I cry all the time - at work, at the shrink's, with my lady. 'The Notebook' killed me. 'Up' destroyed me.

Modeling is really what I do during my free time. It's fun for me, so it doesn't feel like work. I choose to do it.

Everyone aims to get close to me and I've got to learn how to be able to cope, and that's what we work on all the time.

If I have time to exercise, I do it, but I don't fixate on numbers like weight or waist size. Numbers don't work for me.

I went to London and performed in Eric Clapton's concert at the Royal Albert Hall. I'll work with him any time he asks me.

Every time I get in the studio, I feel like I wanna have some fun. My fun is not doing the easy work. My fun is doing what's me.

The Hardy Boys burned me out. I was recharging my batteries. It was time to return to work, but it was tough because my visibility was low.

I've been able to bridge divides in a very partisan time and get Republicans and Democrats to work with me to try to improve people's lives.

For me, every practice and match I've played, it feels like the year is short and long at the same time. I'm aware of all the work I put in.

I need to find those projects more often: the ones that really, really speak to me. I do better work in those situations and have a better time.

I work hard at what I do, and it does take time and a lot of commitment, so for me, it is proving to other people that I'm not just another dummy.

I think people in my district expect me to work with the president. It doesn't mean we have to agree all the time. I don't feel any extra pressure.

My friends ask me why I don't chill out and take things easy. I tell them that when I used to work 326 days a year, I never had time to do anything.

The reason I was angry all the time was that Gloria Steinem and all those people, without reading my work, were saying all these horrible things against me.

I do work for Impact Wrestling, but I'm just a straight up freelance agent in wrestling. I can work for anybody at any time. Basically every company calls me up.

Dentists seem to me very orderly, businesslike people who appear to become somewhat bored with the routine of their work after a period of time. Perhaps I'm wrong.

I feel like the books that I'm reading at any given time will really help me with my work, because it's just more characters, and you see new people while you're reading.

Usually for cartoons, I record them in the mornings from 9 A.M. to noon, then I have the rest of the day to do on camera. It actually gives me time to work on my own projects.

I think every time you work with another collaborator, there's an adjustment process where you figure out the other person's strengths, and that has definitely happened for me.

In 2007, several musicologists contacted me at about the same time, expressing interest in the work of the mysterious Muriel Herbert, a few of whose songs they had come across.

Every time I start a new work, I try to be different and to start with a new perspective, so I search for a new idea, something which gives me a new way to access my creativity.

When I look back, I can say that the summer when I was 19 was a formative time for me. But at the time I just thought I was making tofu every night for dinner and going to work.

Every time I stepped on the practice field when I was in San Diego, I dreaded going to work. It wasn't any fun. I didn't like the people I was playing with. They didn't like me.

The first time I read an excellent work, it is to me just as if I gained a new friend; and when I read over a book I have perused before, it resembles the meeting of an old one.

I've known Radhikaa akka for a long time, and have seen her perform like a pro in front of the camera. But, to work with her and mouth dialogues in her presence had me in jitters.

I had a bad back for a couple of years. I had to do a lot of physiotherapy for it. What I couldn't understand at the time was why the therapists had me doing a lot of stomach work.

You have to be talented. You have to work hard; you have to get the right pieces flowin' for you at the right time. And that's just what happened to me. I can't explain what happened.

It took less time to build 'Instagram' than it did for me to get my work visa. The app was an instant hit, and Facebook agreed to acquire the startup for about $1 billion in April 2012.

Walking into the WWE I was brand new; I did not know how things worked. Deep down I wanted everyone to cheer and adore me but this is the WWE where it doesn't work that way all the time.

When computers came along, I felt for the first time that I had the proper tools for the kind of theoretical work I wanted to do. So I moved over to that, and that got me into psychology.

The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.

I didn't want to do 'Casino Royale' when they told me to audition. I said no. Then they sent me the script, and I thought it was actually very interesting - and I had no other work at the time.

If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.

There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.

Speed eventually neared its peak. The records forced me to work ever harder to drop a less and less time. These time trials came to feel like races, which are fun to run sporadically but not daily.

I agree I'd like to do more work. But the right kind of roles has to be offered to me. I'm not saying the roles need to be realistic all the time, though that's what I like connecting with on screen.

I went to work in 1962, and by '64 I was writing all the time, every night and every weekend. It didn't occur to me that, having read nothing and knowing nothing, I was in no position to write a book.

When you balance it against New Order, New Order don't work or tour relentlessly. We definitely work in our own way and sometimes it's a bit too slow for me, so I like to plan ahead and fill my time up.

I went to work when I was a young fellow and I loved what I did. And I just kept working. And when I decided that maybe the time had come for me to quit, I got depressed. What could I do if I didn't work?

Think of how much time is spent looking and applying for jobs. Some of those who have read my book on the precariat have told me they have applied for thousands of jobs. This is scarcely leisure; it is work.

I left my native place to come to Mumbai, got routinely cheated, was given bad words, had phones and doors slammed on me. All my work and time was going down the drain. I didn't get credit for some work I did.

I want to be careful when I'm breaking down matches because I don't want to offend anybody or knock anybody's work. It took me a long time to get where I was at, so I know how it feels when someone knocks on you.

I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.

And then I think they asked me to work on Wish You Were Here, which was the next album coming up. And I didn't do anything for a long time. I had other projects, and I didn't get around to doing anything for a bit.

I find it amusing that every time I was asked when I will work with Zoya or Farhan, I was quoted as saying, 'It will be easier to convince Steven Spielberg to cast me rather than my own children.' That has come true.

Every August, I go away for four weeks to a place in Michigan. I work in the mornings, spend the month in shorts and flip-flops. It gives me time to think like an investor and come back in September for some heavy planning.

Something really intense happened to me during the 'SNL' performance. It felt like the person I was made to be faced the person I'm becoming. It was the first time I felt like I was able to make any sense of ownership of my work.

Because of who I am and what I've accomplished, everything is pretty much given to me. People cater to me all the time. It's almost like I've lost that edge - lost the ability to want something and then put in the work necessary to get it.

I don't work all the time. That's why I waited to have children until I was ready for that. I try to organise my time according to them because they need me. I don't want to put my work first anymore because it's not as important as my children.

I couldn't play ball. I couldn't dance. Luckily, the girls didn't want me. Not much I could do about that. So I started to draw and to write. By the time I got to where I was attracting girls, I was already into work, and it was more important to me.

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