Quotes of All Topics . Occasions . Authors
One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.
Surveys show that more than 50 percent of people in the U.S. have prayed the sinner's prayer and think they're going to heaven because of it even though there is no detectable difference in their lifestyles from those outside of the church. On this issue- the most important issue on earth- we have to be absolutely clear. We need to preach salvation by repentance before God and faith in the finished work of Christ.
Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.
So many actors get caught up in their technique, and to be honest, I see it really getting in the way. I see them forcing things. I definitely do my best work when I'm free of that. But I think as an actor, I work really hard in preparing the roles. I spend like 90 percent of my waking moments walking around thinking: "What does this character do? What is his relationship with so-and-so?" Always, really. Too much!
There was always this sort of weird process in the development and pre-production, thinking, 'How do we get the studio tracks that Joy Division recorded that are so clean and pristine but sound rough and live and how do we get the live versions to actually sound clear enough so you can make out what they're saying?' That was sort of the frustration with Anton Corbijn and myself, figuring out how we make that work.
The greatest threat to civility - and ultimately civilization - is an excess of certitude. The world is much menaced just now by people who think that the world and their duties in it are clear and simple. They are certain that they know what - who - created the universe and what this creator wants them to do to make our little speck in the universe perfect, even if extreme measures - even violence - are required.
Your cowardly self-delusions about “love” when you know as well as I do that there’s never been anything between us but contempt and distrust and a terrible sickly dependence on each other’s weakness- that’s why. That’s why I couldn’t stop laughing about the Inability to Love, and that’s why I can’t stand to let you touch me, and that’s why I’ll never again believe in anything you think, let alone anything you say
One night around that time, at Hammersmith, Bob Dylan was about to go into [his 1963 classic] 'Don't Think Twice, It's Alright.He said, 'Hey, Bucky! Play mandolin on this.' I am not really a mandolin player; I could only play in certain keys. Halfway through, he stops the band, turns to the audience and points to me. He says: 'He isn't playing, he's miming.' And then: 'Should I fire him?' The whole audience yells.
When you talk about your troubles, your ailments, your diseases, your hurts, you give longer life to what makes you unhappy. Talking about your grievances merely adds to those grievances. Give recognition only to what you desire. Think and talk only about the good things that add to your enjoyment of your work and life. If you don't talk about your grievances, you'll be delighted to find them disappearing quickly.
When some incident has shattered the career you’ve mapped out for yourself, a folly, a crime or a misfortune, you mustn’t think you’re down and out. It may be a stroke of luck, and when you look back years later you may say to yourself that you wouldn’t for anything in the world exchange the new life disaster has forced upon you for the dull, humdrum existence you would have led if circumstances hadn’t intervened.
I think there has to be an underlying sexuality. There has to be a perverseness to the clothes. There is a hidden agenda in the fragility of romance. It's like a Story of O. I am not big on women looking naive. There has to be a sinister aspect, whether it's melancholy of sadomasochist. I think everyone has a deep sexuality, and sometimes it's good to use a little of it-and sometimes a lot of it-like a masquerade.
If you're going to do a memoir, then it's sort of at this age - in your late sixties or seventies - that you do it. I don't understand people who do memoirs when they're 20. I think most people need a little more time than 20 years to become the person they are. In fact, that process of becoming who you are is still ongoing when you get older, where you go, "Let's see where my next 10 years is going to take me." S
I guess most of us would rather not discuss cancer because we are all afraid we might be told we have it. It's hard for people to even say the word, and that's the first obstacle you have to overcome when you are diagnosed with the disease. I think once you understand a little more about it ... I don't mean it gets any easier ... but I think you give it more in-depth thought about how you're going to deal with it.
There are some issues where ministers should come and talk to the prime minister, if the prime minister hasn't already talked to them. Any issue which a minister thinks is going to be profoundly controversial, where we do not have a clear existing position, it is important that there be a conversation between the minister and the prime minister. I think they all understand that and I think it is working very well.
We can look at the way of improving the key biochemical processes like photosynthesis itself. A lot of energy is lost to keep the plant cool. So maybe we can think of building plants which are more resistant to heat. Genetically modified plants can be one answer and we can imagine more efficient plants, call them 'energy plants'. And I believe, contrary to what ecologists think, they can still be beautiful plants.
Under the current U.S. policy, because of this power struggle, American oil companies can't do business with Iran. So I think the ultimate goal of the U.S. administration in Iran is regime change, to put into power a pro-Western government that will eliminate the strategic challenge to U.S. interests and, at the same time, allow the lifting of sanctions and allowing American oil companies to do business with Iran.
Speaking for me, I think the odds of bankrupting Exxon are pretty small, but I think the odds of politically bankrupting them are higher. I think if we can use this as a vehicle to get out the analysis that these guys have 3-5 times as much carbon in the ground as the most conservative government thinks would be safe to burn, then that politically stigmatises them, makes them into the rogue industry that they are.
