Quotes of All Topics . Occasions . Authors
Landscapes are culture before they are nature; constructs of the imagination projected onto wood and water and rock. It is... difficult to think of a single natural system that has not, for better or worse, been substantially modified by human culture. The cultural habits of humanity have always made room for the sacredness of nature.
So often we think that Allah only tests us with hardships, but this isn't true. Allah also tests with ease. He tests us with na`im (blessings) and with the things we love, and it is often in these tests that so many of us fail. We fail because when Allah gives us these blessings, we unwittingly turn them into false idols in the heart.
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
Life and consciousness are the two great mysteries. Actually, their substrates are the inanimate. And how do you get from neurons shooting around in the brain to the thought that pops up in your head and mine? There's something deeply mysterious about that. And if you're not struck by the mystery, I think you haven't thought about it.
To be fair, if we are having a mass extinction, we're in the early stages of it. I think it's knowing facts like that which has made me less fearful about the future. Mass extinction is a long, complicated process that we are just now beginning to understand - and likewise, we are just beginning to understand how we might prevent one.
It could be anything. It could be Jesus and it could be the Furby and it could be the lint that lives in my navel, but it's probably not. Whatever it is, I doubt we as humans on Earth could have any perception of it while we're here. So, why give yourself a headache thinking about it. Just be a good person. That's what an ethicist is.
I think what everyone can do is start creating spaces and forums, talk to peers, friends and family, and start deconstructing these things we take for granted, unpack these old systems, in order to understand ourselves more deeply, to understand why we do the things we do and how our privileges affect other people's lack of privilege.
She sifted, sighed, and stared up at the ceiling, trying to think about anything but Lord Maccoon, her current predicament, or Lord Akeldama's safety. Which meant she could do nothing but reflect on the complex plight of her mama's more recent embroidery project. Thins, in itself, was a worse torture than any her captors could devise.
Look, I think that when we started Virgin Atlantic 30 years ago, we had one 747 competing with the airlines that had an average of 300 planes each. Every single one of those have gone bankrupt because they didn't have customer service. They had might, but they didn't have customer service, so customer service is everything in the end.
Far too many people, especially within evangelicalism, think that the individual is all that matters, and that the corporate dimension is a distraction or diversion. Of course Christianity is deeply personal for every single Christian; nobody gets lost in the kingdom of God. But you can't play that off against the corporate dimension.
I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
Learn to manage your mind. Do not let a situation lure you into thinking negatively. Sometimes you will fail but you'll learn for the next time. Every time a negative thought comes at you ZAP IT! Replace it with positive thoughts. That takes energy but the result will be stamina, positive stamina, the necessary ingredient for success.
Nightmares are distinctly different from dreams in the way that people feel them and experience them. So a lot of people think that a nightmare is something where something is chasing them and you have to wake up screaming. Yes, that's one of the more common nightmares that we see is the person chasing someone or they're being chased.
I was often looked at as a leper by kids at school because I was a Jehovah's Witness. They didn't like it - you were 'weird'. And on Saturday mornings, you'd be knocking at their doors. I remember standing there with my mum and dad, thinking, 'Oh my God, I know whose door this is, and I'll have to see them on Monday.' It was terrible.
But it's been funny to try and carry the through line, but I think the main thing is the relationship that the band has because we have spent now all this time together that I think that's sort of what we returning to. And whenever we get to play together, it still sort of returns to that little shitty rehearsal space. So that's good.
In DC, policymakers think that if we can only have high enough standards, tough enough tests, and hold people accountable, we can close the achievement gap. And it hasn't happened. Yet the new law, the Every Student Succeeds Act, is based on the same test-based and market-driven framework and ideology, except it lets the states do it.
Well, Bill [Bill Hickok] was a pretty good shot. But he could not shoot as quick as half a dozen men we all knew in those days, nor as straight either. But Bill was cool, and the men who he went up against were rattled, I guess. Bill beat them to it. He made up his mind to kill the other man before the other man had finished thinking.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
King's response to our crisis can be put in one word: revolution. A revolution in our priorities, a reevaluation of our values, a reinvigoration of our public life and a fundamental transformation of our way of thinking and living that promotes a transfer of power from oligarchs and plutocrats to everyday people and ordinary citizens.
When I think back, I felt like I had the life that a lot of white American kids grew up with in the suburbs in the States. I started noticing, as Apartheid's grip weakened, that we had more and more black kids at school; I had more and more black friends. But I never really saw a separation between myself and the black kids at school.
Anyone who thinks cryptozoology is the study of the impossible has never really taken a very good look at the so-called "natural world." Once you get past the megamouth sharks, naked mole rats, and spotted hyenas, then the basilisks, dragons, and cuckoos just don't seem that unreasonable. Unpleasant, yes, but unreasonable? Not really.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
You’re here,” I continued. “At least you look as if you’re here. But maybe you aren’t. Maybe it’s just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you’ve hidden yourself behind a cloud of probablys. Do you think we can go on like this forever?
I first met my husband when I was 15. He was very cool, in a band, all that kind of thing, but he took a long time to grow up. Our paths crossed again 10 years later, and after about two weeks I knew that was it. I'm glad I met him when I did, even though I was fairly young. Because I think sometimes you can crystallise into singledom.
Only an open mind still has room for new knowledge. What is outgrown and used up must be discarded to make room for what is yet to be learned. And much of the best thinking is done alone-in deserts, on beaches, in bed, behind closed doors. It is why we say we need to get away-to escape from clutter and busyness-to hear ourselves think.
