Quotes of All Topics . Occasions . Authors
In the many-mansioned house of Alternate History, I occupy a small corner. The trio of what-ifs I chronicled in 'Then Everything Changed' all begin with tiny, highly plausible twists of fate that lead to hugely consequential shifts in history.
A sketch should be about two to three minutes, which is basically what most songs are. They're usually done by groups. Good examples of each build and have different parts and twists in them. I guess sketch would be the comedy version of music.
Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
Eventually I did that, but it took a lot of twists and turns, and there were a year or two there where I was living with no money at all - no home, no car, no nothing. I was living in somebody's garage in Los Angeles at that point - for a year.
The Glittering World is a stunning phantasmagoria drawn from the world just beneath the surface, aswarm with great and memorable characters and a plot that twists and turns as it hurtles forward. A grand debut. One taste, and you'll be addicted.
Father’s silence is not merely the absence of sound. It’s a creature with a life of its own. It chokes you. It pinches you small as a grain of rice. It twists in your gut like a worm. Silence clawed at my throat. It left a taste of burnt matches.
Sometimes the media twists your words, and they say things to get a headline, and it's not necessarily what came out of your mouth, and they take things out of context 90 percent of the time. But I guess - any publicity is good publicity, I guess.
That's a little homage in a way to that and also to create that sort of creepy atmosphere that Hitchcock did. Vertigo was one of his great movies that was shot right here in The City and it's about a woman and the psychological twists and so forth.
I got into reading a lot of noir and a lot of thrillers as well, and I really admired the plotting about those and the way that they can surprise you. And obviously to surprise people and to have twists in the tale, you have to plan quite carefully.
We are loping sequences of chemical conversions, acting ourselves converted. We are twists of genes acting ourselves twisted; we are wicks of burning neuroses acting ourselves wicked. And nothing to be done about it. And nothing to be done about it.
How shall I a habit break? As you did that habit make, As you gathered, you must lose; As you yielded, now refuse, Thread by thread the strands we twist Till they bind us neck and wrist, Thread by thread the patient hand Must untwine ere free we stan
Movies are explorations; they take you on a path, and I think it's always better if it's a path that you don't know, that takes twists and turns that you can't predict. That's what's entertaining about movies. That's what's entertaining about novels.
I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.
Beating up on public schools is not just our nation's favorite blood sport, but also a favorite conversational entertainment of the well-off - like debating the most recent toothsome plot twists of 'Big Love' - who, of course, have no dog in the fight.
Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.
Life compulsively dangled the possibility of life. Life, the dramatist on speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
It's 1450 out of 1500 ETF funds that I just wouldn't touch because they're not diversified enough. Or they have some huge speculative twist to them that if you can guess the markets right you will do very well for a day or two but who can do that? Nobody.
With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.
I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.
The film [Dream of Life], in the end, is life-affirming, and I think it's always useful for people to be reminded that no matter how rough things get, no matter what kind of twists and turns our lives can take, we can keep going, we can create something new.
People say America is exceptional. I agree, but it's not the complexion of our skin or the twists in our DNA that make us unique. America is exceptional because we were founded upon the notion that everyone should be free to pursue life, liberty, and happiness.
The idea of surprise is part of what makes something funny, or what gets a reaction. At least when I'm an audience member, after you hear a joke so many times it's not as funny because it loses its surprise or its twist. So I think funny has to do with surprise.
I have on my table a violin string. It is free to move in any direction I like. If I twist one end, it responds; it is free. But it is not free to sing. So I take it and fix it into my violin. I bind it and when it is bound, it is free for the first time to sing.
While you certainly will recognize 'Outlander' if you've been reading the books, there's also this wonderful sense of novelty and discovery about it because of all the little new touches and twists. I watch it in utter fascination waiting to see what will happen.
A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.
In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution.
A lot of the stories I write about have an element of mystery. They're crime stories or conspiracy stories or quests. They do have built into them revelations and twists. But the revelations, to me, come from seeing history as it's unfolding, or life as it's unfolding.
