I am an artist, and I have the ability and the free will to choose the way the world will envision me.

Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.

If you come up to me in the street, I am going to be delighted to meet you. I became a television star to entertain people, to spread goodness into the world.

World Cup 2003 was the worst phase in my career, but that is now behind me, and I am doing all-out efforts to get my place in the team back and further my career.

Most days it feels as if the world is whirling around me and I am standing still. In slow motion, I watch the colors blur; people and faces all become a massive wash.

It's hard for me to imagine a philosopher disconnected from the world, indifferent to the cares of his country, unmoved by poverty, unemployment: I am a committed citizen.

Having a multi-cultural background has granted me access into different ideologies, cultures, and ways of living. It has shaped who I am and how I participate in the world.

I am fortunate: my parents told me the world was my oyster, when they could have said I wouldn't make it for a lot of reasons - rural, girl, small African country. So, no regrets.

If the Loki in 'Thor' was about a spiritual confusion - 'Who am I? How do I belong in this world?' - the Loki in 'Avengers' is, 'I know exactly who I am, and I'm going to make this world belong to me.'

For a woman who didn't want to be an actress, who is too tall, lanky, shy, and who didn't fit into a Hindi conventional heroine, I am overwhelmed that my audiences have accepted me in India and the world.

To me, there is nothing higher than fiction. Nothing. It is fundamentally who I am. I am a teller of stories. For me, that's the only way I can make sense of the world, with all the dance that it involves.

My father died. No one from this industry came to offer condolences to my house. No one offered few words to console me. Why should I continue in this cruel film world? I am discontinuing my acting career.

For me, it's about being a star, being a superstar, and not just winning a world title but becoming the best-ever British fighter this country has ever had. That's what I am, and that's what I intend to do.

I'm not really a super-serious person. I guess in some ways I am, but I do like to have a lot of fun. I mean, one of my favorite places in the world is Disney World, so that'll tell you a little bit about me.

I think I am too interested in my own ideas to copy anyone else's, but I find that other people's imagery, the flow of language in the outside world, games with words, and ideas about relationships are all most important to me.

I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.

Discounting the ineffably repetitive homophobic barbs that I receive most days, Twitter trolls' most common gripe against me appears to be that I am 'posh.' Contrary to their unshakeable view, I was not born into the upstairs world.

I am the audience. I want to observe people. Even when I'm playing drums onstage, I'm watching people. I'm looking at them and their faces and their T-shirts and their signs. And travelling by motorcycle, especially, the world is just coming at me.

I have no distributor... it is indicative to me that there are these pockets of players and collectors all over. You should see the correspondence I get from over the world letting me know how significant they think I am. I know that wherever I go, I am well received.

When I do an impression of someone or when I am pretending to be someone else, something freaky happens: I feel the person I am mimicking behind my eyeballs. Their head is sitting perfectly inside mine, helping me project a false self out on to the world. And it's not always a choice.

If I am a 35-year-old woman, and I hail a cab on a Friday evening, and a cab driver picks me up, there are two people in the world that know I am in that cab. Me and the cab driver. With an app like Sidecar, there is a electronic record. I know exactly who that person is because they are screened.

I am the world's most appalling martial artist. I am so bad. I've studied jujitsu, kickboxing, t'ai chi. Once, I was sparring with someone, made a mistake, and managed to knock them down. I was so shocked that I dropped to my knees to see if they were all right, and then they knocked me out cold. From the floor.

Stem cells are being used for anti-aging, and the University of Miami is doing a study about that to prove that it is true. They are looking at me, and my markers have shown exactly that I have been actually reversing my aging and getting younger. I am taking perhaps more stem-cell treatment than anybody else in the world.

I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery; it impressed me.

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