Quotes of All Topics . Occasions . Authors
I think that is one of the first things that I got clear in my mind when I began to play around with fiction, that I had to find a language and it was not in existance at the time. You have put it very well - it wasn't to be taken for granted. You had to go on and search until you found a way through the conversation of English and Igbo. The two languages stuck into each other and tried to find a way to express through one, the medium of the thoughts. That's a very exciting thing to do, a very difficult thing to do.
While you are continuing this practice, week after week, year after year, your experience will become deeper and deeper, and your experience will cover everything you do in your everyday life. The most important thing is to forget all gain ing ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. Do not think about anything. Just remain on your cushion without expecting anything. Then eventually you will resume your own true nature. That is to say, your own true nature resumes itself.
... the divine knowing - what the Father knows, and what the Word says in response to that knowing, and what the Spirit broods upon under the speaking of the Word - all that eternal intellectual activity isn't just daydreaming. It's the cause of everything that is. God doesn't find out about creation; he knows it into being. His knowing has hair on it. It is an effective act. What he knows, is. What he thinks, by the very fact of his thinking, jumps from no-thing into thing. He never thought of anything that wasn't.
I come from a nation where fantastic fiction has a very low status, unless it fits into some very specific categories or is written by already established authors. I don't by any means try to hide what I write, but the way people think in categories here is pretty extreme: it blots out discussing the actual work on its own terms. That's made me loath to talk about my own work in terms of genre, because once you get a label, it sticks and poof go a slew of potential readers and reviewers because eww, fantasy cooties.
Four years ago, I was thinking… no Olympics, who am I? Probably in ’04, I was identified with gymnastics. I thought gymnastics was who I am and I have to be an Olympian and I have to make this team. That’s probably why I was a little bit devastated when I didn’t make it. You know, I was kinda lost. Now I realize that we’re all magnificent, regardless of what we do or whatever career path we choose, you know, that career doesn’t have to define us as a human being. There’s so much more to being human than all of this.
I think what happened in the last 10 or 15 years in the art market is that all the players - and that includes artists, dealers, art advisors, everyone - basically became dealers. We've had old-school collectors morph into speculators, flipping works. We've seen auction houses buying works directly from artists or from sleazy middlemen. The last step before the crash was the artists themselves supplying the auction houses. Dealing themselves, you know? The art world is as unregulated as any financial market there is.
I truly do live my life a day at a time. When I talk to people trying to get through anything, it's a day at a time. If people stop to think, "It's going to be potentially three years and 10 months for the new president to come in," that's a very long time and that can have major effects on somebody's psyche. But if you take this thing a day at a time, and break it down a little differently, and do what you can do today, it will make it easier for people to move forward, and it makes it easier for me to move forward.
If we return abruptly to a Miocene-like climate, it's reasonable to think that we would experience a lot of extinctions, and maybe even a mass extinction in the long term. Would the life on Earth be radically different? Of course we can't say for sure, but I think a lot of it would look familiar. Like a lot of people, I worry a lot about whether marine mammals would survive, especially whales. Ocean acidification is one of the major killers in climate change events, and that makes the ocean a very inhospitable place.
Even today, some opt for the comforts of mystification, preferring to believe that the wonders of the ancient world were built by Atlanteans, gods, or space travelers, instead of by thousands toiling in the sun. Such thinking robs our forerunners of their due, and us of their experience. Because then one can believe whatever one likes about the past - without having to confront the bones, potsherds, and inscriptions which tell us that people all over the world, time and again, have made similar advances and mistakes.
So whom does God wrong in commanding the destruction of the Canaanites? Not the Canaanite adults, for they were corrupt and deserving of judgment. Not the children, for they inherit eternal life. So who is wronged? Ironically, I think the most difficult part of this whole debate is the apparent wrong done to the Israeli soldiers themselves. Can you imagine what it would be like to have to break into some house and kill a terrified woman and her children? The brutalising effect on these Israeli soldiers is disturbing.
I was very curious, that's why I think my reality TV seems normal. I watch a lot of reality TV because I am so interested in people and observing people. From a very young age I can remember watching a woman with a guy and she's rolling her eyes and he's pleading with her and I would think, she doesn't want to be with him, he's in love with her, she likes this other guy and I would make up these stories in my head about these people. That helps me sort of profile people and that is a key to being able to read people.
