Quotes of All Topics . Occasions . Authors
I think [it's necessary to accept] things that are just true about yourself: These are my faults, these are the things I'm good at, this is where I came from, this is where I didn't come from. I think happy people are the ones who have made peace with those truths and acknowledged them, and learned to use them and live with them.
People still want to escape, but today's escape is different. People now want to know that there are people out there who have more problems and are a train-wreck! This is why I think it's difficult for sitcoms these days, because people are not going to believe, joke, beat, beat, joke, because there ain't nothing to laugh about.
The new shift in thinking is the gateway to human transformation. And because of the sheer number of people involved in this shift, and the growing magnitude of the crises that are driving us to change the way we think, we are standing on the threshold of human transformation at a level unlike anything ever before known on Earth.
A friend of mine had his own theatre company, and he jumped me in like I was in a gang. And once I came in, it was just that simple. For the first time in my life, I felt, 'This is a career, this is a life that I think I can grow old doing.' It was love at first sight. I loved being on stage and reading these plays. It was great.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
America has tolerated inequality because people think they can get ahead. If you have immobility on top of inequality, then people are not going to be happy campers. If you're stuck on the bottom and there just isn't much churning in society and you're stuck there through your adulthood, that's not a nice life to look forward to.
think a lot of people knew I was into healthy eating and exercising. When Disney approached me with this [Pass the Plate] I was really excited about it because I love to cook. It's a great message to send to kids that there are so many different ways to eat really healthy foods. It doesn't have to be boring and blah all the time.
To tell the truth, this was one of the few cases in which she had not told him just what she was thinking. Usually, she let him know whatever thoughts happened to come to her, and indeed he never took it amiss if she let slip a word that might pain him, because when all was said and done that was the price one paid for sincerity.
I've been getting really into mixing, and there's kinda like an art to it I think. I feel like I still have a lot of ways to grow. But you can just watch the way that other people blend songs together, and it can be a pretty mind-blowing thing. And you can hear music in a very different way, depending on the way a DJ presents it.
I think that, if aliens did exist, they would exist at a higher frequency. Being at a higher frequency, you would have to be more evolved than what we consider to be evolved. If there were aliens, I personally believe they would have to resonate at a higher frequency to be able to time travel, or to blink in and out of dimension.
If you ask me, the place that a story happens is as equal character. It's almost like an ecological viewpoint: These people are living in this piece of land, and in this piece of land in this time this is possible. For me, I almost think location first. It's time first - what year is it - then where are we, and then who is in it.
I don't really have a life philosophy; my thing is just rebelling against pretty much organized religion. That is my main thing, because personally I think it's a crutch for people that are too weak to get through life on their own. I'm the kind of guy that says if I don't see it, then it doesn't work. And nobody can show me God.
People think that talking is a sign of thinking. It isn't, for the most part' on the contrary, it's a mechanical dodge of the body to relieve oneself of the strain of thinking, just as exercising the muscles helps the body to become temporarily unconscious of its weight, its pain, its weariness, and the foreknowledge of its doom.
If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.
I think when we opened in 2001, it was holy ground. There was nothing here. Back then, being on the Dubai Creek was an amazing position, and I would come one or two times a year, max. Now it's so different. The travel dilemma has disappeared and it is so easy to get to Dubai. What is it, seven hours from London? It's pretty easy.
The notion - and I tell you this one even worries me that it extends into New Urbanism - the notion of the shopping center [as] a valid kind of downtown. That's taken over. It's very hard for architects of this generation even to think in terms of a downtown or a center that is owned by all different people, with different ideas.
There is a false moral imperative that seems to be all-around us that treatment of depression, the medications and so on, are an artifice, and that it's not natural. And I think that's very misguided. It would be natural for people's teeth to fall out, but there is nobody militating against toothpaste, at least not in my circles.
The game I play is a very interesting one. It's imagination in a straightjacket, which is this: that it has to agree with the known laws of physics. ... It requires imagination to think of what's possible, and then it requires an analysis back, checking to see whether it fits, whether its allowed, according to what's known, okay?
The violent, antirationalistic impulse in Western countries is reacting to an intellectual state of affairs in which all thinking has become strategy; this impulse shows a disgust for a certain form of self-preservation. It is a sensitive shivering from the cold breath of a reality where knowledge is power and power is knowledge.
Only after Mom went missing did you realize that her stories were piled inside you, in endless stacks. Mom's everyday life used to go on in a repeating loop, without a break. Her everyday words, which you didn't think deeply about and sometimes dismissed as useless when she was with you, awoke in your heart, creating tidal waves.
Obviously, there's the seedy side of the strip club world and pole dancing. But, pole dancing, as an art form, is really beautiful. It's been hyper-sexualized because it's associated with strippers, but if you think about it, just in terms of other kinds of dancing, they're using an instrument to create these amazing dance forms.
I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.
Nothing's new since Genesis. And so everybody in their life thinks history began when they were born. Most people's historical perspective happened when they were born in the sense that nothing has ever been this bad. "We've never gone before this before," and of course we have. Things have been worse in many ways in the country.
Watching Jamila sometimes made me think the world was divided into three sorts of people: those who knew what they wanted to do; those (the unhappiest) who never knew what their purpose in life was; and those who found out later on. I was in the last category, I reckoned, which didn't stop me wishing I'd been born into the first.
It is an indication of the extent to which people are now isolated from the animals they eat that children brought up on storybooks that lead them to think of a farm as a place where animals wander around freely in idyllic conditions might be able to live out their entire lives without ever being forced to revise this rosy image.