I think Michelle Obama ought to wear her hair exactly the way she wants to wear her hair. I am not looking for Michelle Obama to cut her hair off like I have mine, very short. I'm not looking for her to do twists. I'm looking for her to wear what's comfortable for her.
In my head, at least, the business of spinning stories has no closing time. Twists in my characters' lives, glimpses of their secrets, obstacles to their dreams... all arrive unbidden when I'm getting cash at the ATM, walking my son to camp, singing a hymn at a wedding.
Don't allow yourself to become disheartened when the thread doesn't suit or seems unsightly to you. Wait and watch. Be patient and devoted. As the threads twist and turn, you will begin to understand, and you will see the pattern finally materialize in all its splendor.
When it [truth] emerges it often bears out the saying that 'truth is stranger than fiction.' A novelist has to appear plausible, and would hesitate to make use of such astounding contradictions as occur in history through some extraordinary accident or twist of psychology .
My favorite songwriting trick is writing something like 'XO.' In my brain, I thought, 'This is probably going to be a love song. How can I change that and find ways to twist that.' As a songwriter, it's your job for the song to take twists and turns that people don't expect.
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.
I also take pleasure in the so-called negative power in Grotjahn's work. That is, I love his paintings for what they are not. Unlike much art of the past decade, Grotjahn isn't simply working from a prescribed checklist of academically acceptable, curator-approved 'isms' and twists.
Just like basketball, MMA is all about taking what you're given and exploiting it as much as possible. Strength and stamina are important, but a clear mind might be your biggest asset. Of course, keeping a clear mind while someone twists your arm behind your head isn't all that easy.
Before I start, I trick myself into thinking I know what's going to happen in the story, but the characters have ideas of their own, and I always go with the character's choices. Most of the time I discover plot twists and directions that are better than what I originally had planned.
As a writer, I try to appeal to the 'elusive boy audience' the same way I try to appeal to everyone: I do the very best I can to create interesting characters, addictive plots, tons of conflict, believable settings, unexpected plot twists, intriguing beginnings, and satisfying endings.
When I started 'Still Missing,' I had a few key plot points in mind, which I played around with mentally for a couple of months, then one day I just started writing. Not having an outline led to some cool plot twists, but also many rewrites! A lot of the plotting happened on subsequent drafts.
You can only see 'Star Wars' for the first time once, and people are watching it again and again and again, and it's a testament to the strength beyond the plot twists that it has. The narrative strength that it has is that it can be enjoyed even though you know the biggest plot elements in it.
My favorite movies are the ones that are different the second time, or where you're constantly discovering new things. It's not just genre movies, either, and it's not just about twists. I saw 'Tinker Tailor Soldier Spy' four times in the theater before I realized it's a love story. I love that.
While life is meant to test, challenge, and strengthen us, if we are attempting to negotiate the twists and turns and ups and downs of mortality alone, we're doing it all wrong. Mortality is a test, but it is an open book test. We have access not only to the divine text but to Him who authored it.
Each of us may think we know exactly what we need to make us happy, what will be good for us, what will ensure we have our happy ending, but life rarely works out in the way we expect, and our happy ending may have all sorts of unexpected twists and turns, be shaped in all sorts of unexpected ways
Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
The best thing about the Nikita show is that there's so many layers. Even after the pilot, the next four have a twist. Don't think that you've seen it all or that you know it now, and that it's not going to have any more surprises. There's a surprise in every episode, so it's a lot to keep track of.
Birth is beastly - and death - and digestion, if it comes to that. Sometimes when I think of what's happening inside me to a beautiful suprème de sole, with the caviare in boats, and the croûtons and the jolly little twists of potato and all the gadgets - I could cry. But there it is, don't you know.
...there are still truths in the Bible and many other ancient texts despite what religions have done to destroy and debase them. Religious dogma and myth have been used very successfully either to suppress understanding or to twist the truth sufficiently to turn something positive into something negative.
I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
I've had my ups and downs, and I definitely have a sense - in America, especially - that once you've made your mark and gotten your Rolling Stone piece and your Grammy nomination, that they're on to the next piece of meat, and they don't necessarily like to follow the twists and turns of an artistic career.
The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.