Darling, if I think of all I miss now, I will go crazy. I should not think of that. I only want to think of all that I still have, and then I am rich. Your spirit is always around me, in your diary, our letters, all the things you got for our household. How proud we were of that! And the nearly six years! O God, I thank you for those years. If I never had met you, I would now not have all the sorrow; but I would have missed these riches -- and do these years not abundantly balance the lonely years I face without you?
The most common way people could do time-travel would be a form of meditation in which you don't get caught up in your thoughts and don't make patterns of logical consequences follow as a result of your thinking process. It's very hard for most of us to do that if we think about it. But if you start to watch the process by which things come into being, and you begin to witness from the point of view of watching the words form, then you're beginning to move into the non-temporal mindset, or that which is free of time.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I think animation is a very truthful way to express your thoughts, because the process is very direct. That's what I've always liked about animation, particularly abstract animation. You go from the idea to execution, straight from your brain. It's like when you hear someone playing an instrument, and you feel the direct connection between the instrument and his brain, because the instrument becomes an extension of his arms and fingers. It's like a scanner of the brain and thought process that you can watch, or hear.
Human beings have a drive for security and safety, which is often what fuels the spiritual search. This very drive for security and safety is what causes so much misery and confusion. Freedom is a state of complete and absolute insecurity and not knowing. So, in seeking security and safety, you actually distance yourself from the freedom you want. There is no security in freedom, at least not in the sense that we normally think of security. This is, of course, why it is so free: there's nothing there to grab hold of.
Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don't misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.
We were doing the same thing. We will never have "a" Chicano English or Spanish because of regional differences. But I think that because of our bilingual history, we'll always be speaking a special kind of English and Spanish. What we do have to do is fight for the right to use those two languages in the way that it serves us. Nuevo-mexicanos have done it very well for hundreds of years, inventing words where they don't have them. I think the future of our language is where we claim our bilingualism for its utility.
[Chamber of Reflection off of Salad Days]I think it's probably that one. There's no guitar on that song, I've never recorded a song with absolutely no guitar, which is interesting. The idea behind it, well it's a Free Mason reference because before they become Free Mason's they had to go into this room called the Chamber of Reflection where they think about the life they brought with them, the life they've lived up until this point and all their wrong and right doings. And that's basically what I did with this album.
One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.
I try to love my neighbor as myself but I'm not trying to be a people pleaser. Sometimes that's hard, because my human nature is to want people to be happy with me. But sometimes I feel my convictions are so great that it would be compromising the truth if I didn't do that. So sometimes it's a struggle to say, "This is what I think; this is what I believe, and if you don't agree with me, oh well." The hardest thing for people to accept is the gay-affirming issue. It's hard for people to agree to disagree on that one.
No one is indispensable to anyone else. You imagine you're necessary to him or that he will be very unhappy if you leave him, but I'm sure that if you do, within three months he will have fitted another face into your role and you'll see that no one is suffering because of your absence. You must feel free to do whatever feels best to you. Being someone's nurse is no way to live unless you're unable to do anything else. You have to say something on your own and you ought to be thinking, first and foremost, about that.
Ah cher ami, how poor in invention men are! They are They always think one commits suicide for a reason. But it's quite possible to commit suicide for two reasons. No, that never occurs to them. So what's the good of dying intentionally, of sacrificing yourself to the idea you want people to have of you? Once you are dead, they will take advantage of it to attribute idiotic or vulgar motives to your action. Martyrs, cher ami, must choose between being forgotten, mocked, or made use of. As for being understood--never!
I also came to see that liberalism's superficial optimism concerning human nature caused it to overlook the fact that reason is darkened by sin. The more I thought about human nature the more I saw how our tragic inclination for sin causes us to use our minds to rationalize our actions. Liberalism failed to see that reason by itself is little more than an instrument to justify man's defensive ways of thinking. Reason, devoid of the purifying power of faith, can never free itself from distortions and rationalizations.