People are very good [at] thinking about agents. The mind is set really beautifully to think about agents. Agents have traits. Agents have behaviors. We understand agents. We form global impression of their personalities. We are really not very good at remembering sentences where the subject of the sentence is an abstract notion.
Listen to your beliefs, think about how you learned them, and realize that they are not genetic, nor are they the "only way." You are free to acquire new perspectives, to absorb new ideas, and to question everything you were taught to believe. As your mind opens to exploration and change, you'll feel a new lightness and more joy.
I like going to Burning Man, for example. That's an environment where people can try out different things. I think as technologists we should have some safe places where we can try out some new things and figure out what is the effect on society, what's the effect on people, without having to deploy kind of into the normal world.
Dean [Winchester] is piling on Sam [Winchester], somewhat, for this. What happens is that these brothers start to discover more about what they've done, in the past year, and those tables might turn, in terms of who has to answer for what. I think everybody will get their licks in. No one is going to be a beaten dog for too long.
I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that.
The part of football you don't see with all the buddies I ever had, we might have gone out and thrown some passes, but we never went out to knock the hell out of each other just to do it. You do that when the time comes to push the ball downfield or keep it from going down the field. That's why I think football has a great place.
A lot of people, when they say forgive and forget, they think you completely wash your brain out and forget everything. That is not the concept. What I think is you forgive and you forget so you can transform your experiences, not necessarily forget them but transform them, so that they dont haunt you or handicap you or kill you.
I think all of us enjoy the feeling of something that goes on and on, as listeners as much as players. Just to get into a moment that feels like it could go on forever, and that you kind of want to go on forever. I don't know. There's so many things we do that I could describe by saying they just feel right when we're doing them.
The true historical genius, to our thinking, is that which can see the nobler meaning of events that are near him, as the true poet is he who detects the divine in the casual; and we somewhat suspect the depth of his insight into the past who cannot recognize the godlike of to-day under that disguise in which it always visits us.
I think that horror films have a very direct relationship to the time in which they're made. The films that really strike a film with the public are very often reflecting something that everyone, consciously or unconsciously feeling - atomic age, post 9-11, post Iraq war; it's hard to predict what people are going to be afraid of.
We all have a family, whether we like it or not; we all come from somewhere, and there's something strange in the way you have, with siblings, two or three personalities yoked together for life. You grow up thinking those family relationships are set in stone and then you get older and realize they're not. They're always shifting.
I often think that the ideal of our perfection that we set up, and often go through torture to achieve, may not be God's idea of how He wants us to be at all. That may be something quite different that we never would have thought of, and what seems like a failure to us may really be something bringing us closer to His will for us.
The thing is, for me, as a fiction writer, I don't think there's a finer testament to our lives than this thing that's being spurned - the emotional intelligence, the ethics, the beauty. It's all there. It's all so fully contained in a novel that succeeds. But at the same time, I understand the impulse to put away childish things.
Oh, give us pleasure in the flowers to-day; And give us not to think so far away As the uncertain harvest; keep us here All simply in the springing of the year. Oh, give us pleasure in the orchard white, Like nothing else by day, like ghosts by night; And make us happy in the happy bees, The swarm dilating round the perfect trees.
I'm a pretty strange guy, so it takes a pretty strange thing to make me think that somebody else is strange. I'm really looking forward to something strange happening to me, but it hasn't really happened yet. The strangest thing someone ever told me was that they were watching our show, and they said they should have worn diapers.
Most of our businesses do succeed, but if something completely fails, then as long as we bow out gracefully and pay off all our debts, and nobody gets hurt, then I don't think people disrespect Virgin for trying. The public appreciates someone having a go; it appreciates the attempt. Who's been a success in life who hasn't failed?
"The War on Consciousness" is really all physical manifestations and all those problems are ultimately just a war on your way of thinking. Especially now, when we're involved in the war on terror. Terror is a psychological term. Terrorism is a political term. Terrorist is a sociopolitical term. But terror is a psychological thing.
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to understand what you see, what is there, and you try to make a picture out of it. Later you realize that you can't represent reality at all - that what you make represents nothing but itself, and therefore is itself reality.
I think that every artist dreams of renewing the forms which came before, but I think very few can be considered to have achieved that. We are all dwarves standing upon the shoulders of the giants who preceded us, and I think we must never forget that. After all, even iconoclasts only exist with respect to that which they destroy.
I say this because the Left has taken what passes for their principles as an absolute religion. They don't think anymore. They just react. When they have somebody like [Barack] Obama whom they put into office, they believed in the religious sense and, of course, that is a large part of the reason for their silence on these issues.
The only thing I think about is doing something where I'm the only person making all the decisions - I think that would be fun to do, just to get it out of my system. And honestly, I kind of got it out of my system when I recorded three songs and put them online. That was enough of a solo experience for me; it scratched that itch.
I'm a fan of the simulation theory. I tend to think that most of our existence, if not all of it, is part of a hologram created by some type of other life form, or some type of other artificial intelligence. Now, it may be impossible for us to ever know that, but a bunch of recent studies in string theory physics have proved that.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
I think actors, at a certain point in their careers, decide they're either going to keep taking risks or take the exact same risk over and over again so that it's not a risk anymore. That's when I don't want to work with them. I think there are some actors who are just doing the exact same thing, and they will never shift from it.
I have a way of dealing with situations where I come off awkward, or people think I’m purposely trying to make things uncomfortable. But normally I’m talking really slowly or there’s a lot of silence because there’s just nothing going on. I’m just totally freaking out, but from the outside perspective it looks like I’m in control.