You start questioning yourself: Who am I? Where do I belong? Where am I going? Why is my city divided? Why are we not allowed to enter in certain areas? We used to ask my father why the Christians lived in another neighborhood and didn’t come to our neighborhood. I think my father was trying to avoid having us think about these issues.
I think most of us, as writers, have had experiences where you get edited and it doesn't feel like your voice at all. And so it's been nice to go through the experience of having a lot wind up on the cutting-room floor, and yet still feel that your voice is being - not purified, but made more yourself. I think that's a very rare thing.
Business schools tend to focus on topics that are suitable to blackboards, so they overemphasize organization and finance. Until very recently, they virtually ignored manufacturing. I think of lot of the troubles of the 1970s and 1980s, and now more recently the 2000s can be traced pretty directly to the biases of the business schools.
Here's the thing that I think about life - if you manage to get into a space where you don't need that much, where the overhead of your life is not that great and you're pretty happy and relaxed without that much stuff, you are really liberated because you never have to say yes to something because you want another refrigerator or car!
What is the meaning of 'gossip?' Doesn't it originate with sympathy, an interest in one's neighbor, degenerating into idle curiosity and love of tattling? Which is worse, this habit, or keeping one's self so absorbed intellectually as to forget the sufferings and cares of others, to lose sympathy through having too much to think about?
One reason most people never stop thinking is that mental frenzy keeps us from having to see the upsetting aspects of our lives. If I'm constantly brooding about my children or career, I won't notice that I'm lonely. If I grapple continuously with logistical problems, I can avoid contemplating little issues like, say, my own mortality.
I kept a lot of my thoughts inside myself. So, perhaps more than is normal, I'm always questioning my role as a writer. I'm always stopping and asking myself: Do I have the right to tell this story? Is it a story that deserves to be heard? And as for whether I think of myself as a Writer with a capital "W," I very much hope I never do.
I think that if we get back to some basic fundamental principles, we can make sure that we resolve the issues. And I think that that's what the Tea Party was all about. It's getting back to a constitutional conservative government. And that is limited, but it's also effective and efficient. I think that that's what we'll be able to do.
I don't think that if I had spent the time that I was in, say, Belgrade, writing about my time in Trieste, which is where I had just been, that would have been productive. I told myself: take extensive notes while you're there, do the research part of it, and then pray, pray, the muses will be available when the actual 'ready' happens.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
I think, in a way, I've returned to who I used to be as a global correspondent whose life was devoted to really making a difference, illuminating what's happening in the world, always drawn toward the suffering of peoples and cultures and exposing exploitation and injustice; but now I'm the same person in a much, much softer iteration.
I know what you're thinking. Did he fire six shots or only five? Well, to tell you the truth, in all this excitement, I've kinda lost track myself. But being as this is a .44 magnum, the most powerful handgun in the world, and would blow your head clean off, you've got to ask yourself one question: "Do I feel lucky?" Well, do ya, punk?
I think that the Internet is going to effect the most profound change on the entertainment industries combined. And we're all gonna be tuning into the most popular Internet show in the world, which will be coming from some place in Des Moines. We're all gonna lose our jobs. We're all gonna be on the Internet trying to find an audience.
I think a comic looks better in the magazine. The colors are designed to be on paper, not illuminated on screen. I don't like the aspect of people reading it for free. When people get things for free, they tend to not take them as seriously. But I don't know. I'm sure 10 times more people are reading it online than in the actual paper.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
Artists, writers and people in creative fields are entrepreneurs by necessity. Nobody gives them a paycheck or picks up their medical insurance. The ones who succeed learn to think and act like 'independent operators.' I think people who are technically 'employees' have to think this way as well. The company is not looking out for you.
We feel properly embarrassed when we are caught doing something that makes us look inept, knuckleheaded, or inappropriate. Maybe the difference is this: we feel embarrassed because we look bad, and we feel shame because we think we are bad. When we are embarrassed, we feel socially foolish. When we are shamed, we feel morally unworthy.
I guess the most interesting thing that people think is I'm English. They think that I live in England and have a British accent. When they talk to me, at first they go, "Man, you have a great American accent," and I go, "No, no, no, this is my accent. I don't do accents." And then they're really disappointed, and they try to punch me.
There have always been elements in the Pakistani state that have been hostile to India; which is not to say that the Pakistani government as a whole is responsible for bombing Indian cities. But I think there are entities in the Pakistani security services that operate more or less autonomously. Their role certainly needs looking into.
I'm lucky right now because I'm not that famous, people will look at the work just as the work, and people respond to it pretty well. It's just hard to know exactly what group I need to meet and where I need to be. I think fame helps, but I want it to be separate as much as it can. Fame is just so weird, people just love famous people.
The big tradition, I think, is unity. And I have that in mind; and with that, you know, you could break all the traditions- all the other so-called rules, because they are stylistic.. and most are not true. As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist's vision.
I think the reality is Michael Jackson's humanity is so deep, the implications and inferences of his art so monumentally and magnificently global, that nothing American television could do to besmirch his character could ever, if you will, deny the legitimate genius that he represents and America has responded, as indeed has the globe.
Material success is rewarding and a lot of fun, but it's not the most important thing in my life because I know when this is all over, the Master isn't going to ask me how many things I owned or how many television shows I did. I think the questions will be, What did I do to make a difference? Did I learn to live with love in my heart?
I have some advantages of viewing from the two lenses, the two perspectives. I think that a lot of visual artists who come back here from the United States and are Cambodian also write from their American references - looking inside the old culture, and looking at themselves as an American looking into the country where they were born.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.