Quotes of All Topics . Occasions . Authors
And I have this little litany of things they can do. And the first one, of course, is to write - every day, no excuses. It's so easy to make excuses. Even professional writers have days when they'd rather clean the toilet than do the writing.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
Microsoft fears Intel is eventually going to create its own operating system and optimize its chips for its own OS, cutting Microsoft out of the picture. Kind of like what Microsoft allegedly does to people who write applications for Windows.
I observe, I write, I try not to remember the life that I didn't want to loose but lost and have to remember, being here fills my heart with so much joy, even if the joy isn't mine, and at the end of the day I fill the suitcase with old news.
I was interested in writing about gender in this future world where progress has not only halted but turned backward. On another note, sometimes the personal is not so politically correct, and what we are turned on by can't be made to behave.
I read The Conspiracy Against the Human Race and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writers ultimate confessional: an absolute horror story, where the self is the monster.
I have students that I tell, "If your book doesn't sell or you can't publish it, write another book. Quit sitting around." The publishing world is a business, but it's not any big deal. An editor is not your guru. Your agent is not your guru.
The imagination and the place that dreams come from is so huge and so important. I'm trying to write about the real world, in that I'm trying to write about whatever it is the experience that makes us human, the things that we have in common.
Sharing our stories can also be a means of healing. Grief and loss may isolate us, and anger may alienate us. Shared with others, these emotions can be powerfully uniting, as we see that we are not alone, and realize that others weep with us.
If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore.
While many questions about quantum mechanics are still not fully resolved, there is no point in introducing needless mystification where in fact no problem exists. Yet a great deal of recent writing about quantum mechanics has done just that.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list.
Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible, and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer.
Just as long as newspapers and magazines are controlled by men, every woman upon them must write articles which are reflections of men's ideas. As long as that continues, women's ideas and deepest convictions will never get before the public.
When you're writing for a sequel and there's a movie that's been deemed sacred ground by the fanbase that's the predecessor, you cannot do anything to tread on that, so it's a bit trickier than just being able to sit down and write something.
I can't make something 'useful' to me in a writing sense for a very long time. I don't have any journalistic instinct. And I do keep a journal, but it's neither very revealing nor fruitful for work. Stuff just bubbles up from the swamp later.
Write about what really interests you, whether it is real things or imaginary things, and nothing else. (Notice this means that if you are interested only in writing you will never be a writer, because you will have nothing to write about...)
The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
I've started a company, called Tall Girl Productions, and we've got our first project that is purely producing, not writing, with a writer named Evan Daugherty. It's for NBC, it's called Afterthought, and it's science fiction-ish. That's fun.
But most weeks I've gone through 12 books, maybe even 15 some weeks, depending on the length. So I go through my long form, and then my day begins. I usually try to do most of my writing earlier in the day because I sort of lump out later on.
It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning - it'll be gone.
I think it's a terrible thing to write and not enjoy it. It's a sad thing. But of course a lot of people do work because they need to eat. And we all need to eat, but that's not the only reason to work. You couldn't have paid me not to write.
I never do any television without chocolate. That's my motto and I live by it. Quite often I write the scripts and I make sure there are chocolate scenes. Actually I'm a bit of a chocolate tart and will eat anything. It's amazing I'm so slim.
Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie Munster, among others - subsequently moved to Fox TV and copped an Emmy for writing.
When I was younger I used to get my best writing done at night, but now it has to be during the day. I usually finish work at half past seven, then go back to the house to open a bottle of wine, have dinner, and then read or watch television.
Do activities you're passionate about - which make your heart and soul feel perky - including things like working out, cooking, painting, writing, yoga, hiking, walking, swimming, being in nature, being around art, or reading inspiring books.
Any man who can write a page of living prose adds something to our life, and the man who can, as I can, is surely the last to resent someone who can do it even better. An artist cannot deny art, nor would he want to. A lover cannot deny love.
