Quotes of All Topics . Occasions . Authors
A computer shall not waste your time or require you to do more work than is strictly necessary.
The biggest misconception about work is that you need to spend the majority of your time doing it.
Being a trial lawyer sounds like glamorous work, but most of your time is spent pushing paper and arguing.
You need to work very hard, you have to spend a lot of time practicing your sport - six to seven hours daily.
You have to work hard to get to the top of your game. I think every writer has doubts! I still do all the time.
For a long time, we just played here - Columbus is a perfect place to work your way up and maybe build a fan base.
Talking about your work all the time and to open up, you have to do all that. I have begun to find my fun in that as well.
Well, to aspiring writers, I would tell them that we live in a wonderful time where you're able to make your work visible, easily.
To me, creative work is labor, like any other kind of labor. It's got value, and it takes your time, and it's useful to people, depending.
Measuring how hard your team is working by counting the number of hours they work or what time they get in and leave is how amateurs run companies.
I just want to do more work. Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going.
In this work, you have to convince everyone all the time, at different levels, to support your dream. I learned you have to be confident in order to do that.
When people don't know who you are, they're seeing your work for the first time. But if they've seen a lot, getting certain things across is a more difficult.
I used to work, part time, in a deli, in those days when your parents made you work just so you should know what work was like. And you'd make 4, 5, 6, ten dollars.
When you have endless time, you take all day to go to the grocery store. But, if you have to be at work for 14 hours a day, you manage your time better. I know I do.
If you don't have work for a border collie or time to train it properly, your bright young border collie will invent his own work, and chances are you won't like it.
As a professional, you pick up ideas from your colleagues and the orchestras you work with, while coming up with mutual interpretations in very short periods of time.
Novels are pirated all the time, but it's hard to imagine that you're at work and you open up the attachment that your brother sent you and it's the new Phillip Roth novel.
I try not to schedule too many meetings. That's one of the things I learned in corporate America - that you can spend your days having meetings and never actually have time to work.
Another time factor is output: proofing and printing. That is, getting your work out of the computer and onto paper and having it satisfy you. It can be time consuming and expensive.
You get used to working with one choreographer. You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
In Twenty20, because of the pace of the game, everyone is constantly involved in the field, you have to work as a team covering each other, there's no time to take your eye off the ball.
Now that I work as a professional model, I advise people to stay away from any television shows. It's a waste of your time; it's just entertainment. It's not the fashion that we now know.
One time, someone came up to me and said, 'I know so-and-so. They're a professor at Harvard. They're a big fan of your work.' But that doesn't impress me more than any other people feeling that way.
It's hard to bring up your children on benefit. It's easier if you can do part- time work, or even full-time work, and actually have a better standard of living, and that's the direction in which we are going.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
I still work on it almost every day in the gym. You have to know your body and that also means knowing when it's time to rest. Sometimes the coach will manage me and give me a day off so that I'm right for the weekend.
If you spend your time away from work looking at emails and making sure your inbox went down to zero, that's not an effective way to spend your time as a CEO or an entrepreneur. Often times, those emails aren't that important.
I'm on my own so I do everything. I think with any mum, guilt is a major factor. You feel guilty dropping your kid off at nursery and going off to work all day. It's so tough to juggle everything, to get it right all the time.
If you sit down and read with your kid, either having your child read to you or you reading to your child at a regular time each day, it deepens the relationship. You don't have to talk about stuff; the story will do that work for you.
I spent a lot of time wrestling at NXT. That was not seen because I was also an announcer. When you're an announcer, they try to protect you and make sure you don't get hurt or injured, or anything that would hinder you from your TV work.
Researchers have been looking for biomarkers of age for a long time and have failed. People sell tests out there to measure your biological age, and none of them work. There's no evidence that you can measure biological age with any reliability.
I think, over the time that you're in the league, you learn what your body needs: you learn the amount of soft tissue work you need, the amount of dry needling, or the amount of sleep or your nutrition. You also understand that you have to pull back.
You have high school photos and stuff, but to have a recording of your voice and your work from 20 years ago, it's a kick in the head to hear how you've changed and what you were interested in at the time and how it's either changed or stayed the same.
When I look back on my twenties, I just remember being afraid of everything, and in my thirties, I'm actually excited by things. And if things don't work out, you know, by the time you've hit your thirties, you've had your fair share of disappointments.
People come up to me on the street and make some little joke - like they'll say, 'Excuse me, sir, what time is it?' And I'll say, you know, '5:15,' and they'll say, 'Hey! Made you talk!' And that's merely a way of saying, 'I know your work and I like you.'
Certainly one of the surprising truths of having a book published is realizing that your book is as open to interpretation as an abstract painting. People bring their own beliefs and attitudes to your work, which is thrilling and surprising at the same time.
You've just got to have to put the work in. Put work first. Put the hours in and the time in, and do your job. And when you get a little time off, you can go out and have a little fun. But you have to make sure you get done what you need to get done first off.
There are roles that are terrifying because they're large or you may feel that they're out of your line, but I'm never terrified once the actual work begins. Once you begin rehearsal, then it's small building blocks. It's solving little problems one at a time.
Get your work in, do what you need do, and get back up top. I'm a little bit behind the curve as far as not really having a spring training, so you're trying to get your work in, trying to work on things, and at the same time, you're also going out there trying to be competitive.
In domestic cricket - whether it is Ranji Trophy or other first class matches - in the first year, not many opponents will know about your game, but by the time you are into the third or fourth year, the opponents would have found out your strengths and weaknesses, and they will work on it.
How much is an hour of your time worth? It's worth whatever wage you would get if you spent that hour working. If you work for an hourly rate, this is an easy calculation. Even if you work for a salary and a fixed number of hours, the principle is the same: It's whatever your salary works out to per hour.
In theater, you get to rehearse several weeks, you memorize everything, and by the time you open, you know what the play is. In film, it's almost the opposite. You do your work on your own and maybe have a couple of minutes to rehearse. When the camera rolls, you generally don't know what's going to happen.
Constant tension should be applied to the last five reps of every working set, meaning, do the first 5-6 reps normal tempo, and the last few reps should be held for at least two seconds at the peak of the contraction. This allows your muscles to have more time under tension, and you work different muscle fibers.
If you've never been on anything before, they're not going to take a risk and give you a huge job 90 percent of the time. There are exceptions to that. I certainly wasn't an exception to that. I had to pay my dues big time, but I wish somebody would have explained, 'Look, your job is not to get work. Your job is to get better.'