Quotes of All Topics . Occasions . Authors
There have been studies concluding that most people mostly know people only within their own social class - although such a conclusion would hardly surprise anyone. I think there's evidence to suggest that it's even narrower - the great majority of friends of Ivy Leaguers, for instance, are Ivy Leaguers. This narrows the pool of people who can write fiction cutting across class boundaries that's informed by their own personal experience.
Self-importance is a trap, because the moment we start to think that we actually matter is the moment when things start to go wrong. The truth is that you are supremely unimportant and nothing matters. All of man's striving is for nothing; all effort is wasted. To realize that everything is meaningless is tremendously liberating, since it then leaves us completely free to create our own lives and ignore the plans that others have for us.
A thinking mind is not swallowed up by what it comes to know. It reaches out to grasp something related to itself and to its present knowledge (and so knowable in some degree) but also separate from itself and from its present knowledge (not identical with these). In any act of thinking, the mind must reach across this space between known and unknown, linking one to the other but also keeping visible to difference. It is an erotic space.
Certain movies that are trying to evoke history are just like being in an antique store, and all you notice is that all the stuff has been gathered together, and it feels like a pile of antiques. How can you think that that will evoke the past? It doesn't even have to evoke anything, but anyway, it's how we're living. It's this moment where nobody has to immediately think too much about how things are being documented. It's a great time.
Some believe that to be authentic, you have to present yourself the same way in every situation. At first thought, this notion seems reasonable, but when you really think about it - not so much. The way you interact with your boss is not the same way you need to interact with your family, peers, team members, or clients. It is not only okay to present yourself differently in various situations but crucial to being perceived as authentic.
There were so many people, so much to navigate, and as the distance fluctuated between us his hand kept slipping, down my arm to my wrist. And maybe he was going to let go as people pressed in on all sides, but all I could think was how when nothing made sense and hadn't for ages, you just have to grab onto anything you feel sure of. So as I felt his fingers loosening around my wrist, I just wrapped my own around them, right, and held on
I always think that if you deal with extremely emotional, even melodramatic, subject matter, as I constantly do, the best way to handle those situations is at a sufficient remove. It's like a doctor and a nurse and a casualty situation. You can't help the patient and you can't help yourself by emoting. And I don't think cinema is intended for therapy, so I object also to that huge, massive manipulation which is perpetrated on the public.
I think Nigerians got it wrong from independence as people became so conscious of the divisions because we wanted so much to satisfy the plurality of interests. I will say, we neglected the importance of real value, human value and the quality of potential in human beings and we contrived phrases like geographical spread, regional quota, etc and allowed mediocrity to reign. I think that is the problem that we are dealing with till today.
Ego is neither positive nor negative. Those are simply concepts that create more boundaries. Ego is just ego, and the disaster of it all is that you, as a spiritual seeker, have been conditioned to think of the ego as bad, as an enemy, as something to be destroyed. This simply strengthens the ego. In fact, such conclusions arise from the ego itself. Pay no attention to them. Don't go to war with yourself; simply inquire into who you are.
Here's my feeling: For everyone, men and women, it's important to be a feminist. It's important to have female characters. It's wonderful for women to mentor other women, but it's just as important for women to mentor men and vice-versa. In my line of work, having Greg Daniels be such a great mentor to me is fantastic. Finding a writer's assistant, be it a man or a woman, and encouraging them to think with a feminist perspective, is key.
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
He has an awareness of what's happening around him on the edge of the box which is better than most players. As a kid he always had a knack of arriving in the penalty area just at the right time, but he's proving just as effective from outside the box because he's using his experience in the right way. It doesn't matter who I am thinking about bringing into my midfield, Paul Scholes will be included, as he would in any side in the world.
Our lives aren't even about doing real things most of the time. We think and talk about people we've never met, pretend to visit places we've never actually been to, discuss things that are just names as though they were as real as rocks or animals or something. Information Age - Hell it's the Imagination Age. We're living in our own minds. No, she decided as the plane began its steep descent, really we're living in other people's minds.
Old stories would tell how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act - to Weave - was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.
It's just a matter of who you are and how you talk to people. Your subjects will trust you only if you're confident about what you're doing. It really bothers me when photographers first approach a subject without a camera, try to establish a personal relationship, and only then get out their cameras. It's deceptive. I think you should just show up with a camera, to make your intentions clear. People will either accept you or they won't.
I guess I still feel that way and yet I'm slightly hesitant to insist on that idea, that it "better be fun for the writer." Or rather, that if it is, then the pleasure is a sign that it's good. Maybe I feel I've read that somewhere, other writers saying it, and I just think there is possibly no formula, and I don't like to read an interview with a writer where they just lay out the doxa of what quality is. It can seem brittle to do that.
Some of this story is completely true. And some of it isn't. Like truth, evil comes in all sorts of flavors. Some bitter. Some deceptively sweet. Sometimes it comes with a heavy price. While most people don't invite evil into their lives, the dirty little secret is that an invitation isn't necessary. Locked doors don't matter. Neither do fancy security systems. Evil is kind of amazing when you think about it. She knows how to get inside.
