’t deserve her. Does that answer your question?
We may gamble on outsmarting the law; we may even gamble on the leniency of man and the mercy of God-but no man ever won a gamble with his own conscience. Even should he think he has beaten his conscience into submission, his misdeeds still leave their mark upon him. Anyone who gambles against this fact has already lost his gamble.
That's one of the troubles of photography; the implication that what you have in that photograph is the way it is, and of course a year later that's not the way it is. Life moves on and the picture stays. That can be a wonderful idea to be a part of history and on the other hand, you think pictures have a life that they don't have.
[Ginsburg's] feminism was very sweeping and very ambitious and very consistent. Justice O'Connor had a more case-by-case, pragmatic approach to her feminism. They were not entirely the same, [but] I think that they shared the most important thing, which is the belief that they were worthy and that therefore other women were worthy.
Back then, it's weird, because I wasn't consciously thinking about it and I think that's why the doors opened and I had the opportunity. It was a big shift and I realized that you can plan and think your life is going somewhere, but you also have to surrender to what opportunities present themselves and really go for those as well.
I dabbled a little bit in acting in high school and then I forgot about it completely. And then at about twenty-five I went to a class. I don't think anybody in my family thought it was an intelligent choice. I don't think anybody thought I'd succeed, which is understandable. I think they were just happy that I was doing something.
Believe that you can make a difference; in fact, you do with every single choice you make. Your money is your power and each time you spend it, it's a vote for something, so make it count. I personally live and work by this African Proverb - If you think you're too small to make a difference, try sleeping in a room with a mosquito.
One of the reasons I wanted to start a company is because I wanted an environment that I wanted to work in. I wanted people to be able to have a life - for it to be OK to leave for a lacrosse game or a doctor's appointment. So I think women do work differently; it's important to have both men and women. They offer different things.
I'm still kind of a mess. But I think we all are. No one's got it all together. I don't think you ever do get it totally together. Probably if you did manage to do it you'd spontaneously combust. I think that's a law of nature. If you ever manage to become perfect, you have to die instantly before you ruin things for everyone else.
Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
I think you have to repudiate torture and I think you have to end what's going on at Guantanamo and you have to live up to American values. Basically you restore - what the American dream brought to the world stage was respect for the individual and the idea that people aren't pawns that rulers can push around but they have rights.