Canada, the United States and Mexico, we developed these energy reserves that we have in this North American region. And you can see a not only driving down the cost of electricity but a major manufacturing boom in this country. Couple that with tax policy, reduction, reducing the corporate tax rate, and that I think a renaissance in manufacturing like we've never seen in this country and really drive the economy.
I just don't think there's that many people who think it's wrong to have control on our borders. That's not racism. It's not racism to question some of the political correctness today that's going on, to recognize that things are going as well as - for American workers, as they'd like, because people, their frustration is arising from a deep sense of unease that Washington is fiddling while their house is burning.
The thing that surprised me the most is just how much money women that weren't rich were paying for their hair. When you're in a beauty parlor in Harlem next to abandoned buildings and somebody's paying five grand for a weave, that's a bit much. I think this is, in a weird way, part of the health care debate. It's like, hmm, there's people with $2000 weaves that could have bought health care with that weave money.
Let's say tomorrow that there was a president, that we elected a president that eliminated the bulk collection of data. Let's just say it happened. What do you think would happen? People are like 'the sky would fall. We would be overrun with jihadists.' Maybe we could rely on the Constitution. Maybe we could get warrants. ... If you make the warrant specific, there's no limit to what you can get through a warrant.
I think disease and all the things that we treat are tied to national security in a lot of ways that we maybe don't realize or that the American people don't realize. If other countries have a chance to be stable, then that helps us. If there are ways we can prevent if there are ways we can help other countries defeat diseases, we're about to totally eradicate polio. And can you imagine? That would be so terrific.
If the people in a relationship were able to get rid of this torment within and replace it with happiness, love, and a sense of well-being, they would never think to hurt another human being. They would be filled with an understanding of others and an appreciation of others and have an ability to reconcile differences without any violence whatsoever, to reconcile differences in a very loving way, a very happy way.
It's something, since the nomination and confirmation hearings of Justice Ginsberg, that's really become kind of an unwritten rule, this "I can't answer a question if it's a potential issue that's going to come before me on the Supreme Court." I think that most senators have come to accept that as a very legitimate answer. They don't love it, they're not happy, but it is legitimate when you put it in that context.
This London City, with all of its houses, palaces, steam-engines, cathedrals, and huge immeasurable traffic an tumult, what is it but a Thought, but millions of Thoughts made into One-a huge immeasurable Spirit of a Thought, embodied in brick, in iron, smoke, dust, Palaces, Parliaments, Hackney Coaches, Katherine Docks, and the rest of it! Not a brick was made but some man had to think of the making of that brick.
If something is important enough to you that you feel the urge to donate your money or time to it, I think it's best to try to express that form of giving through your career, not just as something you do on the side. If you enjoy your volunteering and charitable activities more than your career, it means your career is in serious need of an upgrade. In my opinion your career should be your best outlet for giving.
I think we spend a lot of time denying our mothers. We understand other women earlier than we understand our mothers because we're trying so hard to say, "I'm not going to be like my mother" that we blame her for her condition. If we didn't blame her for her condition, we would have to admit that it could happen to us, too. I spent a long time doing that, thinking that my mother's problems were uniquely her fault.
Well, I certainly don't," said Percy sanctimoniously. "I shudder to think what the state of my in-tray would be if I was away from work for five days." "Yeah, someone might slip dragon dung in it again, eh, Perce?" said Fred. "That was a sample of fertilizer from Norway!" said Percy, going very red in the face. "It was nothing personal!" "It was," Fred whispered to Harry as they got up from the table. "We sent it.
Songwriting is ... all about intuition - this thing pops into your head for a reason and it's up to you to follow it. It's like there's a spirit, or intuitive network, that comes through all of us, but most people don't take the time to think about it or remember it. These little things pop into our heads - it's just a process of intuition. The initial thought comes in a baby state, and you work on that some more.
We try to be present when we are drinking our tea, which isn't as easy as it sounds. It's very easy to think, right now I'm going to be really present while I'm drinking my tea, here I am drinking my tea, and I'm so present, look this is easy, I am here drinking my tea and I know I'm drinking my tea blah blah blah blah... right? And the one place where the mind is not, is here. It's just thinking about being here.
I guess my whole life, as much as I might have wanted a child for the reason that everybody wants one, I always recognized that at no point until I was 50 was I old enough or up to the job. I thought, you know what, I not only really want a child, but at this point, finally in my life, I think I'm up to the job and I'm the type of person who could do the job well and I'm financially prepared to look after a child.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
The defining characteristic of pessimists is that they tend to believe that bad events will last a long time, will undermine everything they do, and are their own fault. The optimists, who are confronted with the same hard knocks of this world, think about misfortune in the opposite way. They tend to believe that defeat is just a temporary setback or a challenge, that its causes are just confined to this one case.