I've always thought that my exposure to competitive sports helped me a great deal in the operating room. It teaches you endurance, and it teaches you how to cope with defeat, and with complications of all sort. I think I'm a well-coordinated person, more than average, and I think that came through my interest in sports, and athletics... Playing basketball you have to make decisions promptly, and that's true in the operating room as well.
All politicians are going to mask to some degree in order to present themselves in away they think will get them votes. What's different in Obama's case is that he's wearing a racial mask, this 'bargainer's' mask, and I think very effectively, whereby he gives whites the benefit of the doubt. He's essentially saying, 'I am going to presume you are not racist, if you won't hold my race against me.' So, his mask is a distinctly racial one.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
I'd been asked by Takashi Murakami to collaborate on something, which was an honor for me. I was really pleased. And then he had me as a guest speaker on his radio show, and we were talking about art. I don't think he knew I was interested in the topic - he was really surprised to find out that I own some original Andy Warhol and Gerhard Richter and Jean-Michel Basquiat works. So, in some ways, I think he simply wanted to see what I have.
It's seriously unfortunate when an elected official of the federal government says she's [Michelle Bachmann] going to deliberately break the law. I don't know what kind of signal she thinks that sends, but if she believes that's a good signal, I'm sad for the country. I think that it's deeply, deeply, unfortunate that a member of Congress would, in effect, invite other people who feel that way to say, "Well, I don't have to do it either."
I think that can also be the downfall at the same time in what's really difficult about being kind of in the public eye, you have so much exposure through the Internet, and you can receive a lot of comments, and you get kind of immediate gratification, but also immediate response from people that can either be negative or positive. But I'm really thankful for the internet because it's allowed me to connect with people so much more easily.
Probably the only people left who think that economics deserves a Nobel Prize are economists. It confirms their conceit that they're doing 'science' rather than the less tidy task of observing the world and trying to make sense of it. This, after all, is done by mere historians, political scientists, anthropologists, sociologists, and (heaven forbid) even journalists. Economists are loath to admit that they belong in such raffish company.
Because dead people are just like you and me, they still want things. They look at us all the time, and they miss being alive. We have taste and color and smell and feelings, and they don’t have any of those things. They stare at us, they don’t miss anything. They really see what’s going on, and we hardly ever really see that. We’re too busy thinking about things and getting everything wrong, so we miss ninety percent of what’s happening.
America, you know, they always separate people because of race. They've been able to convince, 'The niggers are coming.' You know, the diversity that America has is so special. It's starting to really become a cool thing for young people. Not only because there are more mixes of people, but because people are more open-minded about each other. So I think in the future, America has a great, great opportunity, and mostly because of hip-hop.
It's a group of men - Conor included - everyone is so collaborative and cooperative, kind, considerate, very professional. And they know their craft. They know it very very well. There's no room for messing around. It's not messy at all. When I go in at this level, when I get the opportunity to play and work at this level, it's at the top of the game. I think, in life, we rise to whatever the bar is. I've been fortunate to rise with them.
In some contexts in Pakistan maybe a beard is negative. It depends. And in some contexts in America maybe a beard is positive. I think there's certainly lots of hipster communities where having a beard makes me look a little bit less like a, you know, middle-aged fuddy-duddy. And there's some places in Pakistan where having a beard, you know, certain corporate contexts, certain social contexts, where it's not an advantage to have a beard.
Voters decided otherwise [on me as a president candidate] and I will focus on my work here in the Senate because I have nine months left. And after that, later, as a private citizen, I will continue looking for a way to contribute to the cause of political conservatism to help our state and our country and the issues that interest me. But I really don't want to be nor do I think that I will be invited to be any candidate's vice president.
The image of blacks usually is one of people who are suffering from hunger, unemployment, and poverty. The idea of them as agents and activists - as starting revolutions - does not exist in most people's minds. And I think it's very, very important that folks understand how much America was founded on the enslavement of blacks, and how the resistance of blacks to that enslavement has been the spark plug for so many important developments.
I feel too much. That's what's going on.' 'Do you think one can feel too much? Or just feel in the wrong ways?' 'My insides don't match up with my outsides.' 'Do anyone's insides and outsides match up?' 'I don't know. I'm only me.' 'Maybe that's what a person's personality is: the difference between the inside and outside.' 'But it's worse for me.' 'I wonder if everyone thinks it's worse for him.' 'Probably. But it really is worse for me.
The writer must always leave room for the characters to grow and change. If you move your characters from plot point to plot point, like painting by the numbers, they often remain stick figures. They will never take on a life of their own. The most exciting thing is when you find a character doing something surprising or unplanned. Like a character saying to me: ‘Hey, Richard, you may think I work for you, but I don’t. I’m my own person.’
I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.