My job the same as carpenter. What kind of house you want to build? What kind of food you want to make? You think your ingredients, your structure. Simple. [Other] Japanese restaurants … mix in some other style of food and call it influence, right? I don't like that. … In Japanese sushi restaurants, a lot of sushi chefs talk too much. 'This fish from there,' 'This very expensive.' Same thing, start singing. And a lot have that fish case in front of them, cannot see what chef do. I'm not going to hide anything, right?
Curiosity, which may or may not eventuate in something useful, is probably the most outstanding characteristic of modern thinking ... Institutions of learning should be devoted to the cultivation of curiosity, and the less they are deflected by the consideration of immediacy of application, the more likely they are to contribute not only to human welfare, but to the equally important satisfaction of intellectual interest, which may indeed be said to have become the ruling passion of intellectual life in modern times.
I think fashion is probably one of the most accessible and immediate forms of visual culture. In 1978, when I realized that I wanted to work on fashion, I had gone to Yale to get my Ph.D. in European cultural history. I suddenly realized fashion's part of culture, and I can do fashion history. All my professors thought this was a really bad idea, that fashion was frivolous and unimportant. And, increasingly over time, people have recognized that it provides such a mirror to the way we think, our values and attitudes.
Any guilt about food, shame about the body, or judgment about health are considered stressors by the brain and are immediately transduced into their electrochemical equivalents in the body. You could eat the healthiest meal on the planet, but if you’re thinking toxic thoughts the digestion of your food goes down and your fat storage metabolism can go up. Likewise, you could be eating a nutritionally challenged meal, but if your head and heart are in the right place, the nutritive power of your food will be increased.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.
This is so much harder than I ever thought it would be...because the thing is, even if you're just working part-time, your boss is going to expect a full week's worth of work, no matter how understanding she is. That's just the nature of the working world-things have to get done, babies or not. And if you're like me-if you're like any woman who ever did well in school and did well at her job-you don't want to disappoint a boss. And you want to do a good job raising your baby...It's not like you think it's going to be
Like all the other arrivals to the tournament, Hank had erected a banner in front. It was a long, tapering pennant with a blue and red circular design in the center and the words GO CUBS! on both sides. Interesting," said Hugo. "What does it mean?" It was a gift from Sam," Hank explained as they entered the tent. "He said it used to represent Triumph over Adversity, but now better represents Impossible Quests and Lost Causes." I think I preferred not knowing that," said Hugo. Hank grinned. "You're a Sox fan too, hey?
Hayek made a quite fruitful suggestion, made contemporaneously by the psychologist Donald Hebb, that whatever kind of encounter the sensory system has with the world, a corresponding event between a particular cell in the brain and some other cell carrying the information from the outside word must result in reinforcement of the connection between those cells. These day, this is known as a Hebbian synapse, but von Hayek quite independently came upon the idea. I think the essence of his analysis still remains with us.
The shocking truth about prosperity is that it is shockingly right instead of shockingly wrong for you to be prosperous. Please note that the word 'rich' means having an abundance of good or living a fuller, more satisfying life. Indeed, you are prosperous to the degree that you are experiencing peace, health, happiness and plenty in your world. There are honorable methods that can carry you quickly toward that goal. It is easier to accomplish than you may now think. That, too, is the shocking truth about prosperity.
Why is fear part of earth life? Perhaps our Heavenly Father’s greatest hope is that through our fears we may choose to turn to Him. The uncertainties of earth life can help to remind each of us that we are dependent on Him. But that reminder is not automatic. It involves our agency. We must choose to take our fears to Him, choose to trust Him, and choose to allow Him to direct us. We must make these choices when what we feel most inclined to do is to rely more and more on our own frantic and often distorted thinking.
Whenever convictions are not arrived at by direct contact with the world and the objects themselves, but indirectly through a critique of the opinions of others, the processes of thinking are impregnated with ressentiment. The establishment of "criteria" for testing the correctness of opinions then becomes the most important task. Genuine and fruitful criticism judges all opinions with reference to the object itself. Ressentiment criticism, on the contrary, accepts no "object" that has not stood the test of criticism
There is this fashionable progressive notion that everything is so completely political that the idea we could have some sort of neutral legal process is practically utopian - because we all know that the more money you have, the more rights you can exercise in this society. But I don't think that you deal with income inequality by limiting the First Amendment rights of affluent people. I'd rather see people screw around with the tax code to redistribute wealth a little bit than screw around with the First Amendment.