It's really hard to write about art in general. But it's exceptionally hard to fictionalize art and make work that isn't a parody, or is something that could withstand critique and exist in the art world as a valuable object, or a true piece.
The thing that's interesting about storytelling is people will say, "How do I write a movie I can get sold in this category?" For God's sake, the first movie that you can get made will be your personal story, because nobody's heard it before.
I began wondering, can one really write a biography of an illness? But I found myself thinking of cancer as this character that has lived for 4,000 years, and I wanted to know what was its birth, what is its mind, its personality, its psyche?
I begged her to write a song and she said yes. I am a huge Regina Spektor fan. I think she's a genius and just a lovely soul, and I wanted her voice on it. And she agreed, which is just the coolest thing, ever. She knocked it out of the park.
When I was in junior high, I would carry around this huge volume of Shakespeare. I just like the romantic vibe. I write about it because I fall in and out of love quite a bit. I was always pulling on my mother’s heartstrings to get more love.
I started with "Pickman's Model," because it was about Boston. I mean, what I loved about [H. P. Lovecraft], at first is his sense of scholarship of an area, setting an environment, enlivening it. I think that's one of the secrets of writing.
In our age, when technology is gaining control over life, when material well-being is considered the most important goal, when the influence of religion has been weakened everywhere in the world, a special responsibility lies upon the writer.
My intention, certainly, is to create something which is aesthetic but many things are implicit in the work that I do. For me photography is writing, it is history; it can be aesthetic, it can be many things though it does not have to be art.
As an actor, you're completely at the mercy of other people. You basically go begging for the opportunity to work. As a writer, at least nobody can tell me what to do. I can write what I want. I might not sell it, but at least I'm in control.
My own feeling is that the only possible reason for engaging in the hard labor of writing a novel, is that one is bothered by something one needs to understand, and can come to understand only through the characters in the imagined situation.
Since I was a kid, I could make up stories, I could make up funny jokes and I could always do it. When I'm walking down the street or having dinner, ideas will hit me, and I write them down on matchbooks or napkins and throw them in the draw.
I never wrote anything down. I never kept a diary, never kept a journal. I did write one letter home about touring with the Doors that I used as a reference for the book for some details there, and then I was glad I had that, but that was it.
I think there are a lot of similarities between writing and music. Music is much more direct and much more emotional and that's the level I want to be at when I'm writing. Writing is much more intellectual and indirect and abstract, in a way.
When the storyteller tells the truth, she reminds us that human beings are more alike than unalike... A story is what it's like to be a human being-to be knocked down and to miraculously arise. Each one of us has arisen, awakened. We do rise.
I try to write songs. At our concerts, we take the cream of the crop from my back catalogue and I don't know if I could write something now that would replace any of that. We don't lose any of the standards. We have lots of songs in rotation.
In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I can't improve on these.
More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.
I write as someone who has no more time for repressive Islam than he does for repressive Christianity or Judaism, but at least look at the face in the hijab - and try to imagine the one beneath the niqab - before you depersonalise its wearer.
We Americans write our own history. And the chapters of which we're proudest are the ones where we had the courage to change. Time and again, Americans have seen the need for change, and have taken the initiative to bring that change to life.
I write because it's all I know how to do. Writing is my anchor and my purpose. My life is informed by writing, whether the work is going well or I'm stuck in the hell of writer's block, which I'm happy to report only occurs about once a day.
Graphic novels are not traditional literature, but that does not mean they are second-rate. Images are a way of writing. When you have the talent to be able to write and to draw, it seems a shame to choose one. I think it's better to do both.
The rules are all in a sixty-four-page pamphlet by Aristotle called 'Poetics.' It was written almost three thousand years ago, but I promise you, if something is wrong with what you're writing, you've probably broken one of Aristotle's rules.
Mike Leigh encourages you to choose a person that you know to base your character on. You write a whole list of people that you know and you go through that list in great depth with him. And then he chooses one of those people from your list.