One is only really inwardly comfortable, so to speak, after one's life has assumed some sort of shape. Not just a routine, like studying or a job or being a housewife, but something more complete than all those, which would include goals set by oneself and a circle of life-time type friends. I think this is one of the hardest things to achieve, in fact often just trying doesn't achieve it but rather it seems to develop almost by accident.
Most parents hate to experience conflict, are deeply troubled when it occurs, and are quite confused about how to handle it constructively. Actually, it would be a rare relationship if over a period of time one person's needs did not conflict with the other's. When any two people (or groups) coexist, conflict is bound to occur just because people are different, think differently, have different needs and wants that sometimes do not match.
What do you think? Who are these people who have depicted heaven as a playboy Club - who are these people? Starved, poor, who have missed their life - they are projecting their desires in heaven. In heaven there are rivers of wine... who are these people who are imagining rivers of wine? They must have missed here. And there are wish-fulfilling trees. You sit underneath them, desire, and the moment you desire, immediately it is fulfilled.
An immoderate fondness for dress, for pleasure, and for sway, are the passions of savages; the passions that occupy those uncivilized beings who have not yet extended the dominion of the mind, or even learned to think with the energy necessary to concatenate that abstract train of thought which produces principles.... that women from their education and the present state of civilized life, are in the same condition, cannotbe controverted.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
You really hope that people who want to be politically active aren't so disillusioned at this point. I do feel positive about what's happening. I think that with all of these movements, and this growing collective voice that's emerging, people are starting to come out of the kind of dazed state that they were in for so many years. But it's tough to know the best way to effect change now. Campaigning alone no longer seems to be the answer.
The way in which I know Christianity is true is first and foremost is the basis of the witness of the Holy Spirit in my heart. And this gives me self-authenticating means of knowing Christianity is true wholly apart from the evidence. And therefore, even if in some historically contingent circumstances the evidence that I have available to me should turn against Christianity, I do not think that controverts the witness of the Holy Spirit.
"Humanism" is to be human, to think, to analyze, and to probe. To respond and to be stimulated by all living things - beasts, fowl, and fishes. To respond through touch, sight, smell, and sound to all things in nature - both organic and inorganic-to colors, shapes, and textures - to not only look at a blade of grass but to really see a blade of grass. These things, to me, are what life and living are all about. I would call it "Humanism."
If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.
I've said this a lot lately, too: if, 20 or 30 years down the road, when everything's said and done, I was never able to achieve that level of zeitgeist again, then so be it. I know how rare it is for anybody to do that. But I also feel like, OK, we're getting on to 25 years of putting out records: that's also kind of rare air for anybody who makes music. And I think you just end up kind of grateful for every opportunity that comes along.
By the end of the 1960s, the United States owned more than half of the Indian rupee money supply, and that had been acquired through food aid. So I think it's very interesting to see the very long history of how sovereignty and food go together. When some countries remove another country's ability to feed itself, it is a very powerful tool. Imperialist countries, like the United Kingdom, like the United States, have used it for centuries.
I know it's good when I see a smaller film get recognized because it means more publicity for them. Any way to get the word out, I'm just learning about this. The end of this distribution sentence is the scariest part, which is when you start producing and directing. Now the movies are a little more like your children. You now spent years of your life and then it just dumps in one day and you think what happened? It doesn't always happen.
I think we have reached a stage now where we need to find solutions to economic injustice in the same place and in the same ways that we find solutions to sustainability. Sustainability on environmental grounds and justice in terms of everyone having a place in the production and consumption system - these are two aspects of the same issue. They have been artificially separated and have to be put back again in the Western way of thinking.
I feel that I'm a spiritual person in that I feel like telling stories is a spiritual exercise and I think that it's something that we need as a culture and as humans. We need for people to put stories up in front of us that we recognize ourselves so that we can see - you need to be able to see something in a finite form in order to identify with it sometimes because your life sprawls before you in this kind of way that you can't capture.
When you think about a barbecue, most people think of slabs of ribs, but you don't need to do that in today's culinary barbecue world. Short ribs, barbecue chicken, skewered shrimp, vegetable kebabs, lobster mac and cheese with or without the lobster, and a donut bread pudding for dessert that's absolutely amazing. These are things that are safe whether you're a novice or a professional. Be creative and stay within your culinary pantheon.
Israelis are wrong in not looking for a change in the relationship with the United States that would put it more in perspective - that we are the great power, they are the minor power. I don't think there are a great many American parents who will want to sacrifice their soldiers and children so Israel can maintain the West Bank. When that becomes clear, I think Israel's days are numbered as an ally that is never questioned or criticized.
So it's a dangerous thing and conversely, the other thing I mentioned in that post was that people see guys who are kind of in touch with that and become famous for it and then think maybe they can get in on it. Maybe they're not quite as cynical as that and there's some sincerity about them, but they don't really get it so they just imitate what they've seen from people who've done it before and of course you can make big money that way.