I think the play offers (white Americans) a different way to look at black Americans For instance, in 'Fences' they see a garbageman, a person they don't really look at, although they see a garbageman every day. By looking at Troy's life, white people find out that the content of this black garbageman's life is affected by the same things- love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
One of the things that I've learned, and I think we've all learned, is that we are not going to get the kind of decisive, permanent victories in this fight against terrorism that we would get from fighting another country. We're not going to get that MacArthur/Emperor moment, because by definition, even after decimating Al Qaeda in the Fata, even after taking out [Osama] bin Laden there's still people there who have both the interest and the capacity if we don't maintain vigilance to strike against the United States.
We've been led to believe that we have a very dumbed-down society - and that people are not thinking and are just sort of interested in escapism. However, if you look at this young generation, what I've been noticing is that they are extremely compassionate. They are extremely globally aware and interested, and they want to participate in making the world a better place - but they don't know how. As adults we are failing them by not providing them with any sort of guidance, any map, or any blueprint to do this stuff.
You were right, Hale. It was a bad job. It was a bad call. You were right to leave." "Kat..." Hale tried to reach for her, but even in the sand, Kat was quick and sure on her feet, and she moved nimbly away, leaving Hale with nothing but a fistful of salty air. "Thanks for coming back and helping me find her and all, but..." She looked at Gabrielle, who stood leaning against Simon, still bruised and almost broken. " I think I've got to take it from here.".... She was sure right up until the point when Hale said, "No.
I'm old-fashioned. I think William Blake and people in the Renaissance people were multi. Look at da Vinci, he was involved in science; and Michelangelo was dabbling in poetry. Both of them were painters and sculptors but they also involved themselves with architecture. I honestly don't know what happened in the '60s and '70s. If you sang rock and roll in America at that time or were involved in expressing yourself through music like that, then many thought you couldn't possibly be an artist. That thinking is archaic.
I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.
To experience thinking outside the brain is to enter a world of instantaneous connections that make ordinary thinking (i.e those aspects limited by the physical brain and the speed of light_ seem like some hopelessly sleepy and plodding event. Our truest, deepest self is completely free. It is not crippled or compromised by past actions or concerned with identity or status. It comprehends that it has no need to fear the earthly world, and therefore, it has no need to build itself up through fame or wealth or conquest.
The life of each and every one of us has been written. The crucifix is my autobiography. The blood is the ink. The nails the pen. The skin the parchment. On every line of that body I can trace my life. In the crown of thorns I can read my pride. In the hands that are dug with nails, I can read avarice and greed. In the flesh hanging from him like purple rags, I can read my lust. In feet that are fettered, I can find the times that I ran away and would not let him follow. Any sin that you can think of is written there.
Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.
You're not going to be able to look like anyone else, no matter how hard you try, unless you're a mimic, then you're not acting, you're just mimicking. You can't go on being John Wayne, that's John Wayne. So you're not going to steal from John Wayne. I'm not going to steal from John Wayne and you're not going to come back and say 'Didn't you get that from the circus?' You know. But he is one of those people who instructs me, whom I look up to - whom I think is one of the masters of his craft that I am so enamoured of.
And the reward when good people die - her mother paused, swallowed, paused again - the reward when good people die is that they get to help make the people in their families who haven't been born yet. They pick out what kinds of traits they want the new people to have - they give them all the raw material of their souls, like their talents and their brains and their potential. Of course it's up to the new ones, once they're born, what they'll use and what they won't but that's what everyone who dies is doing, I think.
The generals have a saying: "Rather than make the first move it is better to wait and see. Rather than advance an inch it is better to retreat a yard." This is called going forward without advancing, pushing back without using weapons. There is no greater misfortune than underestimating your enemy. Underestimating your enemy means thinking that he is evil. Thus you destroy your three treasures and become an enemy yourself. When two great forces oppose each other, the victory will go to the one that knows how to yield.