Quotes of All Topics . Occasions . Authors
When they do bring on new people, it's good for the show. It's like getting a new toy. The writers enjoy it because it's a whole new character that they can write for, one that they aren't used to writing for. They can try different things.
Unlike modern military codes, ancient texts are almost never purposely misleading, purposely scrambled. ... indeed, literacy was so uncommon until classical times that the very writing of a message sufficed to keep it from almost everybody.
Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")
When Nature gives a gorgeous rose, Or yields the simplest fern, She writes this motto on the leaves, "To whom it may concern!" And so it is the poet comes And revels in her bowers, And, though another hold the land, Is owner of the flowers.
You have to have a plan. Everything has to be planned. For me, I start with the title of my album, before I even start with the songs. I write down different things that I want album to say, and then the songs come from the different words.
There's a difference between doing memoir and writing a novel. If I had put the story of the boy killing my dog - and that was Eric also, what a little monster he was! - in a novel, even if I took it directly from life, it would be fiction.
I'm so grateful to Hugo Lindgren, Jon Kelly, and the people who gave me the opportunity to write a weekly column. It's an amazing thing to do, and when I started they both said, you know, the problem with columns is they just exist forever.
When you give up a bit of work don't (unless it is hopelessly bad) throw it away. Put it in a drawer. It may come in useful later. Much of my best work, or what I think my best, is the re-writing of things begun and abandoned years earlier.
Never hesitate to imitate another writer. Imitation is part of the creative process for anyone learning an art or a craft. Bach and Picasso didn't spring full-blown as Bach or Picasso; they needed models. This is especially true of writing.
If Broadway musicals were as popular as they were in the 20s, 30s, and 40s, then people like Sufjan Stevens and Iron & Wine would be writing for Broadway, which would be amazing. As it stands, it's the worst stuff that's mired in pop music.
Writing, of course, is writing, acting comes from the theater, and cinematography comes from photography. Editing is unique to film. You can see something from different points of view almost simultaneously, and it creates a new experience.
You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that
When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Before I published anything, I dreamed of publication, but I didn't actually write for it. I imagined that writing for an audience was something for fancier people. I aspired, but mostly I wrote for myself. I wrote because it made me happy.
Since the writing of our Constitution, our religious liberties have been systematically threatened and whittled away by Supreme Court justices who interpret the First Amendment as a prohibition against religious activity on public property.
If I begin writing a poem that means I'm intrigued in some way by whatever it's about and that if I'm not trying to find something new and pushing the envelope in the poem I can't expect my reader to be particularly excited about it either.
What I'm doing is basically the same as Bob Dylan did with folk songs and Woody Guthrie songs, the same as folk music's always done. I'm not going to sing about ploughing, but I'll write a song that sounds like it should be about ploughing.
I've tried to write songs for other people and it usually requires them singing it and then changing the phrasing. I can put a lot of words in a song, and one of the reasons is, I'm not that good of a singer, so I don't hold a lot of notes.
The sensible thing for everyone to do would be to write all their op-eds and think pieces now so they're ready the day after the election when [Donald] Trump is no longer in the picture. God, I can't wait for that. I hope he just goes away.
Sexuality is a topic that has huge shifts in -society. Attitudes toward different sexualities change, but the actual sexuality of a human being is something that's consistent, and it's consistently interesting, and so people write about it.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
Politics disappears; it vanishes. What remains constant is human life. So I try to develop a perspective in my writing where politics is just one of the pieces of furniture in this furnished world. It is not the purpose. It is not the goal.
Every story I create, creates me. I write to create myself. Every story I write adds to me a little, changes me a little, forces me to reexamine an attitude or belief, causes me to research and learn, helps me to understand people and grow.
Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me.
I'm a writer. I should be allowed to speak about my writing at times. And I'm really excited to speak about that. There's nothing I am shameful of or anything else in my novels. They are my children and I'm happy to speak about my children.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works at an art museum, so we go wherever she has a job. All basements look the same, so I can write from whatever basement I happen to be living in.
I've always written. When I was in school, the only teacher who ever liked me was my creative writing teacher. I used to enter poetry competitions, and I don't think I ever lost one. So I had the idea for a while of being some kind of poet.
a good writer should draw the reader in by starting in the middle of the story with a hook, then go back and fill in what happened before the hook. Once you have the reader hooked, you can write whatever you want as you slowly reel them in.
When you start out on a project as an actor, you know, you approach the character from the standpoint of maybe writing a list - even if it's a mental list that you make - of the adjectives that the character has or that character possesses.
I like writing for other people. I love it. It's great because you write it and then you hand it off to someone else. But in terms of directing, anything I direct will be something I've written or re-written. I'm in no crazy rush to direct.
Increase your word power. Words are the raw material of our craft. The greater your vocabulary the more Âeffective your writing. We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.
Asking for advice about what you should write is a little like asking for help getting dressed. I can you tell you what I think looks good, but you have to wear it. And as every fashion victim knows, very few people look good in everything.
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.
I started to write a series of fantasy novels when I was eleven. I have never taken anything artistic as seriously; since then, writing has felt like an attempt to get back there, to my bedroom, my maps, those races and languages and runes.
I certainly wasn't born with creative writing. Maybe there's a certain amount of learning and then it's up to the person. I think in the end it's your favourite books that are the best teachers. That's the way I've learned the most, by far.
Through the years, I have always enjoyed anything Chuck Swindoll has written. When I first got into writing Chuck's books really modeled a style of writing that I thought was accessible to people and yet still biblical. I wanted to do that.
The thing about stand-up was, not only was I getting to write it without anybody saying I couldn't do it, but I got to perform it. It just kind of became therapy for me. I had just gotten through a break-up and I was talking about it a lot.
For me, the intent in a song is to sing it. I compose songs, meaning I'm writing words to be set to music; I'm intending it to not be recited. I'm a singer-songwriter, and I'm a poet, and there really isn't a contradiction, at least for me.
A writer is obviously at his most natural and relaxed when he writes in the first person. Writing is a personal transaction between two people, conducted on paper, and the transaction will go well to the extent that it retains its humanity.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
Sometimes I say that writing a novel is the same as constructing a chair: a person must be able to sit in it, to be balanced on it. If I can produce a great chair, even better. But above all I have to make sure that it has four stable feet.
Sometimes it starts with a random lyric idea that sets the tone for the whole song. Chords and sounds build from the lyric and rhythm, kind of. Sometimes it's a track I fall I love with... but writing my own songs, I rarely write on tracks.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
We've all got to earn a living. And writing songs is what I do. But when I've done a record, it's not that I think it's better or worse than anyone else's, but if I think that nobody else would have done it if I hadn't, well then that's ok.
I am an ordinary human being who is impelled to write poetry. ... I still do feel that a poet has a duty to words, and that words can do wonderful things, and it's too bad to just let them lie there without doing anything with and for them.
The basic skills of math, English and writing are not enough, ... You must develop a basic system of values to form and guide the use of these skills. The true test will not be what you learned in college, but how you used what you learned.
Now that I'm experiencing motherhood, I'm ready to write the next chapter of my family story. Of course a few jaded folks in the press corps will claim I ran out of money or just want to kiss John Corbett again. One of these things is true.