Wounding and healing are not opposites. They're part of the same thing. It is our wounds that enable us to be compassionate with the wounds of others. It is our limitations that make us kind to the limitations of other people. It is our loneliness that helps us to to find other people or to even know they're alone with an illness. I think I have served people perfectly with parts of myself I used to be ashamed of.
The future's so random, and so mobile, there's no way you're going to get to your vision of what you want your community to be just by chance alone. I really believe you have to let people know, to use your voice, to say, 'this is what I like about my place, I want to keep it this way, this is what I think can be improved, this is what I disapprove of.' That's the only way you can have a part in shaping the future.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
If you think of the way a composer or say a pop arranger works - he has an idea and he writes it down, so there's one transmission loss. Then he gives the score to a group of musicians who interpret that, so there's another transmission loss. So he's involved with three information losses. Whereas what I nearly always do is work directly to the sound if it doesn't sound right. So there's a continuous loop going on.
I think that people are constantly thinking about capturing things that they're not actually present for the moment they're trying to capture. I'm quite sure of this. I think it's insane how many pictures have to be taken these days. We have to realize there's a level of documentation that's just chatter, it's noise, and beyond that, people who are truly documenting are going to have to find a way to puncture that.
People who think of God as a warrior may become warriors themselves, whether in a Christian crusade, a Muslim jihad, or an apocalyptically oriented militia. People who think of God as righteous are likely to emphasize righteousness themselves, just as those who think of God as compassionate are likely to emphasize compassion. People who think God is angry at the world are likely to be angry at the world themselves.
"I've been thinking," Brooklyn said as I gawked at the god sitting next to me, "if you get all lovey-dovey and decide to elope to Las Vegas where Jared uses his powers to clean up at the poker tables and you guys buy a mansion in the Manzano Mountains with twenty-seven rooms and decide - because you're rich and all - to buy a new computer, can I have your iMac then?"... "Um, no, you're not getting my iMac." "Dang."
Why was the United States so afraid of an independent South Vietnam? Well, I think the reason again is pretty clear from the internal government documents. Precisely what they were afraid of was that the "takeover" of South Vietnam by nationalist forces would not be brutal. They feared it would be conciliatory and that there would be successful social and economic development - and that the whole region might work.
Your interviews or blog posts or whatever are less supplements to your novel than part of it. I'm not private, but I believe in literary form - I'll use my life as material for art (I don't know how not to do this) and I'll use art as a way of exploring that passage of life into art and vice versa, but that's not the same thing as thinking that any of the details of my life are interesting or relevant on their own.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
Succinct, thorough, and masterfully researched-Thomas Medvetz has written a subtle and timely history of these fixtures of public debate in the United States. In the realms of culture studies, policy, and policy formation, there is no book quite like Think Tanks in America. Plus which, no one has understood, interpreted, then used Pierre Bourdieu's ideas better-so well that Bourdieu himself would have been pleased.
There is a document in every novel in the world. Even in the most fantastic novel, even in science fiction, there is a documentary side. But, this side is not the crux of the matter. I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way.
When the emotional soul receives a wounding shock, the soul seems to recover as the body recovers. But this is only in appearance. Slowly, slowly the wound to the soul begins to make itself felt, like a bruise, which only slowly deepens its terrible ache, till it fills all the psyche. And when we think we have recovered and forgotten, it is then that the terrible after-effects have to be encountered at their worst.
Donald Trump is way worse than George W. Bush. George W. Bush is a fundamentally decent man of limited intelligence who surrounded himself with awful people who dragged him in terrible directions. He was a bad president. But he was not actively malign, in the sense that he did what he thought was right. I don't think this guy cares what's right. I think he's in it for self-aggrandizement, for profit, and for power.
Yeah, this is what I think was a quality of movies, is you're in a group of people. You're sharing something with people. Whether those other people make you laugh more, you're all laughing. You're all happy together. There's something... manmade about that in a way that's - I'm not sure how that manifests itself in nature, but culturally we've set that up when we invented theater and the movies and all that stuff.
The Simonian system can be extracted from the writings of Hippolytus. The cosmos begins with the one root, which is unfathomable Silence, pre-existent, limitless power, existing in singleness. It bestirs itself and assumes a determinate aspect by turning into Thinking (Nous, i.e. Mind), from which comes forth the Thought (Epinoia). As soon as thought is born out of the thinking silence, suddenly one has become two.
If I'm working on a set of songs, and thinking about putting them together in a collection, I start to think about what they have in common. Either on purpose or without meaning to, I shape them all in the same kind of way, because I'd rather the album feel like a galaxy of things that all have to do with each other. I do that with sonic elements, too - it's a matter of each record having its own specific identity.